24 Hour Party People [Music from the Motion Picture] [SOUNDTRACK]

Various Artists (Artist)

Product Details

• Audio CD (August 6, 2002)
• Original Release Date: August 20, 2002
• Number of Discs: 1
• Format: Soundtrack
• Label: Sire / London/Rhino
• ASIN: B00006EXHV
• Average Customer Review: 4.3 out of 5 stars  See all reviews (18 customer reviews)
• Amazon.com Sales Rank: #33,412 in Music (See Bestsellers in Music)

Track Listings

1. Anarchy in the UK - Sex Pistols

2. 24 Hour Party People - Happy Mondays

3. Transmission - Joy Division

4. Ever Fallen In Love - The Buzzcocks

5. Janie Jones - The Clash

6. New Dawn Fades (Live) - New Order feat. Moby, Billy Corgan, John Frusciante

7. Atmosphere - Joy Division

8. Otis - Duritti Column

9. Voodoo Ray - A Guy Called Gerald

10. Temptation - New Order

11. Loose Fit - Happy Mondays

12. Pacific State - 808 State

13. Blue Monday - New Order

14. Move Your Body - Marshall Jefferson

15. She's Lost Control - Joy Division

16. Hallelujah (Club Mix) - Happy Mondays

17. Here To Stay - New Order

18. Love Will Tear Us Apart - Joy Division

Editorial Reviews

Amazon.com

Centered around the legendary nightclub the Hacienda, the evolution of Manchester, England's clubbing culture from punk's birth to the exuberant late-'80s, drug-addled "Madchester" scene is documented by 24 Hour Party People. As would be expected from a movie celebrating the rise of beat-oriented bands, the soundtrack reads like a who's who of Manchester's punk, postpunk, and dance acts. The dour, minimalist bass lines and desolation of Joy Division blurred into New Order's rhythmic mix of icy dance-floor desire and sorrow after JD vocalist Ian Curtis's suicide in 1980. Each group has their best songs included, as do Happy Mondays, their hypnotic, party-heavy beats and gospel-tinged revelry sounding fresh even today. While not as mainstream, a cut by gentle soulful noodlers the Durutti Column and serene comedown anthems from acid-house legends 808 State and A Guy Called Gerald are also gems. Even better, the two new New Order songs--an apocalyptic take on JD's "New Dawn Fades" with Moby on vocals, and the ultra-clubby Technique-flavored "Here to Stay"--fit in seamlessly. It's likely that fans of these bands already possess most songs included, but Party People is the ultimate snapshot of these eras, a mix tape of artifacts worth revisiting, or experiencing for the first time. --Annie Zaleski

Product Description

2002 soundtrack to the blackly comic tale of music, sex, drugs, and excess. 18 tracks, highlights include 'Anarchy In The U.K.' Sex Pistols, '24 Hour Part People' Happy Mondays, 'Transmission' Joy Division, 'Ever Fallen In Love' Buzzcocks, 'Janie Jones' Clash, 'New Dawn Fades' (Live from Area 1) New Order feat. Moby, Billy Corgan & John Frusciante, 'Atmosphere' Joy Division, 'Otis' Duritti Column, 'Voodoo Ray' A Guy Called Gerald & 'Temptation' New Order.

Customer Reviews

Most Helpful Customer Reviews

12 of 13 people found the following review helpful:

5.0 out of 5 stars Party People, April 20, 2004

By	alexander laurence (Los Angeles, CA) - See all my reviews (TOP 1000 REVIEWER)

The first part of the movie focuses on the band Joy Division and the history of Factory Records. While the movie featured several JD songs, we have the meat here: "Transmission" is their first great song, "New Dawn Fades" is them at their heaviest, "Atmosphere" is their most transcendent (although maybe some members were only concerned with the human sphere), "She's Lost Control" is their first great single and defined Manchester early on, and "Love Will Tear Us Apart" is their most famous song, and their only really positive song, since it contains emotion and the concept of love.

Manchester is known for its cold humor and lack of sentimentality. Right after lead singer Ian Curtis killed himself, they formed New Order, which became one of the most popular bands of the time. His death is the end of chapter one of the story. Soon Ecstasy and dance took hold. Where punk gave us a bleak vision of the world, almost post-nuclear, the rave scene, "Madchester" as it was called, combined rock, drugs and dance. This blueprint has survived to cyber raves down the road from you with Sasha & Digweed. The inclusion of New Order tracks that were more danceable, and A Guy Called Gerald, Happy Mondays, and 808 State are reminders who are the originators. I was 15 years old when Joy Division started and about 27 when "Pacific State" came out and when Happy Mondays collapsed, so this is like the soundtrack to my youth. There are some obscure bands like The Duritti Column represented, but lost are Magazine, The Fall, and A Certain Ratio, who figure more in the movie. But most of that is nit-picking. The movie is great. The soundtrack to the movie is better.

5 of 5 people found the following review helpful:

5.0 out of 5 stars Can't imagine a better compilation, February 29, 2004

By	Rebecca Fox (Evanston, IL United States) - See all my reviews

I normally hate compilations. Hate the concept, hate the low-down commercial intent. BUT this is BRILLIANT. Even if you haven't seen the film, don't know who Tony Wilson is, don't know/care where Manchester is... just buy this compilation. It's a totally inspiring (and challenging) snapshot of an amazing period in British music. Other reviews have pointed out that it's not 'comprehensive' in that it's missing anything by the Stone Roses, but that's irrelevant when you have 18 amazing songs here.

6 of 7 people found the following review helpful:

5.0 out of 5 stars Where's the beef, Alf?, August 19, 2003

By	Pete Gontier (San Diego, CA United States) - See all my reviews (REAL NAME)

I'm afraid Alfonso Lozada has missed the point. The film is about a span of time in the life of one person, Tony Wilson, and is thus structured around his experiences. At the same time, the film is not a documentary but a fictionalized account. On top of all this, the "Tony" character does mention the short shrift the Stone Roses get. Is it really a surprise to find the soundtrack album bereft of artists which did not appear in the film?