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No 6 Dance

4.7 out of 5 stars 7 customer reviews

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Audio CD, April 10, 2001
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Product Details

  • Audio CD (April 10, 2001)
  • Number of Discs: 1
  • Label: SMALL STONE RECORDS
  • ASIN: B00005B2V5
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #142,381 in Music (See Top 100 in Music)

Amazon's Five Horse Johnson Store

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By A Customer on May 16, 2001
Format: Audio CD
WOW!
Stop complaining about the sorry-state of Corporate Rock and buy this record...NOW! It's the four-headed-love-child of Black Sabbath and Robert Johnson produced by ZZ Top circa '79. Great, greasy guitar playing. Cool nods to Apacolypse Now and David Bowie.
Best served with cold Budweiser.
WOW!
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Format: MP3 Music
Five Horse Johnson are an Ohio based Blues band who appeal to fans of Stoner Rock and Classic Rock, due to their similar outlook, attitude and production styles.

The No.6 Dance was the band's fourth full-length studio album and was something of a minor breakthrough for the band back when it was released in 2000, and the Mountain referencing track `Mississippi King' was featured in several notable videogame soundtracks.

No.6 Dance is an album that you can just stick on from beginning to end, have a good time and not have to skip anything. The whole thing flows together very well, from the punchy start to the fourteen minute slow-blues closer `Odella,' with no weak tracks and no filler. This is the sort of album you can just keep on listening to, it's pretty difficult not to fall in love with tracks like `Spillin Fire' or `Swallow The World.'

As an album, it is fairly straightforward and bluesy when compared to the two albums which would follow it, those albums incorporated a little more of a Stoner Rock influence into the sound after the band became more associated with bands like Clutch, Halfway To Gone and Sixty Watt Shaman. There are still some moments of that stylistic mixture here however, such as on the superb and catchy `Lollipop' and `Buzzard Luck.'

It is difficult to articulate the band's sound correctly but what my favourite description is, is getting you to imagine what a Stoner Rock band would sound like if they had never heard any Black Sabbath, but had owned a lot of classic Blues Records.

If you like slide guitar, harmonica/harp and Bonham influenced drum grooves then you are in for a good time when you pick up a copy of this album. The vocals purr with a wonderful infectious attitude.
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Format: Audio CD Verified Purchase
Have always been a huge fan of five horse johnson since I went to college in toledo a long time ago. nothing to say but they are an awesome band and no matter what disc you buy, you will be impressed.
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Format: Audio CD
Did you ever want to love a band, but the band just didn't seem to be sure of who they were [like they were suffering from an identity crisis], or where they were going? I remember seeing Five Horse Johnson when they were strictly a blues outfit, opening for some heavy hitters [who've since gone by the wayside], laying out an earthy honest sound, one built around the harmonica, and some great guitar licks. Along the way they switched tracks, they jumped off that steady rollin' blues freight train, one that may not have taken them anywhere fast, or in the comfort they imagined, instead opting for a metro-liner of 70's based stoner-rock, infusing elements of Led Zep with catchy jams that bring to mind the likes of Lynyrd Skynyrd, Molly Hatchet, Blackfoot, and the Black Crows ... building their heavy sound around vocals that now seemed to take center stage, rather than relying on the musical elements that first impressed me.

They're a solid band, hailing from Toledo, Ohio, and to assure you of their sincerity, they open the album with a bit of dialog between Willard and Kurtz, from the remote jungle outpost in Apocalypse Now. Be that as it may, Five Horse Johnson never manage to go rouge, or establish themselves as force to be reckoned with ... they just road a second tear train into oblivion. Well perhaps not oblivion, they've been touring Europe, where they've achieved much more success than they ever managed to do here in the States. I'm not sure if that says more for the Europeans or not, where all things American seem to be embraced.

You know ... it's a pretty fine album, they just weren't able to click with me on that elemental level, or show me anything that I hadn't heard done better long before.

Review by Jenell Kesler
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