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4 of 4 people found the following review helpful:
5.0 out of 5 stars
a meditative and personal vision from takeshi kitano, March 10, 2001
Ok, things you should know:The edition I received from Japan last year was not subtitled, but as the story revolves around a deaf mute, the language barrier isnt much of an issue. Its the story of a young man, clearly doomed to something of a limited existence as a deaf and mute garbage man, who finds a surf board and simply decides pretty much right then and there to learn how to surf, with a degree of compulsion and commitment that could be considered detrimental, or at the very least anti social. And yet, his love of surfing is so pure, and so honest, that those around him, even those who deride him at first are eventually won over. This is a extraordinarily well shot movie, and the nature of his relationships with those around him is enticing and complex despite the near total absense of dialog. It is when he is enveloped wholly in his passion that he develops true friendships, and the sacrifices that he makes for his passion clearly are justified by not only his own obvious sense of fulfillment, but the way he affects those who come to know him. It is as if his freshly discovered love of surfing imbues his youthful innocence with vitality and perminance, so much so that it is almost impossible for anyone to find fault in his nature, as if he is like a still lake that reflects the best in the onlooker only, magnifying their own patience and passion and vitality and good nature. (It is noteworthy that the concept of a man of exeptionally good nature providing those around him with epiphanies regarding their own nature through his presense alone is not an uncommon theme among Japanese movies, myths, and even religion.) All in all, a lovely and touching film, refreshingly berift of the classic Hollywood formulaic morality that condemns so many otherwise outstanding efforts to the obscurest tombs of indipendant film history. Its one of those films that is so unique and personal in its treatment that it defies conventional criticism to a certain extent, and ultimately becomes something of a meditative experience more than a straight narrative film... but then again, who could expect less from Takeshi Kitano?
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