Product Details

• Actors: Simone Signoret, Serge Reggiani, Claude Dauphin, Raymond Bussières, Odette Barencey
• Directors: Jacques Becker
• Format: Black & White, Closed-captioned, DVD, Full Screen, Special Edition, Subtitled, NTSC
• Language: French (Dolby Digital 2.0 Mono)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Studio: DisCina International
• DVD Release Date: January 18, 2005
• Run Time: 98 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (8 customer reviews)
• ASIN: B0006HC0GY
• Amazon.com Sales Rank: #71,611 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Casque d'Or - Criterion Collection" visit the Internet Movie Database (IMDb)

Editorial Reviews

Product Description

Jacques Becker lovingly evokes the Belle Èpoque Parisian demimonde in this classic tale of doomed romance. When gangster's moll Marie (Simone Signoret) falls for reformed criminal Manda (Serge Reggiani) their passion incites an underworld rivalry that leads inexorably to treachery and tragedy. With poignant, nuanced performances and sensuous black-and-white photography, Casque d'or is Becker at the height of his cinematic powers—an achingly romantic masterpiece.

Customer Reviews

Most Helpful Customer Reviews

24 of 30 people found the following review helpful:

5.0 out of 5 stars Becker's Brilliant Depiction of Agonizing Passion..., February 3, 2005

By	Kim Anehall "www.cinematica.org" (Chicago, IL USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Eyes are the source of visual perception though which most people conceive the world and all of its wonders. A moment where two pair of eyes catch one another and there is a spark of mutual interest could lead to further emotional investment. This mutual interest is most frequently triggered through the visual experience, which catches something that fascinates the individual. The fascination rapidly releases a rush of hormones as the visual contact continues and intensifies the emotional sensation through out the whole body. Occasionally, there are physical manifestations revealed through butterflies in the stomach and uneasy feelings that could cause sweatiness and involuntary stuttering. This is a common phenomenon, which most people undergo at least once in a lifetime, known as falling in love.

The moment of falling in love can be overwhelmingly passionate, as the affected could drift into oblivion with muffled thought and reasoning. This kind of love could be damaging to the person, even painful to those near and dear. Casque d'Or opens with such a spellbinding moment where the two main characters, Marie and Manda, gaze at one another unaware of their future predicaments. The title, Casque d'Or, refers to Marie (Simone Signoret) golden hair, which serves a symbolic meaning through the hypnotic effects it appears to have on men. Manda (Serge Reggiani) seems to be under its spell, as he passionately stares at Marie.

The carpenter Georges Manda's luck, or maybe more rightfully misfortune, began when he accidentally bumped into his old jail friend, Raymond. Through Raymond's acquaintances and criminal friends he meets Marie (Simone Signoret) who currently is together with Roland (William Sabatier). Bad omens surround the initial meeting between Marie and Manda, as Marie's jealous boyfriend is ready to turn to violence in order to end to Marie's infatuation.

Roland's boss, Felix Leca (Claude Dauphin), shows his interest in the love quarrel, as he openly expresses his concern for Roland, but internally has an alternative motive to why he wants to help Roland. Felix displays his own interest to Marie and requests that she respond to him later that evening after having thought about it. In the evening Manda appears to express his love for Marie while Roland's jealousy flares out as he suggests that they should go outside to solve their mutual problem. Felix lurks in the social shadow as the two men go out in the backyard to fight for Marie, and he appears the instant before the fight in order to put his dubious plans into action.

In the 1950's most films coming out of Hollywood were heavily influenced by guidelines of what was morally acceptable to depict. This is much due to the harm that the Catholic Legion of Decency accomplished in the 1930s, as the religious organization began to influence the creative process of filmmaking through their moral stipulations. Casque d'Or does not show these stipulations as the story dwells on the nitty-gritty of a love affair amidst criminal elements in Paris. Jacques Becker's story does not glorify or bottle up the darkness in human nature. He simply illustrates the actions of a group of characters in a specific social environment during the turn of the century. It does not turn into a period film, which he also tried to avoid. Instead Becker depicts a doomed couple hoping for a better time and place, as they are aware of their difficult situation.

In a historical perspective Casque d'Or is a masterpiece. François Truffaut and other directors thought it had a tremendous effect on the French New Wave some years later. This is amusing to ponder, as the film was at first received with very little praise in France while the Brits thought it was one of the best films of the year. Today an audience can still rejoice in the triumph that the film offers to its viewers from the beginning to the end, as the end offers something much darker than expected.

5 of 6 people found the following review helpful:

5.0 out of 5 stars Not just a pretty picture, December 16, 2006

By	Trevor Willsmer (London, England) - See all my reviews (TOP 500 REVIEWER)

Casque D'Or may take a little while to get into, with the first half hour being largely milieu and set-up, but once the plot kicks in it's compelling. Seen today it seems certain to have been one of Scorsese's influences in Gangs of New York, not least because Jacques Becker takes the standard period costume drama setting and then plays a down-and-dirty movie that pays no attention to the niceties you're expecting: these characters really are low lives. The knife-fight is tough stuff, and its aftermath beautifully staged, and the finale has real emotional power - not least the shots of Serge Reggiani's almost-dead waltz with Smone Signoret that in a more 'modern' (1940-50s) setting would have pegged out his fate from the moment he met her. Having only seen Signoret in her later haggard roles, it was also a surprise to see just how luminous she was in her youth. Impressive stuff.

4 of 5 people found the following review helpful:

5.0 out of 5 stars Golden Signoret, September 11, 2007

By	Randy Buck (Brooklyn, NY USA) - See all my reviews (REAL NAME)

Jacques Becker's classic romance, cleaned up by Criterion in this splendid new transfer, is essential viewing for anyone interested in French cinema. Signoret, never seen to better advantage than here, and Serge Reggiani are unforgettable as the film's doomed lovers. Co-star Claude Dauphin, as the treacherous gang head, is also masterful, as indeed is the entire cast. In doing a costume film, Becker was concerned that the actors inhabit the clothes and period settings, not vice-versa, and CASQUE D'OR certainly achieves that; eschewing either sentimentality or melodrama, at times the action seems almost documentary in feel. Despite the censorship limitations of the period, there's a marvelous sensuality to the romance on display here -- the morning-after scene between the lovers glows with passion. Somewhat ignored in France upon its initial release, this movie's reputation has grown through the years. This fine DVD release will win for it a new generation of fans.