Product Details

• Actors: Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell, Eddie Marsan
• Directors: Neil Burger
• Writers: Neil Burger, Steven Millhauser
• Producers: Bob Yari, Brian Koppelman, Cathy Schulman, Chris Miller, David Levien
• Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 5.1)
• Subtitles: English, Spanish
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.78:1
• Number of discs: 1
• Rating: PG-13 (Parental Guidance Suggested)
• Studio: 20th Century Fox
• DVD Release Date: January 9, 2007
• Run Time: 110 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (483 customer reviews)
• ASIN: B000K7VHQ4
• Amazon.com Sales Rank: #3,413 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #14 in	Movies & TV > Drama > Love & Romance > Love Triangle
  #50 in	Movies & TV > Drama > Love & Romance > Romance

• For more information about "The Illusionist (Widescreen Edition)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

First screened in Europe and scheduled for limited release in the U.S., The Illusionist offers welcome proof that "arthouse" quality needn't be limited to the arthouses. Set in turn-of-the-century Vienna, this stately, elegant period film benefited from a crossover release in mainstream cinemas, and showed considerable box-office staying power--granted, teenage mallrats and lusty males may have been drawn to the allure of Seventh Heaven alumna Jessica Biel, who rises to the occasion with a fine performance. But there's equal appeal in the casting of Edward Norton and Paul Giamatti, who bring their formidable talents to bear on the intriguing tale of a celebrated magician named Eisenheim (Norton) whose stage performance offends the Crown Prince Leopold (Rufus Sewell), a vindictive lout who aims to marry Duchess Sophie (Biel), Eisenheim's childhood friend and now, 15 years later, his would-be lover. This romantic rivalry and Eisenheim's increasingly enigmatic craft of illusion are investigated by Chief Inspector Uhl (Giamatti), who's under Leopold's command and is therefore not to be trusted as Eisenheim and Sophie draw closer to their inevitable reunion. Cleverly adapted by director Neil Burger from Steven Millhauser's short story "Eisenheim the Illusionist," and boasting exquisite production values and a fine score by Philip Glass, The Illusionist is the kind of class act that fully deserved its unusually wide and appreciative audience. -- Jeff Shannon

Beyond The Illusionist

"Eisenheim the Illusionist" and Other Stories

Paul Giamatti in a More Loveable Role

Magic Kits & Accessories

Stills from The Illusionist

Product Description

Unlock the mysteries of the year's most spellbinding film from the producers of Crash and Sideways! Oscar(r) nominees Paul Giamatti and Edward Norton lead an all-star cast in this "stunning" film (USA Today) that conjures an exhilarating blend of suspense, romance and mind-bending twists. The acclaimed illusionist Eisenheim (Norton) has not only captured the imaginations of all of Vienna, but also the interest of the ambitious Crown Prince Leopold (Rufus Sewell). But when Leopold's new fiancée (Jessica Biel) rekindles a childhood fascination with Eisenheim, the Prince's interest evolves into obsession...and suddenly the city's Chief Inspector (Giamatti) finds himself investigating a shocking crime. But even as the Inspector engages him in a dramatic challenge of wills, Eisenheim prepares for his most impressive illusion yet in this "mesmerizing" (Entertainment Weekly) and "beautifully acted" (Good Morning America) film that "teases you until the very end!" (The New York Times).

Customer Reviews

Most Helpful Customer Reviews

206 of 233 people found the following review helpful:

5.0 out of 5 stars All Is Not What It Seems / Is That All There Is?, August 21, 2006

By	prisrob "pris," (New EnglandUSA) - See all my reviews (TOP 500 REVIEWER)

"Eisenheim, making it easier to appreciate the movie's elegant cinematic sleight of hand. As with any good magic show, the fun of a picture like this lies in knowing that we're being tricked and trying to figure out how the trick works, rather than having the rug pulled out from under us all of a sudden at the end." LA Times.

"The Illusionist" directed by Neil Burger is a powerful film that tells the darkly, romantic story of an "Illusionist", Eisenheim, played by Edward Norton who falls in love as a teenager to Sophie von Teschen, Jesscia Biel. Because Eisenhiem was poor and Sophie from a wealthy upper-class family the union was not to be. We return to the Vienna of the 1900's, Eisenheim is now a famous Illusionist and he finds Sophie is engaged to Crown Prince Leopold, one who is said to be a sadist with his ladies. In the opening scene, Eisenheim is found alone on the stage. The dark, simple, dreary, stage that comes to life when Eisenheim displays his art. This magic is worrisome to Crown Prince Leopold, played by Rufus Sewell and he orders Chief Inspector Uhl, Paul Giamatti, to arrest Eisenheim for fraud. This dark, sinister plot adds to the feel of the film, it is as if the dim light hides a glow. The magic of an orange seed that blooms into a full orange tree bearing fruit. And, the ghosts that fade into view and then disappear. We want it to be so, we want to believe that "all is not what it seems", and then again "is that all there is?"

The plot thickens as Sophie faces danger and Eisenheim accuses Crown Prince Leopold of misdeeds. A game of cat and mouse ensues and it is Chief Inspector Uhl who becomes the centrist trying to decide who "The Illusionist" is and what is real. Paul Giamatti steals this movie, in my opinion. He is ruthless and thoughtful and in the end we discover he is also a man of the law. We discover, through Chief Inspector Uhl that this film is a moral story about power and deception.

The photography and film are powerful. The old Austria is well represented. The feel of the early 1900's and the era of Prince Joseph Franz and what is to come, spring to life through the scenes of the richness of Crown Prince Leopold's surroundings compared to a simple hunting lodge. We are able to feel the darkness and the glow that survives.

The soundtrack to "The Illusionist" recorded by Philip Glass is a marvelous score. The music becomes a large part of the movie, telling the story when there is no dialogue. The music is eerie and telling and lovely and matches the darkness that starts to glow.

This is a movie to remember, a movie to ruminate -is this real, is that all there is? The wooden necklace that Sophie wears was made by Eisenheim just for Sophie, and is an allegory of this film. It is made in such a way that when opened, becomes a heart with a picture of a young Eisenheim inside. Think about this- when opened, the truth is revealed. "This is a movie in which the future doesn't exist -- all that matters is the misty golden halo of its own present, a vibrant city standing at the edge of a new century. Blink and it's gone. But at least the glow remains." salon.com

Highly Recommended. prisrob 08-21-06

22 of 23 people found the following review helpful:

5.0 out of 5 stars Film example of great storytelling, March 3, 2007

By	C. Middleton (Australia) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This is an excellent gothic thriller based on the short story by Steven Millhauser, Eisenheim The Illusionist, set in late 19th century Vienna about the son of a young cabinetmaker who falls in love with a young Viennese aristocrat and is banned from seeing her as he is a basic commoner. As the legend goes about the young lad, he meets a travelling magician on the road who shows him the secrets of illusion, where he sets off to exotic lands to learn the mysteries of life. He returns to Vienna after his travels and opens a show in the great city to astonish not only Vienna's common public with his quasi supernatural illusions, but also Crown Prince Rudolf, son of Emperor Franz Josef who then reigned over the Austrian Hungarian Empire.

Originally the short story was written as a political criticism of the Monarchy, based on the scandalous incident, where the bodies of Rudolf and his mistress, Baroness Mary Vetsera were found shot in a Royal hunting lodge, apparently a murder suicide which the Royal family kept from the public for many years.

Edward Norton as Eisenheim is understated and brilliant, as the many sleight of hand tricks in the film were actually done by the gifted actor. Norton must have practiced for months to reveal such confidence and skill needed for these types of trick. However, Norton's character portrayed a perfect man of mystery, begging the question, are these mere illusions or does Eisenheim possess supernatural power, controlling matter, energy, space and time itself.

The special effects in this film are well done. My favourite illusion in the film, (and they're many) is the Excalibur Sword illusion where Eisenheim borrows Rudolf's sword, somehow magnetizes it to the stage standing straight up, asking the various aristocrats' in the audience to release it from its position. Of course none can release the sword, as they, like the Arthur legend, are not meant to be king. When Prince Rudolf attempts to pull the sword from its stationary stance, he finally does so with great effort; by causing the ruthless Prince some embarrassment, Eisenheim is now a targeted enemy of the Crown.

Paul Giamatti as the corrupt Inspector Uhl really shows what a versatile and gifted actor he really is, able to do comedy, tragedy, fantasy...a very impressive performance.

The overall look of the film had the atmosphere as if we are viewing a primary historical source, the director using 80 year old editing techniques etc., this was unusual but effective for such a mixed genre film - fantasy, thriller, supernatural thriller and fairy tale romance.

When first seeing this film I was spellbound and the ending, a perfect twist, making The Illusionist a perfect example of skilful storytelling.

This is an excellent film.

51 of 59 people found the following review helpful:

5.0 out of 5 stars Sepia-toned Beauty in Mystery and Passion, September 23, 2006

By	Kelly L. Norman "lil rock & roller" (Plymouth, MI United States) - See all my reviews (REAL NAME)

Set in Vienna, filmed in Prague,and just about as lovely as anything I've seen on the large screen, "The Illusionist" stars Edward Norton as a charismatic magician, and Jessica Biel as his high-born love interest. In keeping with its magic and later, occult, theme, the film unwinds through shadow and darkness, like a carriage being horsedrawn through fin-de-siecle Europe's narrow streets. Philip Glass's minimalist score, rather than acting as an anachronism as one might expect, enhances the ethereal, other-worldly quality. Edward Norton brings to Eisenheim, the central character (the book is based on the short story "Eisenheim, the Illusionist", by Steven Millhauser)an understated quality that adds to the sense that he always knows more than we do...and more than the characters in the film, including the two that most want to undo his works of magic, Inspector Uhl and Crown Prince Leopold. Unfortunately, the latter is engaged to Dutchess Sophie van Teschen, Biel's character. Leopold's intent is not only to prevent his lower class rival's success, but to control Sophie completely. Uhl, on the other hand, continues to respect Eisenheim, even as he is carrying out the Crown Prince's orders to shut the magician's show down.

As the tale unwinds (and it does ever more quickly as it moves toward the end), we do learn more and more about what lies behind Eisenheim's sad eyes. When Sophie's body turns up in the river after an argument with Leopold, Eisenheim's shows take on a dark change and he becomes kind of a "John Edwards" of the 19th century...but this John Edwards can summon holographic ghosts onto the stage, much to the delight of his audience. Is he becoming more and more obsessed and perhaps insane as Sophie begins to appear in these seances? In a twinkling, we find out as much about Eisenheim as we have during the entire film, and the lines in the Sophie-Leopold-Eisenheim triangle between the innocent and the devious aren't so clear.

A film to be savored.