Product Details

• Actors: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart, John Kavanagh
• Directors: Brian De Palma
• Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Language: French (Dolby Digital 5.1), English (Dolby Digital 5.1), Spanish (Dolby Digital 2.0)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: Universal Studios
• DVD Release Date: December 26, 2006
• Run Time: 122 minutes
• Average Customer Review: 2.1 out of 5 stars  See all reviews (225 customer reviews)
• ASIN: B000K2UVZM
• Amazon.com Sales Rank: #17,153 in Movies & TV (See Bestsellers in Movies & TV)

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• For more information about "The Black Dahlia (Widescreen Edition)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

The Black Dahlia drips with film noir atmospherics as it unspools a lurid and complicated story taken from James Ellroy's true-crime-inspired novel of the same name. Two boxers-turned-cops--Lee "Mr. Fire" Blanchard (Aaron Eckhart, Thank You For Smoking) and Bucky "Mr. Ice" Bleichert (Josh Hartnett, Black Hawk Down)--are morally tested as they pursue the killer of a young would-be actress, grappling with corruption, narcissism, stag films, and family madness along the way. L.A. Confidential turned Ellroy's heated prose into a taut, compelling movie, but The Black Dahlia collapses like a soggy meringue. Director Brian De Palma (who once made such vibrant, entertaining movies as Carrie and The Untouchables) can't muster the energy to craft one of his trademark bravura action sequences and seems outright bored by the more mundane tasks of shaping performances and establishing mood. The actors flounder; Eckhart seems to be emoting for two, perhaps to compensate for Hartnett's bland lack of affect; even actresses as dependable as Scarlett Johansson (Lost in Translation) and Hilary Swank (Boys Don't Cry) give clumsy, unconvincing performances. The one exception is an unsettling performance by Mia Kirshner (Exotica) as the doomed actress, seen only in perverse screen tests and stag films. The story is incomprehensible (and when you can follow it, it's silly); the dialogue is atrocious; the characters make hardly any sense from scene to scene. The movie is, however, good for many moments of absurd camp, such as when Bucky enters the most lavish, palatial lesbian bar you'll ever see, featuring a Busby-Berkeley-style stairway of smooching babes and a crooning k.d. lang. --Bret Fetzer

Product Description

THE BLACK DAHLIA IS SET IN 1940S L.A. TWO COPS, BUCKY BLEICHERT & HIS PARTNER, LEE BLANCHARD, INVESTIGATE THE DEATH OF ELIZABETH SHORT, A YOUNG WOMAN FOUND BRUTALLY MURDERED. BUCKY SOON REALIZES HIS GIRLFRIEND HAD TIES TO THE DECEASED & SOON AFTER THAT, HE BEGINS UNCOVERING CORRUPTION IN THE POLICE DEPARTMENT.

Customer Reviews

Most Helpful Customer Reviews

43 of 46 people found the following review helpful:

3.0 out of 5 stars 'The Black Dahlia': A Misnomer of a Title, December 29, 2006

By	Grady Harp (Los Angeles, CA United States) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

Brian de Palma made an odd decision in creating this apparently very expensive, very strange and confusing version of a film, a movie less about the grisly/twisted unsolved murder (grossly illustrated ad infinitum here) of a wannabe 1940s actress of the title and more about two boxer cops (bland Josh Hartnett as 'Mr. Ice' and over the top Aaron Eckhart as 'Mr. Fire') and their bizarre ménage a trois with unfocused Scarlett Johansson. The film as written by Josh Friedman attempts to follow the novel by James Ellroy, itself a strange riff on the Black Dahlia murder. What results is an over produced, over directed, under realized recreation of the 1940s complete with slicky costumes and very loud music by (surprisingly!) Mark Isham.

There are so many subplots filled with walk on characters that keeping the story understandable is almost impossible - certainly not worth an attempt to capsulize for a review. There are some terrific little performances by Fiona Shaw as the druggie mad woman whose role becomes significant only at film's end, Hilary Swank as the copycat Dahlia who dallies in cops and soldiers and lesbians (convincingly so), and Mia Kirshner who presence as the true Black Dahlia is shown only in black and white film clips that indeed focus the unwieldy script while she is on!

Odd to see actors with the credentials of this cast wandering around in la-la land seemingly looking for a script that makes sense. But it is a pretty period piece to look at despite the lack of reasonable storyline. Grady Harp, December 06

12 of 12 people found the following review helpful:

1.0 out of 5 stars MORE "FILM NO" THAN "FILM NOIR"!, August 3, 2008

By	Bambi Shangri-La (Phoenix, AZ USA) - See all my reviews

Even though it is still one of California's unsolved murders, the whole Elizabeth Short case can be told in about 60 seconds. So making a 2 hour movie would be quite a feat. That's why the director factored the L.A. "Zoot Suit" riots of 1943, a boxing match, the killing of black pimps and prostitutes who were minding their own business, the dysfunctional love affair between Scarlett Johansson's character and Josh Harnett's partner, a bunch of very chic lesbians, and the bizarre wealthy family of a bi-sexual Hilary Swank (does her mother have Parkinson's or is that the actress' idea of an alcoholic socialite?)

We didn't hear about the murder until 20 minutes had passed and only then because it happened on the street behind the pimp shoot-out. Somehow the "first responders" on the Black Dahlia crime scene didn't hear all of that gun fire on the other side of the building. Instead of going to the rescue of their fellow officers, they and a dozen reporters stood transfixed on the naked body in the park. So much for "Officer down! Send back-up!" The best thing about this movie was the autopsy which was done in a compelling narrative by a jowly M.E. That's about all we learned about this murder victim who was made out to be a slut who slept with men AND women in exchange for a sandwich or pair of nylons. In fact, there was not one woman in this movie who was not depicted as prostitute, golddigger, or tramp. Only the lesbians had class and dignity - and there is a gang of them! (Look for an uncredited k.d. lang in a great piece of camp.)

Hartnett has the charisma of a grape. Johansson fits right in during an era when 20 year-old women looked like they were 35. But she handles a lame role like a pro. I don't know why Swank was even in the area. And that accent! I couldn't figure out if she was a "Valley Girl" or a Nazi!

Many of facts of the murder are wrong - Elizabeth Short's dad didn't live in Los Angeles - he lived in Vallejo, a good 8 hour drive north, 30 miles above San Francisco. Here he lives right down the street. Nothing was said about his staging him a suicide and sneaking off to Vallejo, abandoning Elizabeth's mother with 5 girls to raise alone in Massachusetts. He surfaced years later, trying to reunite with his wife, who declined. The "Zoot Suit Riots" were in 1943 and the Dahlia case was in 1947. Here they all happened within a few months. I understand "literary license" but here it wasn't used to make an existing story better - it was used to try to create something which wasn't much to start with.

The production has a great "film noir" feel - I was expecting Mickey Spillane to walk in. But this movies should have just been "FILM NO"! Brian De Palma, what were you thinking?

18 of 20 people found the following review helpful:

2.0 out of 5 stars Another Disappointment From De Palma, October 18, 2007

By	Scott Rivers (Los Angeles, CA USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Despite his impressive visual style, Brian De Palma remains a hit-or-miss filmmaker. For every "Dressed to Kill" or "The Untouchables," there's a half-dozen misfires such as "Bonfire of the Vanities" and "Snake Eyes." Unfortunately, "The Black Dahlia" (2006) belongs in the latter category. This deliriously incoherent James Ellroy adaptation suffers from flat acting and lack of narrative focus. However, the Los Angeles period detail is spot on and film buffs will enjoy the references to director Paul Leni's 1928 classic "The Man Who Laughs." It's a shame this watchable mess didn't work out better.