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Born Klaus Sperber in Essen, Germany, Nomi dressed like an alien, sang like an angel, and electrified new wave-era New York. The classically trained tenor moved to the US in the 1970s. Influenced by Maria Callas, Marlene Dietrich, and 1950s sci-fi films, the "opera-singing pastry chef," as writer Glenn O'Brien described him, developed a unique look and sound that stood apart from every other act to emerge from the East Village. At the height of his fame, he caught the eye of David Bowie, with whom he performed on
Saturday Night Live in 1979. Unfortunately, his AIDS-related death in 1983 curtailed any chance to reach a wider audience. Andrew Horn's evocative portrait rises above the ordinary by documenting a scene as much as its most original participant. Aside from a wealth of archival material,
The Nomi Song includes interviews with Kenny Scharf and Ann Magnuson (but alas, no Bowie).
--Kathleen C. Fennessy
Operatic in pitch and flow, the German-born singer Klaus Nomi was an underground sensation on the performance-art scene of the late seventies and early eighties. His songs, equally influenced by David Bowie and Maria Callas, along with his Kabuki-like performances of them, had a tragic glamour that stayed well away from camp. Andrew Horn's documentary is, like Nomi, arch and arty, and presents his performances in all their mesmerizing intensity. -Bruce Diones
Copyright © 2006
The New Yorker