Amazon.com essential video
A Beautiful Mind manages to twist enough pathos out of John Nash's incredible life story to redeem an at-times goofy portrayal of schizophrenia. Russell Crowe tackles the role with characteristic fervor, playing the Nobel prize-winning mathematician from his days at Princeton, where he developed a groundbreaking economic theory, to his meteoric rise to the cover of
Forbes magazine and an MIT professorship, and on through to his eventual dismissal due to schizophrenic delusions. Of course, it is the delusions that fascinate director Ron Howard and, predictably, go astray. Nash's other world, populated as it is by a maniacal Department of Defense agent (Ed Harris), an imagined college roommate who seems straight out of
Dead Poets Society, and an orphaned girl, is so fluid and scriptlike as to make the viewer wonder if schizophrenia is really as slick as depicted. Crowe's physical intensity drags us along as he works admirably to carry the film on his considerable shoulders. No doubt the story of Nash's amazing will to recover his life without the aid of medication is a worthy one, his eventual triumph heartening. Unfortunately, Howard's flashy style is unable to convey much of it.
--Fionn Meade
If you think the title stinks, try the movie. Russell Crowe plays John Nash, a real-life mathematician whose most radical work was produced in his early twenties and who shared the 1994 Nobel Prize for Economics at the age of sixty-six. In between lay years of darkness, during which Nash was assailed by paranoid schizophrenia. When it comes to the delicate matter of his delusions, this earnest movie, written by Akiva Goldsman and directed by Ron Howard, pulls a flagrant scam: whole characters and episodes are presented as urgently authentic, only to be revealed as figments of a cracked imagination. Crowe pulls out the stops, but he looks too bullish and controlled for such a pitiable victim. On safer ground, Ed Harris lends his icy eyes to the role of a Cold War spymaster. The movie grinds on forever until it bumps into redemption; the best reason to stay with it is Jennifer Connelly, who smolders and suffers to perfection as Nash's weary wife. Math skills not required. -Anthony Lane
Copyright © 2006
The New Yorker