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108 of 120 people found the following review helpful:
5.0 out of 5 stars
Maybe the funniest show you never watched, May 2, 2004
[I rate it 4.5 stars.]"Sports Night" is about an eponymous fictitious hour sports news show on the fictitious Continental Sports Channel. It's a sit-com targeted at an audience who knows what "eponymous" means without consulting a dictionary. But this comedy isn't really about sports at all. It's about intelligent, articulate people who use humor to relieve the pressures that their demanding jobs entail. Aaron Sorkin is the creator of "Sports Night". He also created "The West Wing" a year later, and when he realized that it was a lot easier selling viewers a fictitious White House administration than a fictitious sports news crew, he dropped "Sports Night" like a hot potato. Most everyone knows that "The West Wing" isn't really about Washington politics; instead it's about intelligent, articulate people who use humor to relieve the pressures that their demanding jobs entail. But few people have even heard of "Sports Night". It's a shame, though, because "Sports Night" may be the funniest show you never watched. There are plenty of valid criticisms of "Sports Night". For supposedly intelligent people the characters adopt a large number of unreasonable prejudices. These are all politically correct prejudices, of course. In the world of "Sports Night" when a homeless man flicks open a switchblade he's only cutting a sandwich to share. Aaron Sorkin certainly has trouble writing multiple character voices. Without seeing which characters recite which lines you'd be hard pressed to match characters with dialog from a script; the phrasing and delivery are largely interchangeable. And fully half of the humor of "Sports Night" comes from a predictable formula of repetition. Here's my pastiche of a "Sports Night" dialog: A: "We need to talk."
B: "Is it about X? Because I'm tired of talking about X. We can talk about anything you want, as long as it's not about X."
A: "OK, then." B: "It's not about X?"
A: "It's not about X."
B: "OK, then."
A: "It's about X."
B: "I've got to tell you, if I could make your head explode using only the power of my mind, they'd never get the stain out of the carpet." "Sports Night" in its 2-year run won quite a lot of awards, but none of them were from the writing. It's good that there's still a lot of comic meat left after you strip away the repetition schtick, and much of that comes from the talented cast: Josh Charles (who got his start in John Waters's "Hairspray), Peter Krause (now in "Six Feet Under"), Felicity Huffman ("Out of Order"), Joshua Malina (who followed Sorkin to "The West Wing"), Sabrina Lloyd ("Sliders"), and Robert Guillaume ("Benson"). But the most significant people on "Sports Night" weren't the writers or actors, but rather the impressive crew behind the cameras. Here are just the award "Sports Night" won (skipping the 22 other nominations): 1999 DGA Award, Outstanding Directorial Achievement in Comedy Series: Thomas Schlamme
1999 Emmy Award, Outstanding Multi-Camera Picture Editing for a Series: Janet Ashikaga
1999 Emmy Award, Outstanding Directing for a Comedy Series: Thomas Schlamme
1999 Humanitas Prize, 30 Minute Category
1999 Television Critics Association Awards, Outstanding Achievement in Comedy
2000 DGA Award, Outstanding Directorial Achievement in Comedy Series: Thomas Schlamme
2000 Emmy Award, Outstanding Cinematography for a Multi-Camera Series: Peter Smokler
2000 Genesis Award, Television - New Series
2000 PGA Golden Laurel Nova Award, Most Promising Producer in Television: Aaron Sorkin
2000 TV Guide Award, Best Show You're Not Watching Do you remember the first episode of "ER"? This was ground-breaking television; it pulled you into the story by its technique of using moving cameras to record an action-packed scene in a single continuous piece rather than assemble lots of short cuts together. It's not surprising that Thomas Schlamme directed several episodes of "ER" before bringing this technique to "Sports Night". Continuous action is very expensive to shoot as it requires the sets to be contiguous, the lighting to be in place for all the places the camera will move to, and most importantly all the actors and camera and sound people have to avoid mistakes for the duration of the scene. But the payoff is a superior viewing experience. This show really delivered. I could go on about the great recurring guest cast, with people like Teri Polo, Brenda Strong, William H. Macy, and Jayne Brook. Or the great music that ends most every episode. I could tell you that you'll be disappointed by the extras on the DVD collection (none at all). Or that Sorkin bowed to network pressure and added a laugh track for about half the first season before it became clear that the viewers were people who didn't need a laugh track to get the jokes. But the most important thing I can tell you is that you really should check out "Sports Night". Despite its several flaws it got many things right. "Sports Night" is good entertainment.
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32 of 34 people found the following review helpful:
5.0 out of 5 stars
One of the best series ever!, August 20, 2002
Writer/creator Aaron Sorkin and director Thomas Schlamme went on to develop NBC's "The West Wing" during the second season of this wonderful series.From the beginning, ABC had no clue of how to handle this show. First, they insisted that the producers ad a laugh track, because you don't know when to laugh. Then, they started to promote it like a soap opera, because it had serious issues to deal with at times. Ultimately, the quality of the show came through. A fabulous cast provided excellent performances. Josh Charles ("A Few Good Men") and Sabrina Lloyd ("Sliders") are the MVPs here, consistently giving the show it's heart. Peter Krause ("Six Feet Under"), initially stiff in his "on air" role as Casey McCall, settled in well mid-first season. The real gem here is Robert Guilamme ("Benson"), his Issac Jaffe is an excellent character brought to life with his gentle touch. Guilamme's real-life stroke was written into the series, and when he returned in the second season made for some wonderful moments and sly dialogue delivered by the veteran actor. If you've not yet experienced this series, you may want to catch a rerun on late night Comedy Central. But, I whole-heartedly endorse adding this DVD set to your personal collection.
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33 of 36 people found the following review helpful:
5.0 out of 5 stars
A great nominee for the best TV show you never saw, April 21, 2003
The proof of the pudding for the value of "Sports Night" is probably the fact that my wife, who usually refrains from attending sporting events with me and invariably walks out of the room if I turn on Sports Center, loved "Sports Night." This Aaron Sorkin creation aired for roughly two seasons worth of episodes between 1998-2000, and it provides the same sort of witty repartee and verbal sparring that we get on "The West Wing," albeit without the political overtones that make it a hit or miss with the ideological sensibilities of the viewer. On this show the outrage comes out of the casual dismissal of Babe Ruth as the athlete of the century, if you are really concerned about such things, but mostly this show is about the glories of frustration.
On one level the frustration comes from the wonderful and wacky world of being the 3rd rated 11 p.m.cable sports news show, where live prize fights do not go as long as planned and a newly signed baseball free agent disses the Big Apple in an interview. This is a world where how to stretch a story 15 seconds to the next commercial break raises the distinct possibility of destroying lives or at least careers, but not as much as the grim possibility that the network will be bought by somebody who will immediately kill off the show. Unlike "Murphy Brown," the most obvious fictional show to bring up for comparison, such crises might be a source of biting humor but they are not comic situations.
But more importantly there are the love lives of the main characters, which produce considerably more frustration on the part of the viewers. Casey McCall (Peter Krause), the anchor on the right is recently divorced and has strong feelings for producer Dana Whitaker (Felicity Huffman), who reciprocates them. However, these feelings do nothing to preclude the couple from putting every obstacle possible in their way. Dan Rydell (Josh Charles), the anchor on the left, falls for Rebecca Wells (Terri Polo), who he learns is not only married to a jerk, but interesting trying to work things out with him (the jerk, not Dan). Then there is Natalie Hurley (Sabrina Lloyd), the associate producer, who waits with pretty much no patience for Jeremy Goodwin (Joshua Malina), the walking encyclopedia of sports and other trivial matters, to notice that he is smitten by her.
Overlooking both areas of frustration is Isaac Jaffe (Robert Guillaume), the font of all wisdom and chief buffer with the CSC network, even if he does not always understand what his young charges are complaining about at any given moment. But when Isaac says something, like when he tells Dan that he loves him, but that he is never going to be impressed by a young white man comparing himself to Jackie Robinson. "Sports Night" is one of those works were you need to remember that God is in the details. Example: When Isaac gives Dana tickets to see "The Lion King" on Broadway, she returns all excited and quotes the lines of the character who summons all the animals; Robert Guillaume did the voice of Rafiki in the 1994 movie. So be open to deep and hidden meanings when you work your way through these six DVDs.
If you actually have a true appreciation for sports and if breaking a world's record or remembering the career of a forgotten sports figure have deep personal meaning for you, then "Sports Night" is an even richer tapestry. But the chief charm here is the verbiage flying back and forth at high speed (it does for the half-hour sit-com what "Moonlighting" did for the hour long sit-com in that regard). I only caught a few of these episodes the first time around, when those who cared about the quality of network programming were screaming that a show worthy of praise was going down the tubes, and I knew it was good, but I did not know that it was this good. Oh, and if we are making suggestions for vastly under-appreciated and greatly lamented television shows that should be released in their entirety on DVD, I want to vote for Hugh Wilson's "Frank's Place." Thank you for your attention to this matter.
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