There's a lot more to this movie than just scenic motorcycling and sixties music. A typical biker movie has a weak plot, usually involving some gang terrorizing the local community. Before creating this movie, Fonda and Jack Nicholson (George), as well as some of the other cast members all appeared in such flicks. By contrast, "Easy Rider" is really a mold-breaker for its type, because it involves a lot of social commentary.

Early in the movie, Billy and Wyatt pick up a stranger along the highway, who turns out to be the leader of a commune. He is a dead ringer for John Lennon, when he had his Sgt. Pepper look. Wyatt and the stranger get along well, but Billy is suspicious of the hitchhiker. They take him back to his commune and hang out for awhile there with the people. Wyatt fits in OK, but Billy is not generally respected. Many of them make fun of Billy. For some time, this was very hard for me to account for, since Billy is a freak.

I did not gain any insights into this until I read the book, "Riders On the Storm" by Doors' drummer, John Densmore. In it, he explains how the Doors, who were from Los Angeles, were not invited to play the Monterey Pop Festival. San Francisco flower power was about peace and love, and Jim Morrison, the lead singer, gave off an aggressive vibe. Densmore also said that some famous flower power musicians did not want to be publicly associated with The Doors. For instance, John Sebastian agreed to play harmonica on "Roadhouse Blues," but he would not allow his real name to be used in the credits. I believe that the difference in values between Los Angeles and San Francisco is crucial to understanding why Billy was rejected by the commune members.

Wyatt and Billy are not from San Francisco, and they do not wear psychedelic clothing. They hail from Los Angeles, and they are preoccupied with freedom--not peace and love. Billy has a real aggressive vibe to him. He is very confrontational, and he doesn't get along well with others. Wyatt is more of a seeker. He is open-minded and interested in what other people have to offer. They're both rich, but not through legal or reputable means. They smuggled some cocaine across the border from Baja, Mexico, and then they sold it for a huge profit. The two are friends, and they seem to have accepted each others strengths and weaknesses.

The movie makes some clear statements about sixties social values and morals. In other cases, it brings up issues, but doesn't reach any firm conclusions. The movie ends tragically, but it isn't an indictment of flower power. Billy had rejected peace and love, and had he not reacted in the confrontational manner that he did, things might have turned out differently. This movie is about the tradgedy and failure of hate--and the need for peace, love, and understanding. I give this movie a five-star rating because it documents the issues of the times so effectively. As a motorcycle movie, this production is practically unbeatable because it has captured the spirit of motorcycling so well.

Peter Fonda and Dennis Hopper play Wyatt, or Captain America, and Billy, two free type spirits who, after a making quite a bit of money through a sale of drugs, decide to hit the road and drive cross country to Mardi Gras. Along the way, they pick up George Hanson, a southern lawyer, played by Jack Nicholson.

While watching this movie, you may get a sense that it is sort of a western, with the western landscapes and the main characters riding 'iron' horses. This was the intention of the filmmakers, especially the director, Dennis Hopper. One of my favorite scenes was at the beginning, right before Wyatt and Billy are about to embark on their trip, Wyatt removes his watch and throws it on the ground. This symbolized a sense of throwing off the constraints of the old world and an effort to embrace true freedom, if there is such a thing.

Nicholson tends to steal the scenes he is in, and gives a particularly wonderful piece about what freedom is, and why people are so afraid of it. He sort of represented to me one who has been fed many misconceptions about the individuals and movement Wyatt and Billy represent, but once in their company, finds that much of what he has been told may not be true. A sort of individual caught between the generations.

The film is dated, but that didn't detract anything for me. The only scene I really didn't care for was when Wyatt, Billy, Mary (Toni Basil), and Karen (Karen Black) drop acid in a Louisiana cemetery and proceed to trip for an extended period of time.

Along with wonderful performances, much credit must go to the cinematographer, as the landscapes are beautiful, especially the wide shots of the western scenery. They are truly breathtaking. And the music used was exceptionally good, fitting each scene and helping to create the proper mood throughout the film.

The movie presented here looks excellent, in anamorphic wide screen, and includes a commentary by Dennis Hopper. Also included is a wonderful 'Making of' featurette called Easy Rider: Shaking the Cage which really helps to illustrate all that went into making this film. The production, at time, often reflected the turbulent times of when the film was made, and helps to give more flavor to the movie, really enhancing the overall effect. All in all, Easy Rider is a wonderful slice of outsider Hollywood that captured the true essence of an exceptionally turbulent time in America.