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Though she made her first movie at the age of 13, Diane Lane has only blossomed into a true star in her 30s, and
Under the Tuscan Sun marks her full flowering. After a brutal divorce, Frances (Lane,
Unfaithful,
A Walk on the Moon) is persuaded by her friend Patti (Sandra Oh) to take a tour of Italy--where, on a whim that she hopes will rescue her from her desperate unhappiness, she buys a rundown villa and sets out to renovate it. Along the way, she gets advice from a former Fellini actress, meets a scrumptious Italian lover, and helps support Patti after her own relationship derails. The conclusion of
Under the Tuscan Sun holds no surprises, but the deft turns and observations along the way are delightful. Lane carries the film effortlessly but surely, exuding both heartbreak and re-awakening passion.
--Bret Fetzer
A soft-core renovation fantasy for educated women. Frances (Diane Lane), a San Francisco writer and teacher dumped by her adulterous husband, goes on a bus tour of Tuscany and falls in love with a crumbling old villa. After many blissfully undramatic episodes-an ancient wall falls down, a toilet mysteriously emits boiling water-the house gets scraped, plastered, painted, and gardened back into shape. It's Frances's life, of course, that really needs work. Luckily, in Rome, she finds Marcello (Raoul Bova)-yard-wide shoulders, blue eyes, all of Italian manhood in a white suit-and drives off with him in his Alfa Romeo convertible. There's a lot more of this sort of harmless, pleasant, inconsequential stuff, with much of it redeemed by the good humor of the writer-director Audrey Wells, who serves up clichés and makes fun of them at the same time. With Sandra Oh as a sharp-tongued Bay Area lesbian friend of Frances's who arrives in Tuscany to have a baby. -David Denby
Copyright © 2006
The New Yorker