Canon GL2 MiniDV Digital Camcorder w/20x Optical Zoom

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Product Details

Product Manual [3.86mb PDF]

• Product Dimensions: 12 x 5.5 x 5 inches ; 2.8 pounds
• Shipping Weight: 9 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S.
• ASIN: B00006FXHQ
• Item model number: 7920A001
• Average Customer Review: 3.4 out of 5 stars  See all reviews (59 customer reviews)
• Amazon.com Sales Rank: #3,570 in Camera & Photo (See Bestsellers in Camera & Photo)

  Popular in these categories: (What's this?)

  #9 in	Camera & Photo > Camcorders > Professional Camcorders
  #39 in	Camera & Photo > Camcorders > Digital MiniDV

• Date first available at Amazon.com: June 29, 2004

Product Description

Amazon.com Product Description

The Canon GL2 (like its predecessor, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video equipment. This camcorder borrows most of those cameras' professional-quality components and puts them into a more compact, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-line consumer camcorder, the GL2 produces such high-quality results that it could be used as a broadcast video camera.

The 3 CCD System
The GL2 maximizes the capability of the DV format by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary color (red, green, blue). A beam-splitting prism separates light passing through the lens into individual color components and each is sent to its own CCD. Compared to a single CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction suitable for the demands of high-end video production - wide dynamic range, low color noise, high-contrast detail, natural color resolution and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased image quality) and Low Light Recording (for increased flexibility) possible.

Professional L-Series Fluorite Lens
Canon has satisfied the demands of experienced image makers for years through the power, design and quality of 35mm and broadcast TV lenses. Canon's Professional L-Series lenses utilize Fluorite, a material which provides outstanding resolution, contrast, and color reproduction- especially in lightweight, high-magnification lenses. Incorporated into the lens on the GL2, Fluorite delivers the ultimate in clarity and image quality. The Fluorite element inside the lens defeats color aberration -- the effect when the components of light stray from one another within a lens, causing a reduction in sharpness, contrast and color. The Fluorite lens precisely controls components of light providing an excellent balance of these three critical ingredients of picture quality. This is unobtainable with conventional optical glass.

To further improve image detail, Canon has intentionally shifted the green CCD (which contains 60 percent of the picture detail) half a pixel horizontally and vertically. This shift allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 square microns, which is about 1.5 times the size as those in competing camcorders. This increased size increases light sensitivity, allowing you to shoot in low-light situations. All this results in outstanding detail, with highly accurate color reproduction suitable for the demands of high-end video production. The GL2 also incorporates a 20x Professional L-Series fluorite optical zoom lens, which is equivalent to 39.5-790mm, as well as a 100x digital zoom.

Audio
The GL2's omni-directional microphone is designed to deliver realistic stereo sound. Using the GL2's advanced accessory shoe expands your audio options. Audio can be recorded in 16-bit mode on two channels on one track. Alternatively, audio can be record in 12-bit mode, where the audio track is divided into two, and two channels of audio are recorded onto one track, with the other left over for audio dubbing.

Optical Image Stabilizer
Canon's superb optical stabilization system corrects camera shake instantly so even hand held shots, at full telephoto, and shots taken from a moving car, are smooth and steady. And since it is optical, there is no loss of image quality inevitable with electronic image stabilizers. It perfectly complements the high picture quality of the DV format.

Digital Stills
You can turn your GL2 into a still camera by switching to 1.7-megapixel photo mode and capturing high-resolution still images onto the camcorder's MultiMedia/Secure Digital card. (One 8 MB Secure Digital card is included with the GL2.) The full-frame images are free from time-lag blur. A six-blade circular iris, as found on Canon's top-of-the-line XL1 and XL1S models, is used for professional exposure control, helping to deliver stunning video and still photos.

Inputs and Outputs
The GL2 comes with the standard DV IEEE 1394 port (also known as FireWire) for a super-fast, lossless connection to a PC or other DV machines. You can also connect to your PC via a USB connection to download still photos. The GL2 is designed to handle two types of analog input and output: using audio/video cables (composite) or S-video. Both connections are on the camera back.

More Features

• Three shooting modes: normal movie mode, digital photo mode, and the cinema-like frame movie mode.
• The Custom Key function lets you create and save your own custom settings so your common shooting modes can be readily duplicated.
• Digital effects are offered for a greater imaging variety, including fader, sepia, strobe motion, and black and white.
• With the Interval Timer function, you can record for a selected time with a selected interval--convenient for nature observations such as flowers or sunsets.

MiniDV Format
The Canon GL2 digital video camcorder uses the standard MiniDV cassette, producing the highest quality video possible from nonbroadcast equipment. The MiniDV format standard delivers more than 500 lines of horizontal resolution. And, because it records both video and audio as digital data, this information can be transferred--without any loss of picture or audio quality--to a computer for editing, then transferred back to DV tape, without a reduction in either picture or audio quality.

Product Description

With the GL2, Canon has created a camcorder with a wealth of features, each selected to elevate further the standard against which other camcorders are judged. The GL2 is a must-have for the person looking for the very best video-making experience. The GL2's excellence begins with its outstanding Fluorite lens and includes pro-level picture adjustment features found only in Canon's top-of-the-line, trend-setting XL1S camcorder.

See all Product Description

Customer Reviews

Most Helpful Customer Reviews

144 of 152 people found the following review helpful:

5.0 out of 5 stars Great for filmmakers, June 4, 2003

By	Colin (Oregon) - See all my reviews

I own this camera, and it's my best friend. Well not really, but it's the most amazing camera I've ever had. You get what you pay for, and you get a lot from this camera.

This is however, NOT a camera that the general public should buy. It's far to expensive, and really wouldn't be worth it to someone who will be using this for filming say a birthday party. There are many features on this camera, which make it as wonderful as it is, but these features would likely be unused by someone new to video cameras. So if you are in this boat, save your money and get a different camera.

What's great about it? The image quality is better than anything I've seen before. With 3CCD, it's good. Unlike the XL-1S, the GL2 has a 2.5 inch color LCD. However, I rarely use this. It takes up more battery power, and you can't see it when there's sunlight. I love the audio controls, and how it's not only stereo microphone, but you can control the levels of your left and right audio, right there, on the camera. I love to convert analogue video into digitial video, and it's almost too easy using the GL2. It's great for getting your older stuff into a digital format, and being able to easily get it onto your computer.

What's bad about it? Really not a whole lot. The 1.7-megapixel photo mode is really uneeded. 1.7-megapixels really isn't that good. The included 8MB card for these pictures isn't enough. If you're going to want to take digital pictures, then get a digital still camera, and don't use the GL2 as a still camera.

But I can't stress enough that if you aren't going to use this for more professional projects, then you really shouldn't get this camera.

32 of 32 people found the following review helpful:

5.0 out of 5 stars Great Unit, June 17, 2006

By	J. Nosek (Norridge, IL United States) - See all my reviews (REAL NAME)

This unit is pretty awesome especially with frame.
Also, a noteworthy thing is this camera first does 16 x 9 and then encoding producing a higher quality image than a comparable Sony model.

I've actually owned the precursor unit to this one, the GL1, and was also pleased with it.

This camera has the hotshoe feature and the longest OPTICAL zoom in its class.

Optical VS Digital, optical definitely wins.

This camera is all-a-round useful and also, this unit is actually the preferred camera of choice for many sports film-makers.

If you take this thing to the slopes like i have, strangers will come up to you and instantly recognize the unit.

Great with kenko lenses.

Only actual thing I've seen is that it doesn't like low light, so adding a VL-3 is a must, or a VL-10 is recommended.

One thing to watch out for is that you must keep care of the camera. For example, you must get yourself a tape-head-cleaner. The Maxell's are a good buy, but you could go OEM if you want to.
Also, don't cheap out on the cassettes.
In my 6 years of using the GL1/GL2, I've always used TDK and JVC tapes. The JVCs come in a 6-pack and can be found a a best buy. The TDKs also come in a 6-pack, and you can find them at Costco.

For more reference, I have pushed this camera beyond its specification as it has been rained on, snowed on, and frozen to the point where there is actually lag in the LCDs and yet, it still works like brand new.

Definitely a good buy !

58 of 62 people found the following review helpful:

1.0 out of 5 stars Too many GL2's with "Remove The Cassette" problem., October 21, 2004

By	L. Welsh (California) - See all my reviews

I bought a GL2 because I had used the GL1 and I liked it. The GL2 was just past the warranty and I kept getting the error message on the screen that said "Remove The Cassette" I paid almost $250.00 for the repair facility to replace the tape transport system which they said was bent. No camera in the world gets better treatment than this one believe me, $2,200 is a lot of money to me. Now the camera is doing the same thing again after less than 6 hours of use. I would strongly suggest doing some searches to see just how many people are having this problem. Mine is anything but an isolated incident. Go to google or dogpile and do a search under gl2 remove the cassette or go to camcorderinfo.com and read the many complaints about this problem in the Canon forum area.