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60 of 76 people found the following review helpful:
5.0 out of 5 stars
THEY DO NOT COME IN PEACE..., September 13, 2002
This is a superlative movie on many levels, and the director, M. Night Shyamalan, proves that he is a force with which to be reckoned. After his blockbuster hit, "The Sixth Sense', the viewing audience expected great things from him. When his next film, "Unbreakable", did not draw the raves that "The Sixth Sense" did, the viewing public anxiously awaited his next film to see if Shyamalan could, once again, hit it out of the ballpark. With "Signs", he confirms that he is, indeed, one of the directorial greats. This film is about many things. It is about loss of a loved one. It is about family. It is about relationships. It is about things that we cannot control. It is about the inexplicable. It is about destiny. Yes, it is most certainly about alien invasion. It is also ultimately about one man's crisis of faith. The film is a wonderful, scary, and amazing film. It centers around the Hess family, who has recently sustained the loss of Colleen Hess (Patricia Kalember) in a terrible accident one night. Wife to Graham (Mel Gibson), mother to Morgan (Rory Culkin) and Bo (Abigail Breslin), and sister-in-law to Merrill (Joaquin Phoenix), her death was felt on many levels. Graham, a minister in rural Bucks County, Pennsylvania, was so distraught over the senseless (or so he thinks) death of his wife, that he left his ministry and is now living a purely secular life with their children and his brother, Merrill. Graham simply cannot understand why God has seemingly forsaken him. The death of his wife has divested him of his faith, and he finds himself struggling in the world without it. One morning, Graham discovers crop circles in the cornfield in front of his house. Other strange things begin to happen, all while he is trying to maintain a sense of normalcy in a world that has suddenly changed in a way that he could never have envisioned. Worldwide, crop circles are mysteriously appearing, seemingly strategically, and, before one knows it, alien invaders are here. They are creepy. They are scary. They do not come in peace. The focus of the film is not so much on the alien invaders, however, but on how the family responds and interacts in this time of crisis. There are some very frightening scenes in this film. They are all the more frightening for what one does not see rather than what one does see. There are some aspects of "The Blair Witch Project" at work here. Shyamalan certainly understands the concept that less is sometimes more and uses it to great effect. The effective use of tension by the director is one of the great strengths of this film. Sly, subtle humor is also used to great advantage. The other important component of the film is the acting. There is not one bad performance in this film. Shyamalan, who normally gives himself a brief cameo in his own films, gave himself the part of Ray Reddy, the man who was the catalyst for the tragedy that enveloped the Hess household. He gives a more than credible performance. Abigail Breslin is simply delightful as little Bo, a child too young to fully comprehend what is going on around her, but who, nonetheless, reacts to its shifting permutations. Rory Culkin (yes, Macauley's younger brother in real life) gives a wonderfully intense performance as Bo's big brother. A somewhat singleminded child, he immediately becomes a believer in extraterrestrials and tries to gain an understanding on his own of what is to come. It is Mel Gibson, however, along with Joaquin Phoenix, who ratchets up the ante. Mel Gibson gives a beautifully nuanced and sensitive performance, playing it totally straight with occasional flashes of humor. It is a performance of a conflicted man who cannot bear what has happened to him and does not reach an understanding until it is almost too late. In the end, he is able to see how some of what has happened to his family has had a semblance of a greater design. Even his wife's last words to him, so seemingly meaningless before, grow rich with meaning at the end. Joaquin Phoenix is one of the younger generation's most talented actors. He infuses the role of Merrill with a vulnerability that is, at times, heartbreaking. Yet, somehow the viewer knows that the Hess family can count on him to be there for them one hundred percent. While he is not so conflicted as his brother Graham, however, he seems to need validation. As the film barrels towards its climactic ending, scenes leading up to Colleen's last moments are woven throughout the film. This serves to show the viewer that the events of the present have meaning when grounded in the context of the past. It will come full circle in the end. This is a wonderful, beautiful, suspenseful, and scary film that is well worth seeing, and I eagerly await release of the DVD.
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