Product Details

• Actors: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Sam Berry, Bernhard Wicki
• Directors: Wim Wenders
• Writers: L.M. Kit Carson, Sam Shepard
• Producers: Anatole Dauman, Chris Sievernich, Don Guest, Pascale Dauman
• Format: Closed-captioned, Color, DVD, NTSC
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.78:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: 20th Century Fox
• DVD Release Date: December 14, 2004
• Run Time: 147 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (83 customer reviews)
• ASIN: B0002XL35G
• Amazon.com Sales Rank: #19,137 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Paris, Texas" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Something like a perfect artistic union is achieved in the major components of Paris, Texas: the twang of Ry Cooder's guitar, the lonely light of Robbie Muller's camera, the craggy landscape of Harry Dean Stanton's face. In his greatest role, longtime character actor Stanton plays a man brought back to his old life after wandering in the desert (or somewhere) for four years. He has a 7-year-old son to get to know, and his wife has gone missing. The material is much in the wanderlust spirit of director Wim Wenders, working from a script by Sam Shepard and L.M. Kit Carson. If the long climactic conversation between Stanton and Nastassja Kinski renders the movie uneven and slightly inscrutable, it's hard to think of a more fitting ending--and besides, the achingly empty American spaces stick longer in the memory than the dialogue. Winner of the top prize at the 1984 Cannes Film Festival. --Robert Horton

Product Description

After four years' absence, a social dropout reappears in l.a. to claim his abandoned son and then heads for texas to reunite the boy with his mother.

Customer Reviews

Most Helpful Customer Reviews

61 of 71 people found the following review helpful:

5.0 out of 5 stars pure heart, Texas style, June 24, 2005

By	LGwriter "SharpWitGuy" (Astoria, N.Y. United States) - See all my reviews (TOP 500 REVIEWER)

Sam Shepard, the actor-writer, wrote this beautiful film; his friend Wim Wenders directed it. This is a cinematic emotional masterpiece with a core that points straight to the things we love and says, Are we in love with them as they are, or as we imagine them to be?

The title is a perfect representation of this point; it's the town where Travis, played by Harry Dean Stanton in probably his best role on screen, was conceived and where his father said his mother was from, without giving the name of the state, only the town. Paris--as in France--is the fantasy. Paris--as in Texas--is the reality. Did his father love his mother for what she was, a plain girl from Texas, or what he imagined her to be, a "fancy woman" from France?

Travis has the same problem; he's the real focus of the film and around him the Texas twilight casts long, sad shadows that glisten with hope, brilliant colors, and soon to be approaching night. In him's a heart that's torn between his love for what he knows and for what he wants to run away from, between his son, Hunter, his ex-wife Jane, and himself. The only one of these he knows is real is his son, who's the second core of the film. Hunter is the reality of his marriage to Jane, the one thing he knows is solid and true and right in front of him.

Nobody makes films like this anymore. This was done in 1984 and deservedly won a Palmes d'Or prize at the Cannes Film Festival, one of the top awards given to a film director.

Nobody makes films with this much heart anymore. Things have changed.

Things have changed.

16 of 16 people found the following review helpful:

5.0 out of 5 stars This is a Perfect Film, September 12, 1999

By A Customer

This review is from: Paris, Texas [VHS] (VHS Tape)

This is my very favourite movie of all time. This is a perfect film. From Robbie Mueller's breathtaking cinematography, to Ry Cooder's haunting score everything is an excercise in beauty. (Lead actor) Harry Dean Stanton conveys a disturbing yet gentle portrayal of desire, fatherhood, and loss with great lucidity and pathos. Also noteworthy is Nastasja Kinski, whose chemistry with Stanton is unparalleled in recent cinema. The story is certainly one of Sam Sheperd's finest, as is L.M Kit Carson's nuanced adaptation (he wrote the screenplay--and his son plays Hunter, the child star of the film). While this film is a fine achievement in every aspect it is not for the impatient. Some have called it "slow moving," and it is definitely slow in its pace, but one needs time to savour a film of such subtlety as this. Paris Texas is a film that should not be left out of any serious collection, and is a must see for anyone who still regards filmmaking as a craft. I have lost count of how many times I have watched this film and shared it with others.

54 of 65 people found the following review helpful:

5.0 out of 5 stars A Brilliant Cinematic Journey, June 24, 2004

By	Kim Anehall "www.cinematica.org" (Chicago, IL USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

A man wanders aimlessly in the Texan desert as he collapses in a rural bar looking for water. The man is brought to a doctor who finds a phone number in his empty wallet, which he calls in order to find out the identity of the man. The man is Travis (Harry Dean Stanton) and his brother, Walt (Dean Stockwell), comes from California to pick him up as he vanished four years ago and left family behind. Walt is puzzled about Travis's whereabouts for the last four years, but Travis remains silent as he keeps a secret deep within himself. When Travis vanished his wife, Jane (Nastassja Kinski), disappeared after she had left their son in the custody of Walt and his wife.

Paris, Texas is a straight forward story, yet mystifying as it discloses very little for the audience. This is Wim Wenders intention as he directed the film. He wants to coerce the audience to participate cerebrally, and if not the cinematic experience will be lost in time. The bewildering element surrounds Travis and his emotional journey through loss, grief, and love. It is through these emotional states that the story expands, but the tale seems to be fixed in time as the progress is minimal. This simplicity brings about a brilliant cinematic experience, which is enhanced by stunning cinematography and vivid colors as the mirage of the desert heat plays tricks on the mind.