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49 of 53 people found the following review helpful:
5.0 out of 5 stars
From Top-to-Bottom, Side-to-Side, it had Quality!, April 25, 2003
Back in the mid-1990's, I was connected with an organization called "Viewers for Quality Television," or "VQT." It was a group of people championing television programs, especially dramas, that didn't get much attention from the Emmy's, but should have.
"Homicide Life: Life on the Streets" was one of our shows we fought for. While NBC stuck with it, often halfheartedly, for several years while erratically scheduling it alternately in good time slots (following the Superbowl one week, then not showing it for several weeks), then moving it to a different night every couple of months, e.g. January 1993 (Sunday), Feb-March 1993 (Wednesday), then keeping it off the air until January 1994 (Thursday), and then moving it after a few months in October 1994 (Friday), it was doomed to fail, but we watched it anyway...hoping that we'd get to see another episode.
The characters were an odd collection of people who cared about what they did, and we as viewers cared about them: Ned Beatty as Stanley (the Big Man), Richard Belzer as Munch, Daniel Baldwin as Beau Felton, Andre Braugher as Frank, and Yaphet Kotto as Lieutenant Giardello (Gee).
SPOILER ALERT! I could write ten pages about wonderful moments from this show: The "small talk" of Stanley and Munch. The pain Frank felt after the death of Crosetti in December 1994. the shooting of Felton, Kay Howard (Melissa Leo) and Stan in January 1995. The warmth of the snowball fight at the end of one show in December with Christy Hyde singing "Have yourself a very Merry Christmas" in the background.
This was great Television that through the advent of DVD we'll be able to watch again and again. Which only goes to show you that in a world that often, from time-to-time, looks like it is going to hell in a handbasket, something wonderful, like these first two years of Homicide, come along.
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36 of 39 people found the following review helpful:
4.0 out of 5 stars
A universe of talent in Baltimore, September 30, 2003
The technical complaints about the "Homicide: Seasons 1 & 2" DVD box set are 100% accurate. The typos on the package, and the lack of English captioning (for one of the most dialogue-intensive shows on TV), betray a lack of planning behind this long-awaited (and relatively expensive) release.However, watching the first 13 episodes of the series removes all other qualms about the set. It's important just to get these shows on DVD and put them back into the public eye. Here's a cop show with no gunfights and no car chases. Although "Law & Order" mostly followed the same rules, here the cops themselves are the attraction, played by a terrific ensemble cast of character actors. Obviously there's Richard Belzer, whose Detective Munch has been used everywhere else from two "Law & Order" series, "The X-Files", and the film epic "A Very Brady Sequel" (!). And Munch is just a minor character in this box set. More prominent cast members (who sadly didn't make it to the show's later, full-season runs) include Ned Beatty as the worn-out Stan Bolander, Daniel Baldwin as good-old-boy Beau Felton, and Jon Polito's Lincoln assassination conspiracy theorist Frank Crosetti. You may remember Polito from his current role as California lieutenant governor Cruz Bustamante. A good way to judge the quality of a TV show is to scan the cast and production credits and see what became of the team a decade later. Apart from big-name directors Barry Levinson and Bruce Paltrow, two Season 1 episodes were directed by Martin Campbell, who revived the James Bond franchise with "GoldenEye" a few years later. Familiar names in the guest cast include Edie Falco (recurring as the wife of an injured patrolman), Julianna Margulies (as Bolander's second-season love interest), the always welcome Luis Guzman as a doomed coffin maker, and Jake Gyllenhaal, playing Robin Williams' kid in the second-season opener. The glue that holds the show together is the Season 1 story arc revolving around the murder of schoolgirl Adena Watson. We trace the investigation through the eyes of nervous rookie detective Tim Bayliss (the underrated Kyle Secor) and his partner Frank Pembleton (Andre Braugher, given to mesmerizing fits of Shakespearean fury). Yaphet Kotto ("Koto", as per the box) takes the cliched role of the minority squad leader and turns in a joyful, fiery performance that equals Braugher's at every turn. Also standing out is the episode with Williams, which deftly turns from an examination of victim's rage to a (somewhat sympathetic) look at the killer's mind. By definition, most other cop shows don't go within a thousand miles of that approach. The commentary by Levinson and Tom Fontana on the pilot episode is above average; however, that's all we get. There's a useless episode from some A&E true crime series; however, the song list, episode trailers, and casting featurette are decent additions. Season 3 is on its way, and none too soon. In the meantime, watch these episodes again.
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20 of 20 people found the following review helpful:
5.0 out of 5 stars
One of THE BEST cop shows ever!, May 31, 2003
I remember stumbling upon the show sometime around 1993 during what is ultimately one of its truly classic episodes ("Three Men and Adena", an episode solely regarding an interview with a suspect in a horrible murder), and stuck around up until it's eventual cancellation years later. The fact that it survived for as long as it did, despite being rather unconvential in its execution (a cop show not revolving around car chases and gun fights) is a credit indeed. The first 13 episodes (which make up the first two seasons it was on the air) boast some truly powerful stories. As impressive is the cast, boasting Yaphet Kotto as Al Giardello, the tough but level-headed Lieuteant of the unit, Richard Belzer as the manic John Munch, who drives his elder partner (played by Ned Beatty) completely nuts. Then there's the twisted partnership between rookie detective Bayliss (Kyle Secor) and the often volatile Pembleton (Andre Braugher), which creates some of the series' truly chilling moments (such as the aforementioned "3 Men and Adena"). And there's more that plays into the intersting tapestry that is "Homicide: Life On The Street." To say it influenced many of the cop shows today would be more than true. In its genre, the show still stands as one of the best of the best, period.
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