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32 of 36 people found the following review helpful:
5.0 out of 5 stars
HOLLYWOOD ARE YOU WATCHING?, January 22, 2002
Apparently based on a true story (or at least a true myth) Brotherhood of The Wolf is a wonderful movie full of surprises. Part pre-revolutionary French period drama (complete with scantily clad peasant maidens with heaving bosoms and creepy aristocrats), part political allegory, part martial arts movie, and complete with gothic trimmings (a la Hammer House of Horror - secret societies, castles and candle-lit cellars etc.). Brotherhood of The Wolf is no euro art-house movie but it really is a must see.I'm not generally a fan of foreign movies but that's probably because this is only the third foreign movie I've seen on the big screen (the other two were `Crouching Tiger Hidden Dragon' And `Amelie'). This movie received such universal high praise that I just felt compelled to go and see it and I must admit that although I initially struggled with the subtitles during the more conversation filled early scenes, after only twenty minutes I had completely forgotten that I was watching a foreign movie with subtitles, so immersed was I in the movie. I don't want to give too much of the plot away, particularly as part of the joy of this movie is its surprise element - just when you think you have the movie sussed it moves in a different direction. Set in France, in 1776, and entirely told in flashback, an unknown and rarely seen beast is terrorising the French rural district of Gevaudan, by killing its women and children. So, King Louis XV dispatches young scientist Gregoire de Fronsac (Samuel Le Bihan) accompanied his Iroquoi native American companion, Mani (Mark Dacascos) to find the uber wolf. On arriving in Gevaudon they find that the soldiers previously sent to catch the beast are more adept at terrorising the locals than they are at hunting, and that region is in a state of complete panic. Director Christophe Gans serves up a stylish period thriller and exhilarating ride, perfectly capturing the period, beautifully photographing the landscapes, seamlessly combined with action scenes of great style and surreal originality. When we are first introduced to de Fronsac and Mani masked and on horseback in the driving rain (a la Dangerous Liasons), they happen across an old man and his whorish daughter being beaten and bullied by brutish soldiers. Cue a change of direction from period drama to action kick ass action movie as Mani delivers a very sound and stylish beating to the thugs, seamlessly directed with the combination of slo-mo and real time action. This is the movie that Tim Burton's `Sleepy Hollow' could have been and should have been. Although the beast special effects (from Jim Henson's workshop( are not the best and perhaps slightly overlong, this is an excellent and very gripping movie, beautifully filmed and directed with superb action and superb acting. Monica Bellucci sizzles as a rather shapely and very attractive high class prostitute. The handsome (in a chunky Gallic way) Samuel Le Bihan makes an great leading man and he is ably supported by the excellent Vincent Cassell (as a menacing one armed aristocrat) and the radiant Emilie Dequenne, as the virtuous Marianne. However, it is Mark Dacascos (Driven) who steals the show as de Fronsacs blood brother Mani. With striking good looks, charisma, and a great deal of both physical presence and martial arts skills, coupled with his acting ability, he lights up the screen and given the opportunity he will go on from here to be an international star. Personally I can't wait until the movie is available on DVD. Apparently Ang Lee described `Crouching Tiger Hidden Dragon as Bruce Lee meets Jane Austen', this is much more than Dangerous Liasons meets John Woo meets Hammer House of Horror. This is a real gem of a movie that I am so glad I `discovered'. Stunningly original in its combination of styles and genres and a great example to Hollywood of what they should be producing. Very entertaining!!! (See it now before they make a horrible English language remake).
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