Sony TCWE475 Dual Cassette Player / Recorder

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Product Details

Product Manual [245kb PDF]

• Product Dimensions: 11.2 x 17 x 4.8 inches ; 12 pounds
• Shipping Weight: 11 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S.
• ASIN: B00005T408
• Item model number: TCW-E475
• Average Customer Review: 3.7 out of 5 stars  See all reviews (40 customer reviews)
• Amazon.com Sales Rank: #2,511 in Electronics (See Bestsellers in Electronics)

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  Electronics > Home Audio & Theater > Tape Decks

• Date first available at Amazon.com: November 21, 2001

Product Description

Amazon.com Product Description

Sony's TC-WE475 dual-well cassette player/recorder offers high quality and plenty of great features, including dual auto-reverse playback. When coupled with the deck's relay play feature, dual auto-reverse means you can enjoy up to three hours of continuous music from two 90-minute cassettes. One tape well plays, the other records. You can set the recording input level using a dedicated control or rely on Sony's auto level-setting feature to choose the most appropriate level for your tape (this works best on dynamically limited material such as pop music). Choose from normal- and high-speed dubbing: normal speed for higher fidelity, high speed for greater convenience.

Sony has built the deck with high-density Permalloy tape heads for long life. For noise reduction, the TC-WE475 is outfitted with both Dolby B, the encoding standard used on most prerecorded cassettes, and Dolby C, which buys you another 10 to 20 dB or so of noise reduction beyond that offered by Dolby B (around 10 dB). Use Dolby when recording and, if a tape has been recorded using Dolby, when listening.

Two other technologies specifically heighten the quality of your recordings. During loud level peaks, Dolby HX Pro dynamically adjusts the bias signal (a supersonic and basically sacrificial tone your deck uses to push distortion out of the audible range), effectively letting you record "hotter"--that is, louder on tape--without compressing the high-frequencies of your program material. Secondly, an onboard MPX filter blocks the 19 kHz multiplex pilot tone of FM stereo broadcasts for proper Dolby noise-reduction tracking when you record off the air.

Other features include full-logic, feather-touch transport controls and twin electronic tape counters (one for each deck), which come in handy when you're making a compilation from a variety of source tapes. If you have a Sony audio/video receiver, you can operate the deck from your receiver's remote control.

What's in the Box
Cassette player/recorder and user's manual.

Product Description

Sony's TC-WE475 Cassette Player/ Recorder is packed with features that enable a great listening and recording experience. Utilize our Dual auto reverse feature as you listen, and hear the difference that Dolby B and C noise reduction makes as it suppresses high frequency noise. Also featuring Dolby HX Pro circuitry, Auto Record Level, Multi-AMS track search, Relay Play, and Full-logic feather-touch transport controls, the TC-WE475 is a treasure.

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Customer Reviews

Most Helpful Customer Reviews

77 of 81 people found the following review helpful:

3.0 out of 5 stars No remote automatically makes this less than perfect!, January 9, 2004

By	airfirehorse (Outer Space) - See all my reviews

This cassette deck does have some really good features like HX Pro, Dolby B & C, music search (AMS, which looks for blank spaces to guess where the next song is), and full dubbing capabilities. I have it connected to my Onkyo A/V receiver via both output and input, since all of my components operate through the receiver. It works well this way and i can record from all sources with no problem.

I have a problem with the sound. It's not as good as the specs would have you believe. I've compared it with an Onkyo tape recorder and, although the numbers are similar (as far as wow & flutter and dynamic range), the Onkyo is much better (it was too expensive and had less features, but now i see why it cost more). The big thing is the lack of a remote. Sony has this funky A1II communication bus system, which is only truly useful if you buy all Sony components. I don't so it's useless to me. The excuse for not including the remote is that you can buy a Sony 300-CD Changer that can control this tape deck. I don't like it when companies use this method to obtain sales, so chances are i'll eventually resell this deck and get one with its own remote and better sound.

I paid $150 + tax at Circuit City. Same price as from J&R/Amazon and with shipping costs the price is almost equal. I'd say buy it if the price is $110 or less. That's all it's worth to me personally.

75 of 85 people found the following review helpful:

4.0 out of 5 stars Moderate Quality Audiophile Tape Deck, May 30, 2006

By	Antinomian (Washington, DC) - See all my reviews

150 USD is not really an expensive price for a tape deck of this quality. That would be about 8 new CD's purchased in a store. Ten years ago tape decks cost more, but since cassette tapes are a quickly dying medium, lowering the price is the only enticement left. I have 150-200 cassette tapes with a mix of songs from about 1500 different CD's and albums, so even if I throw out 80-90% of my tapes that's still the equivalent of songs from 150+ different CD's. That would be an expensive replacement cost, let alone what the price of what 1500 CD's would cost. So a new cassette deck allows me access to those relatively few songs I still like.

Phil Audio of Bangalore India didn't like the sound quality. He's listed some high quality equipment so he's familiar with audiophile level electronic equipment. He stated that the Sony deck doesn't sound as good as the specs listed. Sony's specs list 30 Hz-17,000 Hz +/-3dB for the widely available CrO2 high bias type II cassette tape. That's a relatively good range. The important thing to look for is the +/-3 dB value. If missing, the number given is almost meaningless. A tape deck performing at this level should sound adequate. If it doesn't then maybe the source material is of low quality. The other would be if Sony is lying about their specs, in that case they could be liable of [...] and a possible lawsuit. One would hope that a multi-billion dollar corporation like Sony wouldn't risk their reputation and lie about their equipment specs. That doesn't mean it couldn't happen. I own and have owned several Sony products and they've all worked well and as specified. So maybe something else is influencing the sound. I've looked at the specs of a similarly priced Onkyo tape deck. There a little lower at 30 Hz-14,000 Hz +/-3dB, but this is still good and would probably be adequate for most people and Onkyo is another high quality high fidelity electronics company. The one thing I would not consider is relying on the tape deck portion of mini stereo system. I'm mildly familiar with audiophile quality equipment. I have a Harman-Kardon cassette deck that lists 20-21,000 Hz +/-3dB for the lowest level type I tape that's exhibiting some problems after many, many years of use. When I first got this deck, I was a little thrown off by the sound because it played so high in the high frequency range. The low frequency sounds are still there for an adequately recorded tape, it's just with so many high frequencies it's not as immediately noticeable. So if one is listening to low fidelity sound equipment, their ear is becoming accustomed to it and to the probable boominess being used to compensate for the poor sound reproduction. It takes some time then to readjust to high quality sound and reproduction closer to what the musicians originally played at. I have owned a mini-stereo system by Aiwa and the tape deck on it ceased functioning after a few months. Another one lists the specs as 80-12,500 Hz 8dB. What does the "8dB" mean here... who knows. If you want to hear a bad tape player, get out your Sony Walkman (which makes no claim to good sound reproduction, but wasn't meant for that) out of the box and compare the sound of that Walkman to this tape deck to hear the sound difference. If you think the Walkman sounds better in comparison, then either you'll need to listen to this deck for a while to reprogram your ears, or this deck will be actually too high quality for you. If, however, this tape doesn't sound good enough one will then need to progress to higher quality audiophile cassette decks. Years back there was the famous Nakamichi Dragon with enough knobs to look like a missile launch facility or another Nakamichi cassette deck that was auto-reverse but that preserved the quality of a single direction motor that it would physically eject the tape, rotate it and reinsert it (you had to see it to believe it). Now tape decks at this level, if they even still exist, will probably be in the 4 digit price range by now. This Sony tape deck is a moderate level audiophile cassette tape player and at 150 USD is reasonably priced for a dying media (note that it is overpriced at 300 USD in some European countries).

The one thing this tape deck deserves an F for is for their manual. I've read several manuals over the years and this one is nothing short of confusing. They combine the WE-475 and WE-675 into one manual. However, the WE-675 is so different that their are pages just dedicated to it. Also in several places they list: (for WE-675 only) and this includes for the automatic bias adjustment for type I, II, and IV cassettes, that seems to imply that the WE-475 doesn't do that. That would be unfathomable and would be unacceptable for a tape deck at this level. Also for playing and recording in Dolby, it lists (for WE-675 only) in places that if it wasn't for a photo where I could actually see the Dolby switch, I would have thought this tape deck didn't have Dolby, again which would be unacceptable at this price. So if you don't understand something in their manual, it's not you, it's Sony's fault.

The one thing interesting in the Specifications section, is that Sony seems to imply that a type IV metal tape will play at 30 Hz-19,000 Hz +/-3dB, but has a line listed as: 30 Hz-13,000 Hz +/-3dB, -4dB recording. Now this is a confusing spec, but seems to imply that the tape deck will RECORD at a lower frequency range of 30-13,000 Hz +3dB -4dB (?) for a metal tape. Now this was something I've never considered before, that a tape deck would record at a lower level than it played at. Of course a tape recorded at 30-13,000 Hz will only be able to play back at 30-13,000 Hz, no matter what the machine. Let alone what it records at for the much more available type II tape. Now I don't know if this is just unique to this tape deck, which would be a serious negative mark, or whether all tape decks record at a different freq range than they play at and just don't mention it, and thus should give Sony a lot of credit for being honest to mention it.

50 of 57 people found the following review helpful:

1.0 out of 5 stars Bad sound: please don't buy, September 7, 2004

By	Phil Audio (Bangalore, India) - See all my reviews

Hi,
Ok, the specs sound quite impressive. But i would trust my ears more than the printed material. I have hooked it on to a Nad c320 bee with polk 6i. I am sorry, my friends, it sounds REALLY bad. Needless to say, I checked the amp/speaker set up with a cd player. Sound was pretty neat. I plugged in a Sennheiser headphone to the sony tcwe475, and the sound was still bad.
I guess we need to pass it through an equalizer, 'coz there are no sound controlls in the machine.
I assure you, it sounds duller than the simplest mini component you can think of.
I bought it 'coz i trusted the specs and it was recommended by this guy in circuit-city, which brings me to another point: Always trust your ears more than what others say.