Product Details

• Actors: Takashi Shimura, Toshirô Mifune, Yoshio Inaba, Seiji Miyaguchi, Minoru Chiaki
• Directors: Akira Kurosawa
• Format: Black & White, DVD, Full Screen, NTSC, Subtitled
• Language: Japanese (Dolby Digital 1.0), Japanese (Dolby Digital 2.1)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 3
• Rating: Unrated
• Studio: Criterion
• DVD Release Date: September 5, 2006
• Run Time: 207 minutes
• Average Customer Review: 4.7 out of 5 stars  See all reviews (467 customer reviews)
• ASIN: B000G8NXYG
• Amazon.com Sales Rank: #612 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #1 in	Movies & TV > Art House & International > By Director > Kurosawa, Akira
  #1 in	Movies & TV > Classics > International > Japan
  #1 in	Movies & TV > Art House & International > Asian Cinema > Japan > Drama

• For more information about "Seven Samurai - 3 Disc Remastered Edition (Criterion Collection Spine # 2)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video

Hailed as the greatest film in the history of Japanese cinema, Seven Samurai is director Akira Kurosawa's undisputed masterpiece. Arguably the greatest of all jidai-gecki (or historical swordplay films), Kurosawa's classic 1954 action drama has never been surpassed in terms of sheer power of emotion, kinetic energy, and dynamic character development. The story is set during the civil unrest of 16th-century Japan, as the cowering residents of a small farming village are seeking protection against seasonal attacks by a band of marauding bandits. Offering mere handfuls of rice as payment, they hire seven unemployed "ronin" (masterless samurai), including a boastful swordsman (Toshiro Mifune) who is actually a peasant farmer's son, desperately seeking glory, acceptance, and revenge against those who destroyed his family. Led by the calmly strategic Kambei (Takashi Shimura, star of Kurosawa's previous classic, Ikiru), the samurai form mutual bonds of honor and respect, but remain distant from the villagers, knowing that their assignment may prove to be fatal.

Kurosawa masterfully composed his shots to emphasize these group dynamics, and Seven Samurai is a textbook study of the director's signature techniques, including extensive use of telephoto lenses to compress action, delineate character relationships, and intensify motion. While the climactic battle against raiding thieves remains one of the most breathtaking sequences ever filmed, Seven Samurai is most triumphant as a peerless example of character development, requiring all of its 2-hour, 37-minute running time to illuminate every essential detail of villagers and samurai alike, including an abundance of humor as Kambei's defense plan unfolds. In terms of its overall impact, Seven Samurai spawned dozens of copycat films (notably the American Western remake The Magnificent Seven) and cannot be adequately summarized by even the most comprehensive synopsis; it must be seen to be fully appreciated, and the Criterion Collection's 2006 DVD reissue is an essential addition to any definitive home-video library. --Jeff Shannon

On the DVDs
According to the accompanying booklet, "the picture has been slightly window-boxed (in correct original 1.33:1 aspect ratio) to ensure that the maximum image is visible on all monitors." The two-disc format was necessary "to maintain optimal image quality throughout the compression process," with dual-layered DVD-9's encoded "at the highest possible bit rate for the quantity of material included." The picture and sound quality are simply amazing compared to Criterion's one-disc release from 1998. The all-new, fully restored high-definition digital transfer takes full advantage of HD's clarity and crispness, resulting in picture detail far surpassing the previous DVD. This also applies to the soundtrack, presented in optional Dolby surround in addition to the remastered original mono track. The new transfer "was mastered in 2k resolution from a duplicate negative created with wetgate processing from the original fine-grain master positive" (the film's original negative is no longer available), and "several different digital hardware and software solutions were utilized for flicker, instability, dirt, scratch, and grain management."

The complete 207-minute film is accompanied by two full-length commentary tracks, including a new track combining the critical insights of film scholars David Desser, Joan Mellen, Stephen Price (author of The Warrior's Camera: The Cinema of Akira Kurosawa), Tony Rayns, and the dean of Japanese film experts, Donald Richie (author of The Films of Akira Kurosawa). Each scholar is given approximately 40 minutes of film-time, and their commentaries represent a unique opportunity to appreciate Seven Samurai from distinct yet complementary critical perspectives. The commentary by Japanese film expert Michael Jeck (from Criterion's original 1988 laserdisc release) remains useful as a thorough analysis of Seven Samurai, primarily in terms of visual composition.

The 50-minute "making of" documentary, from Japan's 2002 Toho Masterworks TV series Akira Kurosawa: It Is Wonderful to Create emphasizes Kurosawa's collaboration with co-screenwriters Shinobu Hashimoto and Hideo Oguni, including production footage, crewmember interviews, and a reverent visit to the rural inn where Seven Samurai was written over a six-week period of intense seclusion. The two-hour "My Life in Cinema" interview with Kurosawa was recorded in 1993, with fellow filmmaker Nagisa Oshima serving as a gentle admirer, colleague, and well-informed historian of Kurosawa's career. "Seven Samurai: Origins and Influences" is a richly informative documentary that places Kurosawa's classic in both historical and cinematic context, examining its place in the jidai-gecki (swordplay) genre, its accurate depiction of samurai codes and traditions, and its stature as the prototype for many films that followed. The lavishly illustrated 58-page booklet includes eight brief essays on various aspects of Seven Samurai, each written by noted film scholars or film directors (including Arthur Penn and Sidney Lumet). Also included is a reminiscence by the great actor Toshiro Mifune, excerpted from a conversation recorded in 1993. Taken as a whole, the remastered three-disc Seven Samurai ranks as one of the finest DVD sets ever released. --Jeff Shannon

Product Description

Studio: Image Entertainment Release Date: 09/05/2006

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

207 of 211 people found the following review helpful:

5.0 out of 5 stars Thinking about upgrading?, September 13, 2006

By	Salvador M. Polanco (Chicago) - See all my reviews (REAL NAME)

As a huge fan of older films and music, I am very aware of the many attempts of studios and record companies to reissue and re-market a previously released product in a new and improved format. While many of these reissues are often superior to their previously released counterparts, I have never been one to buy into the "upgrades". I feel that you don't need to have the best sound, the crispest picture, or the excess of supplemental materials in order to enjoy a film and have it affect you. In all my years collecting music CD's (particularly jazz) and DVDs, I think I've upgraded no more than three items from my collections.

I had been hearing for a while now about a new version of Seven Samurai coming out on Criterion that was supposed to have a brand new transfer from a recently discovered source that was to be greatly improved from any other previous edition. Being one of the most beloved films of all time (and one of mine as well), this has been creating alot of excitement in the world of film lovers. Being perfectly satisfied with my version of the Seven Samurai DVD from 1998, I had no plans to upgrade, but a side by side comparison on an internet site peaked my curiosity. And yesterday, being at a local retailer, I saw it on the shelf and decided to spring for it.

Let me tell you....if ANY of you are on the fence about this one, particularly those of you who are big fans of this amazing film, I advise you to go for it. The difference between this edition and the previous edition is so drastic that I could not believe my eyes and ears. I have never had this experience with a DVD before, but the improvements in picture and sound quality are SO great that I actually felt like I was watching Seven Samurai for the first time. The clarity of the picture is absolutely amazing. The glorious black and white tones are much richer, but what's most impressive is how nearly all the imperfections, scratches, and blemishes that were so prevalent on the previous edition have been removed. You can tell why this edition took so long to get released....Criterion obviously took alot of time with this one. Their efforts paid off. Also, the sound has been greatly improved as well. Not only have they cleaned up the original mono soundtrack, but they've added a stereo surround track as well. Normally, I cringe at these "new and improved" soundtracks on old films, but this track does not sound artificial at all, but rather more like an enhanced version of the mono track. The stereo surround track together with the gorgeous new picture made for a unique experience watching the film. You are still watching the great Kurosawa classic that you know and love, but at the same time it seems that even more life has been breathed into it. Didn't think that was possible for such a perfect film, but Criterion proved any doubter wrong.

Please keep in mind that I haven't even gotten to the bonus materials, the commentary tracks, nor the very attractive book yet. And there isn't much more that I can say about this amazing film that hasn't already been said. Just based on the presentation of the film itself in this new package from Criterion, I would highly recommend to everybody who loves this film and is thinking about upgrading their version of the film, that you do so. Its beautiful. And remember, this is coming from someone who doesn't generaly care for "upgrades".

230 of 241 people found the following review helpful:

5.0 out of 5 stars Take a second look at one of the greatest films ever made, January 19, 2002

By	Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews (TOP 10 REVIEWER)    (COMMUNITY FORUM 04)

This review is from: Seven Samurai (Criterion Collection Spine #2) (DVD)

Akira Kurosawa made "Seven Samurai" because he wanted to make a real "jidai-geki," a real period-film that would present the past as meaningful, while also being an entertaining film. Kurosawa considered "Rashomon," the film rightfully credited with making the West aware of the Japanese cinema, with being neither. But in his attempt to make a truly "realistic" film, Kurosawa redefined the conflict at the heart of Japanese films. Before "Seven Samurai" this conflict was that of love versus duty, where the central character is compelled by fate to sacrifice what he loves in the name of duty. In "Seven Samurai" the focus remains on duty, yet the conflict is now between the real and the pretended. Calling yourself a samurai does not make you one, something proven time and time again in the film, from the test of skill turned deadly between Kyuzo (Seiji Miyaguchi) and the tall samurai to the first appearance of Kikuchiyo (Toshirô Mifune), with his stolen pedigree. Like Katshushiro (Ko Kimura), the youngster who wants to learn from the master, Kambei (Takashi Shimura), the audience is educated as to the true nature of the samurai.

For me this film deals with the heroic, albeit in realistic terms. I have shown the film in World Literature classes, after students have read Homer's "Iliad" and as they begin reading Cervantes' "Don Quixote." Within that context, compared to the brutal arrogance of Achilles and the gentle insanity of Quixote, the heroic qualities of the seven samurai become clear. Their inspiration extends to some of the villagers. Manzo (Kamatari Fujiwara) is crazed with fear over the virtue of his daughter, Shino (Keiko Tsushima), and Rikichi (Yoshio Tsuchiya) fights to avenge the disgrace of his wife and his precipitating the death of Heihachi (Minoru Chiaki), but it is the comic Yohei (Bokuzen Hidari), who finds within himself the ability to fight, a die a tragic death, who is the true barometer for what the samurai mean to the village. But the greatest tragedy is that despite this most noble effort and the bodies buried in honor at the top of the village cemetery, this has been but a temporary union between the villagers and the samurai. When Kambei declares, "We have lost again," he redefines the battles: it was not to kill all the bandits, it was to find a true place in the world. Yet we should have already known this, for the painful truth was driven home when Kyuzo, the master swordsman, is gunned down from behind. No better proof is needed in this film of the bitter truth that the world is not fair.

Mifune is the maniacal spirit of this film, as the faux-samurai Kikuchiyo, the dancing whirlwind whose emotions overwhelm everything including himself. But it is Shimura as Kambei, who embodies the mentor mentality with a minimum of effort, evoking more by rubbing his hand over his shaved head or giving a single piercing look than by any spoken dialogue. Even in a strong ensemble these performances stand out, for clearly different reasons. To fully appreciate Kurosawa's mastery in "Seven Samurai" you need to watch the film several times to better appreciate the way he constructs scenes, using contrasting images, evocative music and varying the length of cuts to affect tempo. For example, look carefully at how the early scene of the farmers searching the streets for samurai and the later sequence where Katsushiro watches Kyuzo and Kikuchiyo waiting for the bandit scouts to return to their horses. Both of these scenes are superb primers to Kurosawa's style.

For years we had to put with the 160-minute version of the film that was made for export, which was actually called "The Magnificent Seven" until John Strugis's Western remake. Fortunately, "Seven Samurai" has been restored to full 208-minute glory, saved from being a lamentable cinematic tragedy on a par with "Greed," "The Magnificent Ambersons," and "Ivan the Terrible." There is a sense in which "Seven Samurai" is truly my favorite film, because it was the one that instilled in me a love of cinema, of the craft and art of movie making, of compelling me to understand intellectually how Kurosawa was skillfully manipulating my emotions. The final battle sequences, fought and filmed in a torrent of rain, exhausting characters and audience alike with its increasingly relentless tempo, is given its potency because of the human elements that have been established in all that has taken place before hand. "Seven Samurai" is a magnificent film against which the vast majority of epics pale in comparison. Not even Kurosawa scaled these heights ever again.

314 of 332 people found the following review helpful:

5.0 out of 5 stars THE 1:33:1 ASPECT RATIO ON THIS DVD IS CORRECT!!!!!!!!!!!!!!, December 26, 1998

By A Customer

This review is from: Seven Samurai (Criterion Collection Spine #2) (DVD)

Lest anyone be dissuaded from purchasing this masterpiece because they believe it is not presented in its original aspect ratio, it should be known that THE 1:33:1 ASPECT RATIO ON THIS DVD IS CORRECT. Akira Kurosawa did not begin working with the widescreen format until later in the 1950s. Anyone who asserts otherwise is mistaken.

This is a true 5 star films that ANYONE will enjoy. It's particulary recommended to those who would never dream of watching a movie with subtitles. Anyone looking for a great action movie should take a chance on this. Unlike that copy of Armageddon you watched once and is now collecting dust on your shelf, this is something you'll watch again and again. For those who love John Ford-type westerns, The Seven Samurai puts a marvelous spin on that classic genre. Even if you don't like action movies, you'll respond to this movie. It offers genuine human drama with an insight into a different culture and time that becomes increasingly fascinating with repeated viewings.

Of course, it's also recommended to those who already know and love this film. The picture on this DVD is much sharper and crisper than the one you're used to seeing on that worn-out VHS tape. As a bonus, it has a very insightful secondary audio track with commentary from a Japanese film historian that will help you develop a new appreciation for one of your old favorites.