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The Tin Star
 
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The Tin Star (1957)

Starring: Henry Fonda, Anthony Perkins Director: Anthony Mann Rating: NR (Not Rated) Format: DVD
4.6 out of 5 stars  See all reviews (24 customer reviews)


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Editorial Reviews

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Anthony Mann made some of the greatest Westerns of the 1950s, all in partnership with James Stewart. Perhaps needing to prove himself as his own man, in 1957 Mann dropped out of Night Passage to do this film. It's a rather schematic character study about a lawman-turned-bounty-hunter (Henry Fonda) who undertakes the professional shaping-up of an effete young sheriff (Anthony Perkins) too tentative to police the streets of his town. Those streets are compositionally present right outside the oversize window of the office where Perkins undergoes a lot of his soul-searching and arguments with Fonda. That's typical of the film--scrupulously designed, yet abstract to the point of dramatic aridity. The VistaVision black-and-white of cameraman Loyal Griggs (Oscar®-winner for Shane) is at once stark and glossy. Fonda's own reclamation as a social being is accomplished by way of a not-very-interesting subplot involving Betsy Palmer and a half-breed child played by Michel Ray. --Richard T. Jameson

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24 Reviews
5 star:
 (17)
4 star:
 (5)
3 star:
 (2)
2 star:    (0)
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Average Customer Review
4.6 out of 5 stars (24 customer reviews)
 
 
 
 
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11 of 11 people found the following review helpful:
4.0 out of 5 stars The Tin Star: A Badge is What You Make of It, December 6, 2003
By Martin Asiner (jersey city, nj United States) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: The Tin Star [VHS] (VHS Tape)
In THE TIN STAR director Anthony Mann creates a western variation of the Grizzled Old Vet Teaching the Raw Rookie. This kind of film has built within it a pre-existing allure for the audience who will want to know if the rookie can learn what his mentor has to teach before crunch time. Henry Fonda is the veteran who used to be a sheriff before he turned to bounty hunting. Anthony Perkins is the green as grass newly appointed sheriff of a small western town who wants only to be good enough to be considered a permanent choice. In strolls Fonda looking for a bounty and what begins as a confrontation between established law and mercenary law soon morphs into a buddy movie. Each sees in the other either what he could be or what he once was. For a gunfighter movie, there is surprisingly little gunfighting. Most of the time, the audience gets a crash course in the finer points of being a peace officer. By the film's midpoint, Perkins wants to know why the Fonda character made the switch from a sanctioned badge to a hired gun. Fonda, as bounty hunter, tells a riveting tale of how a sheriff whom he once knew well (himself) needed money and had to catch a wanted man for the bounty only to find that when he was paid the money it was too late for the reward to be of any use.

The charm of THE TIN STAR is that it shows a character-driven western, a type that was not used again until Clint Eastwood revived the genre in his pre-DIRTY HARRY days. Fonda and Perkins bounce off each other in all the right ways. In supporting roles, Lee Van Cleef, Neville Brand, John McIntyre, and Betsy Palmer add their distinctive style to a beloved genre of the western. In the extended conversations between veteran and rookie, both learn that a badge has a value unconnected to its metallic composition. A true lawman will comport himself just as if the badge were pure gold. THE TIN STAR is a movie of pure gold.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Another Great Anthony Mann Western, March 21, 2007
By Terence Allen (Atlanta, GA USA) - See all my reviews
(TOP 500 REVIEWER)      
Anthony Mann was known for the great hardbitten Westerns he made with frequent collaborator James Stewart, such as The Naked Spur, Winchester '73, The Man From Laramie, and others. But he did make one Western with Stewart's best friend and another Western movie stalwart, the great Henry Fonda.

Fonda comes into a small town with an outlaw dead over a saddle. He's a bounty hunter, formerly a lawman who has become cynical with life and justice, and prefers the pay and independence of bounty hunting to being a town marshal. The town has a young and very inexperienced sheriff, played by Anthony Perkins, who is struggling to hold the town together as a bigoted bully played by Neville Brand tries to force his way into the sheriff's office. Fonda takes a liking to Perkins, and tries to show him the tricks of the trade. When two half-breed brothers kill the town doctor, events spiral out of control.

The Tin Star is full of wonderful performances, from Fonda who sees in the idealistic Perkins the younger man he used to be and learns to love again thanks to Betsy Palmer, who plays a widow who has a half-breed son; to Perkins, who hits the right notes as someone who'll make a fine lawman if his dumb mistakes don't kill him first, and Brand as a menacing, hateful brute who runs over as many people as he can. John McIntire (another frequent Mann collaborator) is also great as the town doctor.

This is an all-time classic. Don't miss it.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars GOES AGAINST MANNs OWN FORMULA, June 16, 2004
THE TIN STAR seems to go against Anthony Mann's own formula, not so much for its plot, but in its casting of the principal actor Henry Fonda as the catalyst that motivates young sheriff Anthony Perkins (and the film) to live up to the demands of the position. Fonda's casting and presence as the hero seems to make the role static and less complex when compared to what James Stewart could have brought to the role (Stewart was Mann's usual choice for the leading man in his Westerns). Fonda's character is one of a bounty hunter / ex-sheriff who appears to have no moral ambiguities, thus the apprenticeship of Perkins under Fonda's moral stalwartness brings a very straightforward relationship to these main characters. Visually the film also seems to be limited to the town rather than on the wide unclosed vistas of the open range. This claustrophobic effect seems to repress elements of this otherwise interesting screenplay. However, these are only observed peculiarities to Anthony Mann's usual style. This is still a tightly scripted and enticing Western. The showdown between Perkins and Neville Brand is excellently played out. Elmer Bernstein's early Western score is very absorbing and insightful to the film's narrative. I particularly like Henry Fonda's role and his performance in this film. This is a good Western.
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Most Recent Customer Reviews

5.0 out of 5 stars Henry Fonda in A Classic Western
THE TIN STAR (1957) is a superb, character-driven drama that is the equal of such classics as HIGH NOON and SHANE. Read more
Published 9 months ago by Michael B. Druxman

4.0 out of 5 stars Fonda's only Western with Anthony Mann
Although Henry Fonda was not as closely identified with Westerns as his buddy, Jimmy Stewart, he did make this one with Anthony Mann who made several of the best of this genre... Read more
Published 15 months ago by Dennis W. Wong

4.0 out of 5 stars Great for a Saturday afternoon!
I didn't know what to expect from this film, but I was pleasently surprised. The story moves slowly, no high pitched excitment or blazing gunfights (no pun intended), but just a... Read more
Published on November 8, 2007 by Dufus

5.0 out of 5 stars Henry Fonda in THE TIN STAR
It has so long since I saw this great western. Lost to TV for many years I was delighted to see it re mastered and put out on DVD. It did not disappoint. Great story . Read more
Published on May 13, 2007 by Gerald Caddy

5.0 out of 5 stars Review of "The Tin Star"
This is another great Anthony Mann directed western minus Jimmy Stewart. Henry Fonda does an outstanding job playing the wise and experienced former lawman turned bounty hunter... Read more
Published on May 12, 2007 by W. W. Gin

5.0 out of 5 stars "I noticed you're wearing your guns too low."
Anthony Mann trademarked film with Henry Fonda as a former lawman turned bounty hunter trying to escape his past, and Anthony Perkins as a brash, overly talkative... Read more
Published on March 25, 2007 by Ghenghis

5.0 out of 5 stars As classic as you can get!
The contribution made by Henry Fonda to classic Westerns is incredible : he made his point early with "The Oxbow Incident," his potent presence in "Drums Along the Mohawk"... Read more
Published on November 8, 2006 by Roberto Frangie

5.0 out of 5 stars Learning the Ropes
Fonda reluctantly takes up the father figure role breaking in Perkins as the town's new sheriff. This minor looking film contains a thoughtful script and good character... Read more
Published on March 21, 2006 by kametamorphic

5.0 out of 5 stars Anthony Mann's best post-James Stewart Western
The Tin Star is full of Anthony Mann's typical plays on perspective and symmetry, the cinematic possibilities of which few other directors have ever really grasped - not merely... Read more
Published on March 5, 2006 by Trevor Willsmer

4.0 out of 5 stars Another fabulous Western from Anthony Mann
Although John Ford is the most celebrated director of Westerns in cinema history, Anthony Mann comes very close to being his coequal. Read more
Published on September 10, 2005 by Robert Moore

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