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BEHRINGER ULTRACURVE PRO DEQ2496

4.1 out of 5 stars 54 customer reviews
| 12 answered questions

List Price: $449.99
Price: $299.99 & FREE Shipping. Details
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  • Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
  • Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
  • 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
  • Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
  • Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
  • The ultra-high resolution processor for all EQ, RTA and dynamic applications, especially for PA and audiophile mastering.
15 new 6 used from $179.00
$299.99 & FREE Shipping. Details In Stock. Ships from and sold by Amazon.com. Gift-wrap available.

Frequently Bought Together

  • BEHRINGER ULTRACURVE PRO DEQ2496
  • +
  • BEHRINGER ECM8000
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  • Pyle PPFMXLR15 15 Feet XLR Male to XLR Female Microphone Cable
Total price: $369.40
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Product Information

Item Weight 8.8 pounds
Product Dimensions 19 x 1.8 x 8.5 inches
Shipping Weight 6.4 pounds (View shipping rates and policies)
Domestic Shipping Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
International Shipping This item is not eligible for international shipping. Learn More
Origin Made in USA or Imported
Shipping Advisory This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
ASIN B000CCN152
Item model number DEQ2496
Customer Reviews
4.1 out of 5 stars 54 customer reviews

4.1 out of 5 stars
Best Sellers Rank #7,485 in Musical Instruments (See Top 100 in Musical Instruments)
#189 in Musical Instruments > Recording Equipment > Studio Environment
Date first available at Amazon.com October 2, 2001

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Customer Questions & Answers

Customer Reviews

Top Customer Reviews

By E. Holm on April 20, 2011
I bought this many years ago, maybe around 2005.. It came pre-installed with the v1.4. I had heard that earlier versions had some reliability problems, like simply shutting down permanently even after short term use, or after some time.

I have used mine many times a week (often for many hours pd.), and it still works like new. I started using it in my home "pro"studio as a EQ (and even compressor and width) along with some other equipment when mastering, with great results. It really lifted the final mix so that it could be used as a presentable demo. After a while I decided to slow down my non-profit studio work (I mainly used it as a hobby to help friends release demos). Almost $40.000 (US) in gear, the studio got too expensive to maintain... I now mainly use it for different smaller projects, but have started to use the DEQ2496 with my High-End stereo (with some Snell B-Minor, tube pre-amps and Norwegian amps etc.).

OK, the Behringer DEQ2496: I bought it for around $700 (US) new about 6 years ago, and even then I thought I got a LOT for the money. Now I see it for sale under $300 (US), making it a real bargain. WHY?...:

MY USE
It's a 100% PRO-model, with balanced XLR ins and outs, digital XLR AES/EBU and optical ins and out, XLR MIC-in (12/22 Dbu), balanced monitor jacks (TRS), Wordclock and midi in, out and thru (you can use your computer to select presets etc). But, if you want to use it with your home stereo, you may need some XLR to RCA (phono) adapters (not that expensive) or use the optical in- and outs (often found on many stereo/TV products today.

WHAT IT DOES
Not that much at first glance, but when you go into it, it can do some really great stuff.
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I've owned a Behringer DEQ2496 for my HiFi setup and love the features. Had it now for about 4 years. Digital equilization done with a proper measurement mic and Real Time Analysis (RTA) software like on the DEQ2496 is the only way to get proper sound from your HiFi. You'll have to buy a special measurement mic separately -- Behringer sells a decent one for about $50. I don't care how good your speakers are, the room will modify the spectrum so you must equalize and digital is the *only* way to go! The features you get in this piece of kit are unreal given its low price.

Now, on to the bad parts. It overheats! Behringer knows this but steadfastly refuses to redesign it to make it reliable. I can almost guarantee you that after you own this unit for a year or two, the reliability problems will start. Usually it's the power supply capacitors that slowly go bad and get "cooked" due to their poor heat specs and the PSU overheating. You'll see the unit suddenly shut off. Worse, sometimes it will go into a wild shut-off/turn-on mode which is probably very hard on the digital board due to the voltage spikes it causes on the digital chips. There are also some heat problems on the two SHARC DSP chips on the digital board but the single greatest generator of heat appears to be the switch-mode power supply. In addition to the PSU heat, it also emits a high amount of RFI noise. Just put an AM radio close to the unit to see what I mean. RFI/EM shielding was poorly designed on this PSU. If the PSU goes bad during your warranty, lucky you! Behringer will replace your poorly designed PSU with the same over-heating PSU and you can then expect to again see problems at some point down the road. Sigh!

I've tried various methods to fix the poorly design PSU.
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After using this unit about four times, it started crashing with a message that a "fatal error 11" had occured and to reset the device. I could no longer use the device in my live sound PA system due to its unreliability.

I put some heatsinks on the SHARC digital processor chips which were running too hot to touch with your finger. Once the heatsinks were in place, the unit did not crash even after sitting in my garage in 95 degree heat.

If not for this problem, this unit could be an excellent processor unit, superior in fact to units costing far more. The display gives extremely useful information in a clear way. The multi function EQs and compressors are excellent.

Too bad Behringer did not put 50 cent heatsinks in the unit.
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My low-end, Hi-Fi rig:

Luxman RV-371 Receiver (min. 70 watts rms/ch)
Magnat MSP 120 3-way towers (4 ohm, sealed box, (28-34k +or- 3db))
Onkyo DX-C390 6-disc Changer (transport)
JVC TD-711 Cassette Deck (15-20k +or- 3db - no joke)
Philips CDR 950 (CD Recorder)
Monster Cable Interconnects (soon to replace with Kimber Hero)
Audio Quest multi-strand speaker cable (less than $1.50/ft)
Behringer DEQ2496 (RAM-modified, basic-level mod)

I got my DEQ from Reference Audio Mods (California) with a basic-level mod for $725. I've never heard this machine in its stock form, but, having seen, online, one-too-many debates on whether or not it had stock high-frequency issues, I ended up playing it safe. But, let me back up a bit and try to relate to an audiophile, or enthusiast, just what this thing is and what it can do for a Hi-Fi.

First, this really IS a Swiss-Army knife for Hi-Fi. It is a 31-band p/ch graphic EQ, a 10-band p/ch parametric EQ (1/10th-10 octaves!), a 61-band FFT, RTA Analyzer (w/ optional microphone), a nearly continuous stereo-width adjuster (from mono to extra-wide), a full-range expander and a Dynamic EQ - all implemented in the digital domain! Of course, it has ADC and DAC functions, or you can bypass either or both - although the ADC lacks an input-level control. As an audiophile who lives in an imperfect world - listening rooms of irregular size, shape and response, that must also be used as living spaces, and speaker cable and interconnects that can impart their own, not inconsiderable, tonal response on the set-up, not to mention budgetary constraints on all of the above - the lure of a good-performing, good-sounding, inexpensive, DSP-driven DAC offering digital room correction is pretty hard to ignore(!).
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