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26 of 26 people found the following review helpful:
5.0 out of 5 stars
Beautiful album, May 23, 2004
It's demanding a lot, but if you take a leap of faith and look past the frankly dubious cover picture and title, Joshua Bell's latest offering is just as innovative and refreshing as his earlier works like The Kreisler Album and The Red Violin soundtrack. It takes guts to pick some of the best-loved pieces of classical music and opera from the last five centuries and to arrange them for the violin, but that's exactly what Bell and producer Craig Leon have done. Rich yet tremulous, a lush arrangement of Puccini's O Mio Babbino Caro opens the album, followed by two standards for the piano: Debussy's The Girl With The Flaxen Hair and a rendition of Chopin's Nocturne In C-Sharp Minor. The latter starts off almost baroque in feel, but when Bell's violin kicks in with its haunting and mournful refrain, it almost hurts to be confronted with such an exquisite melody. Originally a cello piece, Saint-Saën's The Swan has been transported by the violin's brighter, higher tones into a relatively insubstantial, blink-or-you'll-miss-it flight of fancy. Schubert's Serenade is equally joyous, and in lieu of the original vocals, Bell's violin meets the Academy of St. Martin in the Fields in a pleasing rendezvous. Skipping forward several decades to the Romantic period, Songs My Mother Taught Me is appropriately dreamy and nostalgic but it isn't as good as the final track, a lilting and fluid version of Schumann's Träumerai. Bell's 290-year-old Strad imbues each note with tantalising hints of untold depths: it sings, it screams and at times it seems to have a voice and soul of its own. Bell may merely be the 'translator', but he interprets each note from the heart and it shows.
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