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14 of 14 people found the following review helpful:
4.0 out of 5 stars
Bloody Brilliant Comedy, Bloody Awful Packaging, August 23, 2005
Cleese and Chapman have pretty much always been my favorite Pythons, and the chance to see them alongside the wonderful Marty Feldman (always Igor in Young Frankenstein to me) and Tim Brooke Taylor was too good for me to pass up.
The material here is brilliant. This is the sort of anti-authoritarian, incisive, satirical stuff in embryonic form that would find its full form a few years later as Monty Python's Flying Circus. There's even a skit, The Four Yorkshiremen, that the Pythons would regularly perform in their live shows. And since the shows were recorded virtually live, its wonderful to see when something goes wrong, such as the Policemen in Drag, where they're all obviously struggling to keep from laughing. I also bought the "Do Not Adjust Your Set" collection, which is aimed at younger children, and doesn't appeal to me as well, although it does contain Palin, Idle, Jones, and occasionally Gilliam.
There is some surviving video from twelve of the thirteen episodes from its 1967 broadcast, and it seems like most of this material is spliced together from those bits to form the five 'episodes' packaged here. I don't know if this contains all the surviving material.
As is most surviving TV shows from this era, the image quality (being a film copy of a video original) is poor. Many contemporaneous episodes of Doctor Who, for example, have been restored to near-original condition with the use of VidFire technology, and certainly this show is just as meritorious of restoration.
I dock this one star for the packaging. At just over two hours, why this couldn't be fit onto a single DVD is beyond me. No commentary, no subtitles, a hard-to-read menu screen. There are interviews with Tim Brooke-Taylor and Michael Palin (of Do Not Adjust Your Set), but these are also included on the "Do Not Adjust..." discs too. Audio exists for all 13 episodes, and it would have been nice to hear some of those lost skits (Cleese and Feldman doing "Bookshop", for example).
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10 of 10 people found the following review helpful:
3.0 out of 5 stars
Some gems, but some cubic zirconium too, December 19, 2006
Would any one want to see this if the careers of John Cleese and Graham Chapman had ended here? Mostly, I think not. There are some good laughs, and a one hour package could be made that would be tremendously amusing. But having to watch the lovely Aimi MacDonald over and over, feeling as if her inanity and tedium is sucking the oxygen right out of my room, is painful. And like Monty Python, sometimes the boys don't seem able to distinguish between a funny idea and a funny sketch. The Nazi game show host probably sounded wildly funny, watching it is excruciating.
So, an early incarnation of the Four Yorkshiremen, one-upping each other with tales of their miserable childhoods, is possibly funnier than the later MP version. Marty Feldman, playing Michael Palin, Eric Idle and Woody Allen, is often brilliant, demonstrating a breadth unseen elsewhere. The Chartered Accountant Dance with a previously unknown to me Tim Brooke-Taylor is glorious. Several clever sight gags show up unexpectedly, providing surprising mirth. And a genuinely clever skit of Scotsmen at the ballet is well executed. I liked much of this, and don't regret seeing it. But comedy for the ages? Nooooo, I think not. I'll share my copy with friends, but if it somehow never finds its way back, I'll not be terribly disappointed.
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11 of 12 people found the following review helpful:
4.0 out of 5 stars
Historically Interesting Python Precursor, December 6, 2006
"At Last The 1948 Show" was a short-lived television show long believed lost. Recently several of the shows were rediscovered and rushed to market as this two DVD set. The show is most interesting to fans of "Monty Python," as Graham Chapman and John Cleese star in the show, and many of the sketches written by the duo later appear in differing (although frequently not differing that much) forms in "Python."
As a "Python" fan, I was surprised how much I enjoyed Marty Feldman in this show: I expected him to be a weaker spot, but I think that he, along with Chapman and Cleese were the unquestioned stars of the show. I have to admit that I never found Tim Brooke-Taylor to be terribly funny or talented, and costar Aimi MacDonald was, while easy on the eyes, painful to watch. In her defense, MacDonald was normally used in simplistic linking bits (that Terry Gilliam's animation would largely perform later in "Python") that were not especially well written and seemed like afterthoughts. Considering this was only a couple of years before "Python" it is amazing to see the relative lack of production values, although I understand that the picture quality itself in the broadcast episodes was much better.
Overall, I gave the series four stars: it is historically significant, and frequently funny, but some of the material is flimsy at best and poorly executed, especially by Brooke-Taylor and MacDonald. I recommend this to fans of "Monty Python's Flying Circus" and other period British comedy: others likely may find it dated and boring.
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