Most Helpful Customer Reviews
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63 of 72 people found the following review helpful:
5.0 out of 5 stars
Ten stars! What a wonderful surprise, December 29, 2003
I had never heard of this movie when my husband rented it on DVD - and it is such a marvelous treasure. It's a luminous coming-of-age story about an English child/girl/woman (Ramola Garai) who lives with her father (Bill Nighy), a successful author suffering prolonged writer's block, gorgeous slightly older sister, bohemian arty stepmother (Tara Fitzgerald), and bespectacled young brother. They move to a cold, drafty, leaky, romantic and picturesque castle in the middle of nowhere, fall behind on the rent, wear an odd shade of green that resulted when the arty and lovely stepmom dyed damn near everything one day.
Rose, the older sister, yearns for wealth. The property on which they live is owned by two brothers who come to inspect things - and that's where the real story begins. Narrated through the POV of Cassandra (Garai), the movie turns into an utterly engaging, wise and wonderful coming-of-age tale of hopes, dreams, plots and counterplots, dashed yearnings, and a painful journey toward adulthood. Hilarious and bittersweet at the same time. Absolutely first-rate performances by the entire cast in a film which ends with the realistic but still hopeful line in `words of one syllable': I love. I have loved. I will love.
I LOVED THIS MOVIE.
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17 of 19 people found the following review helpful:
5.0 out of 5 stars
"I am never going to fall in love. Life is dangerous enough", July 27, 2005
Based on a British novel by Dodie Smith, I Capture the Castle is an absolutely marvelous exploration of teenage love and mismatched romance. Beautifully filmed, subtly acted, and charming from beginning to end, this film is touching, funny, romantic, perceptive, and full of color, verve, and character. And the film also brings 1930's England to life like no other film has managed to do in recent years.
I Capture the Castle is narrated in the first person by seventeen-year-old Cassandra (Romola Garai). Cassandra is a dreamy and wistful kind of girl who obsessively writes in her dairy and possesses a vivid romantic imagination. Cassandra is the younger sister of the flighty and more beautiful redheaded Rose (Rose Byrne). It's 1936, and they live in a crumbling, leaky, and cold rural English castle that James (Bill Nighy), their novelist dad has leased to inspire his next masterpiece.
Bad times have recently fallen on the family. Due to an accident that involved their mother, James now suffers writers block and has become a seedy, lanky, and desperate-looking man. He scored a brilliant success 20 years ago with his first novel, but now he's been artistically silent and fallow ever since, a pale shadow of what he once was. The family indulges him, hoping against hope that he'll eventually find artistic inspiration, while they try desperately to eke out a miserly and penny-pinching living.
The girls, especially Rose, despair about escaping their dank, dreary world. Only kid brother Thomas (Joe Sowerbutts) is untroubled by the family's debt and decay. Thankfully, Rose finally sees a way to escape her parsimonious existence, when two wealthy and handsome American brothers arrive at the castle to claim their inheritance.
Hardy, butch, and blustery Neil (Marc Blucas) is distrustful of the family's neediness, and views both Rose and Cassandra as gold diggers, while the earnest, bookish, and more sensitive Simon (Henry Thomas) soon falls for the money-hungry Rose. Simon also has eyes for Cassandra, as does Stephen (Henry Cavill), a handsome and sexy farmhand. Watching over the proceedings is the flamboyant Mrs. Cotton, the boys' wealthy, chic mother (played by the wonderful Sinead Cusack).
As the story unfolds, the lovely and naïve Cassandra finds herself getting caught in the middle of smoldering passions and misguided romance. She's never quite certain what or whom she wants and spends her days trying to decide within her heart what she should do. Should she admit her feelings to Simon who is still smitten with Rose, or should she commit to Stephen who has always harbored a secret desire for her?
Unlike her radiant but avaricious sister Rose - who is faced with a character-defining choice between love and money, and chooses money - Cassandra at least grasps the countless value of the former, whose heartbreak always can be tempered by hope. For Cassandra, true Love is a risky, and unpredictable endeavor and almost always illusive.
I Capture the Castle is British film making at its best. With director, Tim Fywell, gently and tenderly transporting us to the genteel era of prewar England. Even the story's very discretion is appealing. We know that sex is going on and fueling the action, but it's mostly hidden from our view and only strategically hinted at.
But what makes this film really shine are the actors. Filled with pretty people - Blucas, Cavill, and Thomas are especially attractive; it's actually the appealing young actresses who play Rose and Cassandra who really steal the film. Like delicate English roses they constantly light up the screen, one as sturdy and as robust as the earth, and the other, in love with love, unapologetically obsessed with dreams of money and wealth. Mike Leonard July 05.
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17 of 19 people found the following review helpful:
2.0 out of 5 stars
Why did they ditch half of the book's humor?, January 21, 2004
I Capture the Castle is one of my favorite books and I was predisposed to love the film, but it came up short. The movie remains true to the book's plot, but adopted a seriocomic tone that was too heavy on the serious. The charm of the book lies in the wit of the narrator, Cassandra, even when she writes about her family's poverty, her father's temper, etc. It's all told from a comic slant that contrasts with the subject matter nicely. The movie lost that slant and wallowed in melodrama too often. For instance, the eccentric, selfish, but extremely charming, father becomes simply dysfunctional in the film, stripped of his charisma. The biggest flaw of the film is that the director, instead of standing in the narrator's 1930-ish shoes, imposes a modern context on the subject, which transformed it into a run-of-the-mill drama, and strips out most of the book's wittiness. The movie even adds a ridiculous touchy-feely reconciliation scene between the father and Cassandra at the end that would have made Dodie Smith puke. Sigh . . . Maybe someone who's more deft with period pieces will try a lighter hand with this material and get it right in the future.
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