Product Details

• Actors: Mel Blanc, Arthur Q. Bryan, Humphrey Bogart, Lauren Bacall, Dave Barry
• Directors: Delmer Daves, Friz Freleng
• Writers: Delmer Daves, David Goodis, Michael Maltese, Tedd Pierce
• Producers: Edward Selzer, Jack L. Warner
• Format: Black & White, Closed-captioned, DVD, Subtitled, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rating: NR (Not Rated)
• Studio: Warner Home Video
• DVD Release Date: November 4, 2003
• Run Time: 106 minutes
• Average Customer Review: 4.0 out of 5 stars  See all reviews (74 customer reviews)
• ASIN: B0000B1OGG
• Amazon.com Sales Rank: #54,182 in Movies & TV (See Bestsellers in Movies & TV)

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• For more information about "Dark Passage (Snap Case)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video

This gimmicky film noir stars Humphrey Bogart as an escaped criminal who undergoes plastic surgery and holes up at the home of Lauren Bacall's character while healing and preparing to prove his innocence. If you can last through the first half-hour of this thing--which is shot entirely from the subjective view of Bogart's bandaged face, which we don't see until later--you might find ample reason in the stars' performances to stick around for the conclusion. But director Delmer Daves (A Summer Place) tests a viewer's endurance with such an obvious, attention-getting ploy. The least of the Bogart-Bacall vehicles (The Big Sleep,To Have and Have Not, Key Largo). --Tom Keogh

Product Description

Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is." So do we. Year: 1947 Director: Delmer Daves Starring: Humphrey Bogart, Lauren Bacall Special Feature: Original Theatrical Trailer B&W/106 Mins.

Customer Reviews

Most Helpful Customer Reviews

22 of 22 people found the following review helpful:

5.0 out of 5 stars All alone in a dark and sinister place, December 7, 2004

By	Mercy Bell - See all my reviews (REAL NAME)

This film is among my favorite film noir now. What really made it for me is that it paints a lonely and shadowy emotional landscape and lets us know and attach ourselves to the characters; characters who aren't criminals or necessarily treacherous, but lonely, solitary people who live in a dark world. Essentially it's a character story, and this works so well with the noirish atmosphere. Happily for us, it achieves all this without being depressing, but entirely captivating and very intriguing.

The plot is fairly simple (well, considering its friends in the genre): an escaped convict tries to hide, has his face disfigured (into Humphrey Bogart, which is pretty funny when you think about it), and then tries to unearth some answers involving his past. During his journey Vincent (Bogart) meets up with these people who all have something in common that drives them, loneliness, and his relationships with them add a compelling depth and intensely personal nature to what could have been an average crime story. It drives the film with these instead of some labryinthian plot about a crime or a heist, although it must be said that the plot is still ridiculously exciting, and still contains loads of suspense and enough twists to keep any noir-phile captivated. San Francisco serves as the magnificent moody setting with Bogart running around the city trying to escape the cops and still take care of his own problems. His hide and seek game really grabs you, it's thrillingly done and they bring you right down into it. Bogart turns in a fine performance, playing a sympathetic character who isn't very streetwise and not much of a tough guy at all (there's one scene where he's on the verge of nausea while talking to a detective, it's a very convincing performance from Bogart). Lauren Bacall is solid in this, again fairly different from other characters she's played. My favorites would have to be Tom D'Andrea and Agnes Moorehead in two excellent supporting roles.

I think some people probably find the style used during the first half hour annoying or gimmicky, it's told from Vincent's point of view (for example you'll have Lauren Bacall looking right into the camera, etc) and his face not shown at all. I once saw a movie using the same style and I couldn't get used to it, but with this one because of the context, how well it's used, and the fact that they only use it for the first third of the film, I think it's actually a pretty effective style.

This is a fine, fine film and one worth watching even just for it's take on the noir genre. It's a palpable, atmopsheric journey into a dark crime ridden underworld and allows us to mingle with its lonely people.

21 of 22 people found the following review helpful:

4.0 out of 5 stars "I'll make you look as if you've lived.", May 30, 2005

By	Westley (Stuck in my head) - See all my reviews (TOP 500 REVIEWER)

Vincent Parry (Humphrey Bogart) has been convicted of murdering his wife; at the start of "Dark Passage," he's escaped from San Quentin and is on the run. He has no where to turn, no one to help him. However, he happens upon a helpful painter, Irene Jansen (Lauren Bacall), and things start to look up for Parry. Before long, however, trouble comes knocking.

"Dark Passage" is solid crime noir: not quite the top of the genre, but very entertaining nevertheless. Seeing Bogart and Bacall together is always a joy, although "Dark Passage" is a somewhat odd pairing -- mostly because Bogart is not seen by the audience for the first half of the movie. The gimmick is that the movie is seen from his perspective until he undergoes plastic surgery, then the new Parry emerges as Bogart. The technique is a bit stagey and awkward at times, but the talented cast pulls it through. Bogart gives a good performance, although the majority of it is essentially voice-over, and Bacall is as beautiful as ever. The supporting cast is also solid, particularly Agnes Moorehead as the meddling Madge.

Based on the book by David Goodis ("Shoot the Piano Player), the plot is pretty unbelievable, but no more improbable than many other good noir films. The cinematography is quite nice and makes good use of the San Francisco setting. Overall, "Dark Passage" is great fun -- watch it, enjoy it, and forget about the glaring plot holes.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Excellent -- 10 stars, October 12, 2004

By	Marky McMark (CA) - See all my reviews

This review is from: Dark Passage [VHS] (VHS Tape)

This is one of my favorite movies and Humphrey Bogart is wonderful and so is Lauren Bacall. I take the video out many times and watch it and always enjoy it. The San Francisco backdrop, stylish photography and excellent performances make it a treat you won't forget.