Most Helpful Customer Reviews
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14 of 17 people found the following review helpful:
3.0 out of 5 stars
Just came out a little too late in the ghost sub-genre., November 3, 2006
Since there is already a plot description here on Amazon I'll skip past the rehash and just give my views on the movie.
At one point Asia was the top spot for horror films in particular Japan. Non-horror movies coming out of Asia were also making a big impact in the States. Now South Korea has come up and is probably getting more attention than Japan.
But right now Asian horror is having some trouble. The ghost story is really at the end of the line now.
While there are other horror movies being produced in Asia and released here it really is their ghost stories that seem to dominate. The last few I have seen my only thought is so what?
It's sort of like slasher films, while Halloween wasn't the first of it's kind it was the first to make a huge profit and by 1980 it seems slashers dominated the horror world. And like the ghost movies at first it was fine. You could put your own twist on it.
But after so many movies later there wasn't anything you could do to be different. The only thing slashers had keeping them going is the violence and gore.
Don't get me wrong I don't think a horror film must have that to be good, but when there is nothing different about your movie and it's the same thing as past flicks at least we have something to look forward to.
The Red Shoes isn't a bad movie by any means it just came out a little too late in the ghost story sub-genre. The one major difference between The Red Shoes and other Asian ghost flicks is the gore.
While not a bloodbath there is a steady flow of the red stuff, but it's not overdone.
Now in the Asian ghost movie we seem to have possessed things. In another South Korean flick called Cello we had a possessed Cello and now we have possessed shoes (funny it's called The Red Shoes when they look pink to me).
Though possessed shoes might sound a bit lame director Yong-gyun Kim handles it right and it doesn't come out as silly or over the top. Though what I would like to know is why do these shoes make people obsessed with wearing them?
I suppose it really doesn't matter I guess, but a slight explanation would have been nice. The Red Shoes does follow the basic formula of such flicks as Ju-on and Ringu and owes a lot to Dark Water.
The Red Shoes at times can be slow moving when not a whole lot is happening, but director Yong-gyun Kim is able to keep things moving at a decent pace so it never gets too boring.
The final act is what salvages The Red Shoes; there is some good suspense there, but if only the whole movie could have been like that. It's the final act is the main reason I'll give this movie 3 stars.
Unlike most Asian horror movies, which normally have a twist ending you have to think about to try and make sense of it, The Red Shoes also has a twist ending, but isn't nearly as confusing as others.
For those new to Asian horror flicks and assuming you like what you see The Red Shoes will probably entertain you, but there are better flicks out there. For those like me who have seen a lot, well it's pretty much the same movie we have seen before.
Had The Red Shoes come out sooner it would have worked a lot better. So far the last few Asian ghost flicks I have seen while none of been poorly made they just lack the originality these flicks once had.
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6 of 7 people found the following review helpful:
3.0 out of 5 stars
Above Average, But Not Original!, February 9, 2007
"The Red Shoes," is not a bad film; and for those who are new to the Korean horror, suspense, or thriller genre you may like this film. For me however, the film is very unoriginal. I have seen this type of stylistic suspense film already in too many Korean films. Throw in beautiful cinematography, some classical music: maybe Vivaldi, Bach, Mozart and perhaps Beethoven, and weave a psychological twist in the film and there you have it! Well not quite. I believe the reviewer below, [KURT W.] gave a very good description [AND PROBLEM] of the Korean horror film today. This is not a bad film, however, it's not a very good film either. Yet, it will appeal to some viewers.
There was a time when I would usually purchase a Tartan DVD almost immediately, as I found many of them were pretty darn good. But with so many alike, this began to get a little old. I think the film is good, and many will probably like the film. However, I also believe that you can pretty much figure out the film almost from the beginning in many of these Korean horror and suspense films [Not that this is a bad thing]. If you see a ghost, an angry spirit or some other supernatural occurance, this will later be explained [sometimes ambiguously] at the end of the film. The film "Acacia" would be typical of this type of an example.
I think the appeal of these types of films are mainly due to the fact that so many American horror/suspense films are so bad [usually] that these films seem to resonate with many American viewers. And this is a pretty bad indictment on our film industry. The film has very good color and camera visuals which one will find appealing. Also, there are some very good creepy scenes in the film. But if you have seen many of these types of films as I have, then you basically know what to expect at the end. I guess I am looking for something different. With the great skills of the directors and cinematographers, I believe they can come up with something different for a change. Once again, the film is not bad. However, it is still the same old formula used in so many other Korean films. Recommend with caution, however, it will appeal to some viewers.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
High production values, but lacks originality, November 4, 2008
"The Red Shoes" is actually a decent addition to the Asian horror genre and has commendable production values[ excellent cinematography, good casting, creepy sound effects], but is let down by a lack of originality and also an ending that stretches out too long and could have done with better editing.
The story centers around an optometrist, Sun-jae (Kim Hye-soo] who is married with a young daughter, Tae-soo [Park Yeon-Ah]. When she finds her husband with another woman in their home, she leaves him, taking Tae-Soo with her. Meanwhile, Sun-Jae comes into possession of a pair of 'red' [fuchsia actually] shoes on a subway train and finds herself captivated by them. The shoes are also coveted by Tae-Soo who up till now has been a model child, but strangely starts throwing tantrums and acting mutinuous in order to keep the shoes. Very soon, strange things start occurring, and people who come into contact with the shoes start dying. Sun-Jae, together with the new man in her life slowly start to figure out the shoes' mysterious connection to a past tragedy and how this has a tremendous impact on their current circumstances.
The story itself plays out quite well, building up sufficiently interesting plot twists to keep viewers glued to the screen. However, as the plot unfolds, those who are familiar with other Asian horror movies start to see some obvious similarities in plot devices - mother-daughter dynamics and the red backpack that wont go away in Dark Water, the use of music to build up the story like in Cello etc. Though this doesn't detract too much from appreciating the movie, it does indicate a lack of originality, especially for fans of Asian horror who have been exposed to so much of the same.
That being said, I did like this movie, right up until the ending - and then, it seemed to drag on and on for no good reason. It definitely could have used better direction and editing. All in all though, this is worth a watch for those who like Asian horror [this is a Korean movie], but perhaps Asian horror newbies might better appreciate it than seasoned horror fans.
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