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Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone)

4.7 out of 5 stars 35 customer reviews

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Special Features

  • A Streetcar Named Desire (Two-Disc Special Edition)
  • Commentary by Karl Malden and film historians Rudy Behlmer and Jeff Young
  • Elia Kazan movie trailer gallery
  • Feature-length documentary: Elia Kazan: A Director's Journey
  • Movie and audio outtakes
  • Marlon Brando screen test
  • Five new documentaries: A Streetcar on Broadway, A Streetcar in Hollywood, Censorship and Desire, North and the Music of the South, and An Actor Named Brando
  • Black and white, 1.33 aspect ratio
  • Cat on a Hot Tin Roof (Deluxe Edition)
  • Commentary by biographer Donald Spoto, author of "The Kindness of Strangers: The Life of Tennessee Williams"
  • New featurette Cat on a Hot Tin Roof: Playing Cat and Mouse
  • Theatrical trailer
  • Color, 1.85 anamorphic widescreen
  • Sweet Bird of Youth
  • New featurette Sweet Bird of Youth: Chasing Time
  • Vintage Geraldine Page and Rip Torn screen test
  • Color, 2.35 anamorphic widescreen
  • The Night of the Iguana
  • New featurette The Night of the Iguana: Houston's Gamble
  • Vintage featurette On the Trail of the Iguana
  • Theatrical trailers
  • Black and white, 1.85 anamorphic widescreen
  • The Roman Spring of Mrs. Stone
  • New featurette The Roman Spring of Mrs. Stone: Looking for Love in All the Dark Corners
  • Baby Doll
  • New featurette
  • Trailer gallery
  • Black and white, 1.33
  • Bonus disc: Tennessee Williams' South

Product Details

  • Format: Box set, Closed-captioned, NTSC, Widescreen
  • Language: English (Dolby Digital 2.0 Mono), French (Dolby Digital 2.0 Mono)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 7
  • Rated:
    NR
    Not Rated
  • Studio: Warner Home Video
  • DVD Release Date: May 2, 2006
  • Run Time: 518 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (35 customer reviews)
  • ASIN: B000EBD9UI
  • Amazon Best Sellers Rank: #77,505 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone)" on IMDb

Customer Reviews

Top Customer Reviews

By Ed Uyeshima HALL OF FAMEVINE VOICE on May 23, 2006
Format: DVD
If playwright Tennessee Williams's Southern gothic writing style makes his works feel more ornately melodramatic than those of O'Neill or his closest contemporary Arthur Miller, they do provide resonant showcases for the actors inhabiting his characters. This is clearly evidenced in this six-film, eight-disc collection that epitomizes some of the most powerful acting to come out of Hollywood in the 1950's and early 1960's, all directed by true filmmaking masters. Probably because they are the least censored by the studio system at least in the form presented now, the best of the set are Elia Kazan's "A Streetcar Named Desire" and John Huston's "The Night of the Iguana". The others are Kazan's "Baby Doll", Richard Brooks' "Cat on a Hot Tin Roof", Jose Quintero's "The Roman Spring of Mrs. Stone" and Brooks' "Sweet Bird of Youth".

A feral, smoldering Marlon Brando justifiably made his reputation as brutish Stanley Kowalski in 1951's "A Streetcar Named Desire", and his animalistic charisma still leaps off the screen. Intriguingly, one of the extras included in the two-disc set for the movie is footage from a 1947 screen test of Brando when he was 23, and his stardom seems assured even then. The plot of the movie amounts to the inevitable clash between Kowalski and his visiting sister-in-law, Blanche DuBois, a fading Southern belle on the verge of a mental breakdown. Having proven her ability to be a convincing Southerner in "Gone With the Wind", Vivien Leigh expertly handles all the florid dialogue with her particular blend of defiance and vulnerability.

Strong supporting work comes from Kim Hunter as Blanche's naive sister Stella and Karl Malden as Blanche's seemingly respectful suitor Mitch.
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Format: DVD
Warner Bros. has assembled a superb group of films derived from the plays, a novella, and an original screenplay by the immortal Tennessee Williams. Each film has been given a stellar presentation, with the finest of them all, his masterpiece, A STREETCAR NAMED DESIRE, given the Warner 2-Disc special treatment. Filled with documentaries, commentaries, screen tests, and outtakes, this set is really an amazing assemblage of much of Williams' best work. At last we also have a remastered CAT ON A HOT TIN ROOF, which now looks stunning, following a rather faded and pasty DVD in the early days of the format.

Not content to rest on their laurels as others would, WB has unearthed a relatively unknown motion picture that will be a treasure to those who love this man's work.

A Canadian documentary feature from the mid '70s called "TENNNESSEE WILLIAMS' SOUTH" has been rescued from limbo, and how wonderful to have it included as an exclusive bonus in this collection. Not only does it contain rare interviews with Williams shot over the period of a year in both Key West and New Orleans, but it also contains scenes from his plays performed by some of our greatest actors, including Maureen Stapleton, Burl Ives, and most importantly, Jessica Tandy re-creating her performance as Blanche DuBois. A miracle to behold.
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Format: DVD Verified Purchase
This is a terrific boxset, collecting six of the films based on Tennessee Williams's plays (plus another disc with the documentary "Tennessee Williams' South"). All the films are transferred with great care, and look quite wonderful. And the films themselves are fascinating, because (with the exception of BABY DOLL), they're invariably sanitized, as the major studios (Warner Brothers, MGM) struggled to constrain the unfettered imagination of one of America's most floridly uninihibited playwrights. Yet Williams' reputation as one of the premiere writers for actors allows some classic performances, starting with Marlon Brando, Vivien Leigh, Karl Malden and Kim Hunter in A STREETCAR NAMED DESIRE, one of the most potent displays of Method acting which helped to revolutionize American film and theater. Kazan's hyperbolic direction of A STREETCAR NAMED DESIRE is tempered in BABY DOLL, possibly the most charming film in the set (with terrific performances from Carroll Baker, Karl Malden, Eli Wallach, and, most hilariously, Mildred Dunnock). It seems incredible that, at the time (1956), BABY DOLL was the most controversial film of its year, with condemnation and cries of "filth" being bandied about. But BABY DOLL is a comic interlude in Williams' career. CAT ON A HOT TIN ROOF is the most heavily censored, so that all the talk of mendacity makes the film seem mendacious, because no one is talking about what the film is really about. But all the actors go to town with their Southern accents, especially Elizabeth Taylor and Judith Anderson.

But if CAT ON A HOT TIN ROOF seems antiseptic, that's nothing compared to SWEET BIRD OF YOUTH, which is alternately lurid and dainty.
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Format: DVD Verified Purchase
I saw everyone of these at the movie theatre in the fifties and sixties except Baby Doll. It turns out that Baby Doll is my favorite. I realize that the film versions were somewhat changed or toned down for the screen but I love everyone one of them. I was raised in the South and a lot of that world depicted here is gone..... culturally. The human qualities of Williams plays, however, still stand and speak volumes. He and O'Neil and William Inge were America's finest playwrights. Most of the time a good job was done for the motion pictures especially by directors John Huston and Elia Kazan....

Tennessee Williams's plays were psychological explorations of the human soul.

The best here for me are, Night of the Iguana and Baby Doll and of course, "Streetcar". The acting and direction is superb throughout this whole collection...They don't write plays or make movies like this anymore. Not in America. Too real....what we get mainly are comic book movies, with no guts and no soul...they just blow stuff up and make a lot of noise. Americans have always enjoyed stories where problems are solved with violence. There are other stories out there to be told, however...

The Glass Menagerie, Suddenly Last Summer and Summer and Smoke are other Williams adaptations that must be purchased separately. They are good as well...
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