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45 of 47 people found the following review helpful:
4.0 out of 5 stars
Tension Rises Very High: Magnificinet Hong Kong Noir, February 7, 2005
'Infernal Affairs' is the biggest box-office hit in Hong Kong in 2002, and if you see it, you won't be surprised with that fact. The film's premises are very simple; it's about a cop who is actually a gangster, and a gangster who is really a cop. With this clever version of 'undercover' theme (that was previously seen in the films like 'Donnie Brasco'), 'Infernal Affairs' presents as much tension and humanity as was seen in that Johnny Depp/Al Pacino film.
Ming (Andy Lau, 'House of Flying Daggers') is a young mole in the Honk Kong police, whose real boss is Sam, head of the Triads. He has been in police force for nearly ten years, and starts to doubt his life while faithfully swears his loyality to Sam.
At the same time, Yan (Tony Leung, 'In the Mood for Love') is an undercover cop, who has been in Sam's Triad for ten years. His superior officer Wong (Anthony Wong) is the only one who knows his real identity in the police, and Yan is also getting fed up with the life based on lies.
As the poilce force confronts the Triads, both Ming and Yan attempt to help their side anticipate the moves of the other. Finally, both sides realize that there are moles among them, and investigations and revenges make these characters lives more complex and unbearable.
DO NOT EXPECT the martial arts or so-called actions. This is a noir, and that means that it is the characters that matter, or their lives. I know, though the story is simple, it needs leap of faith. But the portraits of the people, and the pains of keeping on pretending what they are not, are vividly presented that the audiences will be sucked into the turmoil of their emotions. And the results are often nerve-shattering.
ANd the acting is all top-notch. I hear the talk of Hollywood remakes, which, I am afraid, is a tough work to do. Lau and Leung are both perfect, but more fantastic are Anthony Wong as police inspector and Eric Tsang as Triad boss. Their performances are so magnificient, even sublime at times, that you will stop caring which side would ultimately win.
Helped greatly by the moody camera (Andrew Lau and Lai Yiu Fai & 'visual consultant' Christopher Doyle, 'Rabbit Proof Fence'), 'Infernal Affairs' tells you that without John Woo Hong Kong movie industry can still produce excellent films with a touch of reality.
'Infernal Affairs' is part of trilogy, and you will see 'IA II' and 'IA III' sooner or later. 'Infernal Affairs' is the one you are watching now; 'Infernal Affairs II' is a prequel to it; and 'Infernal Affairs III' is a sequel to the original. But remember, the series is not the usual Hollywood commercial tactics to cash in on the hit movie, for some say '2' is better than the original. That's the only reason I don't give 5 stars, which 'Infernal Affairs' certainly deserves.
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23 of 25 people found the following review helpful:
5.0 out of 5 stars
What a crappy poster!, November 9, 2004
Look at the crappy poster design for this outstanding movie. I just hate how Western versions of Asian films ruin the look and feel of a good movie. The poster makes it look like this movie is a love triangle of some sort or a cheap police crime story. If you can get a copy of the original DVD release in Hong Kong (3 movies in total), get those instead. The posters and covers are much better. They have removable English/Chinese subtitles as well. This is probably the best Hong Kong film of the last decade, so it's worth a shot if you're interested. There's great character development and interesting plot twists that will keep the audience intrigued until the last moments.
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26 of 29 people found the following review helpful:
4.0 out of 5 stars
A movie you want to tell people about!, December 26, 2004
This is one of those movies you want to tell people about, coming from someone who's not really a Hong Kong film aficionado.
It has a simple but ingenious plot, first-rate acting, nice dollops of suspense and gunplay and a satisfying ending.
Simply put, a Triad boss places a young, up-and-coming gangster in the police academy to become a mole. Simultaneously, the police pull an up-and-coming cadet OUT of school, to become a Triad mole.
Ten years later, both moles still exist, and are entrusted by their respective bosses to, bluntly, find themselves.
The two scenes where the good guys and the bad guys dizzily interlace during attempted crimes are real corkers...as good as anything I've seen in years.
You can't watch this film and NOT think of Michael Mann's "Heat"...the cinematography, the urban gun fights, the two mercurial leads...and the rumors of a Scorsese remake only add to my fascination with this movie.
The thing keeping this from a five-star experience is that there are a few peripheral characters that feel like they should be more important, but they're not. There were a few characters who appear once or twice, but are all given these meaningful shots at the film's conclusion...
Maybe if I had seen more HK cinema, I would understand more...but I'll tell you, this is a great movie period, whether you think you like "foreign films" or not.
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