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Gradualia: Marian Masses
 
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Gradualia: Marian Masses [IMPORT]

Byrd (Artist), Turner (Artist), William Byrd Choir (Artist)
5.0 out of 5 stars  See all reviews (2 customer reviews) More about this product

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Product Details

  • Audio CD (July 9, 2002)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Import
  • Label: Hyperion UK
  • ASIN: B000066448
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #251,025 in Music (See Bestsellers in Music)

On this CD:
  1. Suscepimus Deus, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  2. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Iustitia
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  3. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Magnus Dominus
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  4. Sicut audivimus, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  5. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Feast of the Purification of the Blessed Virgin Mary)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  6. Senex puerum portabat, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  7. Nunc Dimittis servum tuam, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  8. Responsum accepit Simeon, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  9. Salve sancta parens, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  10. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Easter to Pentecost)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  11. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Eructavit cor meum
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  12. Benedicta et venerabilis, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  13. Virgo Dei genetrix, motet for 5 voices (SSATB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  14. Felix es, sacra Virgo Maria, motet for 5 voices (SAATB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  15. Beata es, virgo Maria, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  16. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Easter to Pentecost)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  17. Beata viscera, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  18. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Easter to Pentecost)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  19. Rorate caeli desuper, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  20. Propers for the Mass of Corpus Christi, for 4 voices (Gradualia, Book 1) Benedixisti Domine
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  21. Tollite portas, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  22. Ave Maria gratia plena, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  23. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Votive Mass of the Blessed Virgin Mary: Advent)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  24. Ecce Virgo concipiet, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  25. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Feast of the Annunciation)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  26. Vultum tuum, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  27. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Feast of the Annunciation)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  28. Speciosus forma, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  29. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Votive Mass of the Blessed Virgin Mary: Christmas to the Purification)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  30. Post partum virgo, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  31. Felix namque es, motet for 5 voices (SAATB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  32. Alleluia, Ave Maria, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  33. Propers for the Mass of Corpus Christi, for 4 voices (Gradualia, Book 1) Virga Jesse
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  34. Gaude Maria, motet for 5 voices SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  35. Diffusa est gratia, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  36. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Propter veritatem
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  37. Gradualia ac cantiones sacrae, liber primus, for 3-5 voices Alleluia (Feast of the Assumption)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  38. Vultum tuum, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  39. Gaudeamus omnes (from All Saints), motet for 5 voices (SSATB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  40. Assumpta es Maria, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  41. Assumpta es Maria, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley

  42. Optimam partem elegit, motet for 5 voices (SATTB)
    Composed by William Byrd
    with Michael George, Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley


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2 Reviews
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5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
5.0 out of 5 stars a voice teacher and early music fan, January 8, 2006
BECAUSE BYRD USED HIS HEAD HE KEPT IT!!!!


A Catholic in the Protestant England of Queen Elizabeth had to be careful to keep his head, in every sense of the word. William Byrd, Master of Musicke, succeeded in living to be eighty years old and dying in one piece. By writing for the Protestant Church a Great Service and a Short Service, and for the Papists three masses, besides madrigals, anthems, and hymns,he remained in the good graces of both.

William Byrd's 'Gradualia' is one of the most elaborate musical works of the English Renaissance. This large collection of Liurgical Music (109 pieces in all), was written for clandestine use by English Catholics at a time when they were forbidden to practise their religion in public. When Byrd began to compose the 'Gradualia' , he turned from the penetential and polemical extravagences of the earlier Latin motets to the narrow, carefully ordered world of the Counter-Reformation Liturgy. It was in this new context,cut off from his familiar practise of choosing colorful texts and setting them at length, that he first wrote about the 'hidden and mysterious' power of sacred words and creative response.

Today he is acknowledged as one of the most versitile, original, and creative composers of all time. The Marian Masses that form the contents of this recording include not only the Marian Feasts generally authorised in 1605, but also the Votive Masses associated with the Virgin. A Votive Mass is a Mass offered for a particular intention or purpose, either on behalf of a group of people, or, as in this case, to a saint who was thought to possess special powers of entreaty at the throne of heaven.

This recording contains motets for 3 to 5 voices that comprise the entire material for the Marian Masses. However, it's not necessary to get too involved in the structure of the mass but to simply enjoy William Byrd's polyphonic writing. There isn't a church within miles from where I live that sings any of this music at all including the Catholic churchs. That's why we all seek out recordings to satisfy our musical thirst.

The singing on this CD is exquisite, the balance always correct and the intensity of devotion always right. And no wonder if you look at the 5 voice choir: Deborah Roberts, David Cordier, Michael Chance, John Mark Ainsley and Michael George. This is a cappella singing at its greatest.

BBC MUSIC MAGAZINE TOP 1000 CDS: "...I listened to all nine 'Alleluia' settings one after another and was astonished at the variety and interest of the music....Byrd at his most impressive and sublime here in the glorious 'Nunc Dimmittis' and in the delicate intricacy of 'Optimam partem'. The recording and performance are superb."
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1 of 2 people found the following review helpful:
5.0 out of 5 stars Bringing Heaven to Earth, May 7, 2008
By Amaranth "music fan" (Northern California) - See all my reviews
Amazon Verified Purchase(What's this?)
William Byrd's polyphonous Masses are marvels of composition and the human voice. Each song is crystalline, like a perfectly cut diamond. In the "Gradualia: Marian Masses",five a cappella voices are woven together. It's exhilarating, sensual music. It brings pleasure to the ear&balm to the soul. Byrd brought the polyphonous arts of Palestrina to the shores of Tudor England. As a Catholic, he faced potential persecution for his faith. Somehow, miraculously, he survived. He could be compared to David playing his harp to soothe King Saul's soul.

The Marian Masses have a universal appeal. A devout Catholic hears orthodoxy translated into musical form; for a Goddess worshipper, it's a celebration of the feminine divine. A Buddhist can visualize Tara, the embodiment of compassion; even an atheist can appreciate the humane skill of Byrd. Music is healing.
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