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Birth of a Nation Silent Film Plus Bo
 
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Birth of a Nation Silent Film Plus Bo (1915)

Starring: Lillian Gish Director: D. W. Griffith Rating: NR (Not Rated) Format: DVD
4.0 out of 5 stars  See all reviews (2 customer reviews)

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What Do Customers Ultimately Buy After Viewing This Item?

Birth of a Nation Silent Film Plus Bo
61% buy the item featured on this page:
Birth of a Nation Silent Film Plus Bo 4.0 out of 5 stars (2)
$7.98
The Birth of a Nation (Enhanced) 1915
21% buy
The Birth of a Nation (Enhanced) 1915 3.7 out of 5 stars (160)
$17.99
The Birth of a Nation
11% buy
The Birth of a Nation 5.0 out of 5 stars (2)
Intolerance
4% buy
Intolerance 4.2 out of 5 stars (40)
$6.98

Product Details

  • Actors: Lillian Gish
  • Directors: D. W. Griffith
  • Format: Black & White, Closed-captioned, Dolby, DVD, Silent, NTSC
  • Language: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rating: NR (Not Rated)
  • Studio: Alpha Video
  • DVD Release Date: April 26, 2005
  • Run Time: 90 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • ASIN: B0007TFIFG
  • Amazon.com Sales Rank: #13,315 in Movies & TV (See Bestsellers in Movies & TV)

    Popular in this category: (What's this?)

    #7 in  Movies & TV > Art House & International > Independently Distributed

Editorial Reviews

Product Description

A tale of the Civil War from the South's point of view, set around a love story between Gish and Walthall.
No Track Information Available
Media Type: DVD
Artist: WALTHALL/GISH
Title: BIRTH OF A NATION
Street Release Date: 04/26/2005
Domestic
Genre: DRAMA

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2 Reviews
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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10 of 14 people found the following review helpful:
3.0 out of 5 stars Birth of a Myth, February 24, 2009
By James A. Young (Harrisburg, PA) - See all my reviews
(REAL NAME)   
D. W. Griffith's film "Birth of a Nation" ranks as a significant piece of myth-making activity on behalf of "The Cause" of the Southern Cofederacy, of (caucasian) national unity as the Great War was underway in Europe, and of perpetuating hideous stereotypes of African Americans. Every North American will profit from watching the film and thus coming to understand how their forebears had been propagandized concerning "the race question" in the not-so-distant past.
The edition under review here does pose some problems. The attending musical background to the film is often annoying, in that it does not correspond to the actions on the screen. Further, gaps in the film exist that, while they do not rob the film of continuity, distract the viewer and leave him/her wondering what was missed. Perhaps that is why this edition is inexpensive.
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16 of 26 people found the following review helpful:
5.0 out of 5 stars That's the way it was, January 4, 2009
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At over 90 years old, this is an amazing film and well worth seeing by those suffering from a lifetime of Yankee propoganda concerning the War Between the States. This was the first film to deal with the deprivation suffered by Southern people after the war, when northern carpetbaggers and corrupt state governments further exploited them. Griffith thinly veils some of more notorious northern hypocrits involved in the anti-slavery movement. After all, both slavery and secession originated in the North.
The film incorporates several revolutionary film techniques for 1915 and was based on the book, "The Klansman" and "The Leopard's Spots" by Thomas Dixon. A reading of these would be interesting in finding out where Margrett Mitchell really got "Gone With the Wind".
This film was highly controversial in its own time, even picketted by the NAACP in major cities. True, there are several portrayals of black folks to shock our modern sensibilities. This is not to say the film is not worthwhile. More shocking is the film's ability to cut so close to the truth as to make the establishment very uncomfortable.
This film is a classic, and more true to history than anyone cares to admit. It basically ended Griffith's career, as he was forced to work under assumed names for daring to be so "politically incorrect".
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