Product Details

• Actors: Adriana Asti, Jenny Astruc, Pascale Audret, Ellen Bahl, Julien Bertheau
• Format: Closed-captioned, Color, DVD, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.66:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: The Criterion Collection
• DVD Release Date: May 24, 2005
• Run Time: 104 minutes
• Average Customer Review: 4.8 out of 5 stars  See all reviews (16 customer reviews)
• ASIN: B0007WFYC0
• Amazon.com Sales Rank: #35,620 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "The Phantom of Liberty" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Any serious lover of film eventually (if not immediately) succumbs to the genius of Luis Bunuel. The bottomless wit and unsentimental clear-sightedness of the Spanish master is evident throughout his career, but Bunuel has the added bonus of never tapering off, never losing his edge. The Phantom of Liberty was produced when Bunuel was in his mid-70s, and it's as hilariously impertinent as anything he ever made. Along with his (and anybody's) key collaborator Jean-Claude Carriere, Bunuel strings together a series of reverse-logic dreams and surrealist blackouts, which flow from one to another without building into anything like a conventional storyline.

A nurse at an inn is sidetracked by a foursome of poker-playing priests, while an S&M couple down the hall invite everyone to their room for a drink and a show; a sit-down party has guests seated on toilets around a table; a police commissioner receives a phone call from his dead sister. None of it makes sense, except that it makes absolute sense. By the time a little girl is reported missing by her frantic parents, despite the fact that she is manifestly with them in schoolroom and police station, the film has entered the zone where comedy and unnerving observations come together in a perfect way. Many top European actors participate in this exercise, including Michel Piccoli, Monica Vitti, Jean Rochefort, and Jean-Claude Brialy. Perhaps the format limits the film from gaining the resonance of latter Bunuel films such as The Discreet Charm of the Bourgeoisie or That Obscure Object of Desire, but it's a marvelous surrealist variety show. --Robert Horton

Product Description

Bourgeois convention is demolished in Luis Bu±uel's surrealist gem The Phantom of Liberty. Featuring an elegant soir#e with guests seated at toilet bowls, poker-playing monks using religious medals as chips, and police officers looking for a missing girl who is right under their noses, this perverse, playfully absurd comedy of nonsequiturs deftly compiles many of the themes that preoccupied Bu±uel throughout his career-from the hypocrisy of conventional morality to the arbitrariness of social arrangements.

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Customer Reviews

Most Helpful Customer Reviews

18 of 19 people found the following review helpful:

5.0 out of 5 stars Bunuel at the top of his form, August 23, 2003

By	LGwriter "SharpWitGuy" (Astoria, N.Y. United States) - See all my reviews (TOP 500 REVIEWER)

This review is from: Phantom of Liberty [VHS] (VHS Tape)

Another great work by Luis Bunuel, The Phantom of Liberty has more outright humor in it than probably any of his other films. When the private and public functions of eating and evacuating are reversed, and monks congregate in a room to watch a man get spanked by a dominatrix, and a soldier passionately kisses a statue, and a haughty professor's butt gets tagged with a full-of-pins paper cutout by some immature cadets, you know you're having fun.

Here it really seems as though Bunuel was essentially making fun of his own intense desire to engage in biting satire, because the feeling is much more of letting loose with some laugh-out-loud antics rather than the need to mercilessly slash and burn social conventions. This is a much lighter film than one would typically expect from Bunuel, and yet that is not at all related to its significance. It's a sharp piece of cinema, full of irreverence that, as many have already indicated, is closer to Monty Python than anything else.

Bunuel's sense of fun here does not require a plot, just as many of his other films don't. But in this film the lack of formal narrative actually seems to work better than in several of his other works; we keep waiting for the next scene to see if it will top what we've just seen--regardless whether there's logic in the seguing or not (there almost always isn't).

A lot of fun and very highly recommended.

11 of 11 people found the following review helpful:

5.0 out of 5 stars Exhilarating satirical surrealist show from Luis Buñuel, October 1, 2005

By	Kenji Fujishima (East Brunswick, NJ USA) - See all my reviews (REAL NAME)

I'm told by fellow film enthusiasts that Buñuel's later films do not show this Spanish master at his best, that his earliest films---his famous collaborations with Salvador Dalí, for instance---show an edgier, more fascinating Buñuel. Whatever. I saw his 1974 film THE PHANTOM OF LIBERTY for the first time recently, and I immediately fell in love with it. There are those who swear by his more popular 1972 Oscar-winner THE DISCREET CHARM OF THE BOURGEOISIE, but somehow I think THE PHANTOM OF LIBERTY is even more entertaining than DISCREET CHARM.

There is no plot to speak of in PHANTOM: this film is basically a collection of surrealist sketches that finds Buñuel playing with all kinds of different ideas and different images. Monks pray for a woman's sick father, and then play poker with the woman and smoke. A group of people sit around a dinner table on toilets, and go to the bathroom to eat in private. Two parents desperately try to find their missing daughter---even though she's right there in class when they call her name. In the universe Buñuel concocts in THE PHANTOM OF LIBERTY, anything goes.

The amazing thing about this movie is that, instead of seeming like an irrational series of surrealistic sketches, THE PHANTOM OF LIBERTY has a broad theme to support its free-form structure: it's Buñuel's comic vision of freedom run amuck. Sure, the idea of liberty is appealing to everyone...but, as Buñuel seems to be suggesting, even freedom has its limits. The opening scene of the movie is set in Toledo, Spain in 1808, as Napoleon's troops attempt to liberate the Spanish and are greeted with cries of "Down with liberty!" There can be times when we want the assurance of authority, rather than the freedom to act in whatever way we please.

Buñuel doesn't take a stand one way or the other, really; he's just an artist who is intrigued by the idea, and his interest fuels the free-form structure of the film, and its content. Almost anything and everything he can think of---within the bounds, I suppose, of the same themes he covered throughout his long and illustrious film career---is thrown into this movie, and while some viewers may perhaps prefer the comfort of a movie with some structure, I found its elegant chaos exhilarating.

Only a master filmmaker who had absolute confidence in what he was doing would dare make a movie like this. I think Buñuel pulls it off triumphantly here; somehow, he makes the movie seem almost logical, the way it progresses. THE PHANTOM OF LIBERTY is a sheer delight. Highly recommended.

4 of 4 people found the following review helpful:

5.0 out of 5 stars "On a flimsy ground of reality, imagination spins out and waves new patterns.", March 15, 2007

By	Galina (Virginia, USA) - See all my reviews (TOP 1000 REVIEWER)

This excellent collection of satirical vignettes is my kind of movie - crazy, dark and comical, it goes any direction it wants and does not follow any rules. When we try to grasp for the meaning, it is like a ghost, a phantom that "leaves us with a wisp of vapor in our hands" and disappears - very much like the liberty, the freedom the humans try to find but instead could only see its phantom disappearing. The film follows many characters on its way shifting effortlessly and playfully from the central ones to the minor ones making minor ones the central and going back and forth from one time period to another. It opens in Toledo during the Napoleonic occupation then jumps to the modern day Paris. It could've gone anywhere and introduced me to any character - it still would've been enormously interesting because it was made by the master who had never lost his curiosity, his inquisitive mind, his memory that consisted of the strange and amazing images, his sense of humor, his childhood dreams, his fantasies, dark and shining and who was able to throw them all on the screen like no one ever was able or will be able to do. To understand Bunuel completely would be as impossible as to catch the Phantom of Liberty - he will be always one of the best and unsolved mysteries in the Art of Cinema.