Most Helpful Customer Reviews
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12 of 13 people found the following review helpful:
3.0 out of 5 stars
Mainly For Hartley Fans, June 9, 2007
I'm one of those people who'd crawl a mile through broken glass to see a Hal Hartley film. From TRUST and IRIS to Henry Fool and (my Hartley favorite) No Such Thing, Hal's unique brand of movies are an acquired taste. Infusing equal parts mystery/espionage with wispy comedy seems to be his forte. The comedy isn't in your face necessarily, and often runs throughout an entire scene before coming to fruition. And that's the case with FAY GRIM, the sequel to Henry Fool.
Parker Posey stars as Fay Grim, abandoned wife of Henry Fool and mother to Henry's only son Ned. Fay lives a quiet life until she comes home one day to find a CIA agent in her kitchen. His name is Fulbright (Jeff Goldblum, Man of the Year) and he wants Henry's notebooks. There are many Henry Fool notebooks and they were all previously believed to contain nothing but mad wanderings. Apparently there's much more to them. Secrets weapons research or paths to terrorists? Who knows but Henry. Agent Fulbright tells Fay that her husband is dead but this is quickly surmised as a ruse to get Fay out of her home and searching for Henry (and it works ...but not the way they think).
Fay battles multiple spy rings to gather Henry's notebooks and to seek him out. She also makes a deal with the CIA to get her brother Simon (James Urbaniak) out of prison (he'd helped Henry escape the country in the original Henry Fool film.)
Multiple overlapping events occur in rapid succession: spy rings shoot each other to death, Henry is discovered being held in "safety" by a jihadist, Fay frees her brother but unknowingly risks her son's life, and the CIA gets its comeuppance for putting Fay in danger.
Hal Hartley obviously loves to play with themes. And he does so to the extreme here. Even character names (Grim, Fool, Fulbright, Fogg) have implicit meanings of their own that are quite funny. The over-the-top espionage films of ol' are given plenty of screen time, too, as guns blaze in stop-motion sequences, never striking our heroine even though she's right in the line of fire.
Now that I've heaped praise on this creation, I will say that Parker Posey's excessive portrayal of Fay Grim isn't the best part of the film, which is a shame considering how much time she's on-screen. I realize this was probably what Mr. Hartley wanted: an uncurbed woman with hand gestures to the Italian extreme. But it was still painful to watch at times.
Even so, fans will probably devour Fay Grim and beg for more. Though this wasn't my favorite Hal Hartley film, I know I'm ready.
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13 of 17 people found the following review helpful:
4.0 out of 5 stars
Nice rebound from Hartley, May 23, 2007
Hal Hartley has in my opinion made several great films: AMATEUR, BOOK OF LIFE, SURVIVING DESIRE and HENRY FOOL are the best, unique deadpan comedies and dramas in love with language and human weakness, with moments of inspired poetry, verbal and visual. He is also an "art" filmmaker, making films that have never crossed over to a larger audience; his one "big budgeted" film, NO SUCH THING, is easily his worst, and in fact, since BOOK OF LIFE in 98, his work has been largely interesting without being wholly successful, as he has become more concerned with political and social issues than interpersonal ones; he has a tendency to be a little too on-the-nose on these topics, with both THING and GIRL FROM MONDAY tending towards self-righteous polemics that rail against too-obvious topics without much effect. MONDAY is much better than THING, but neither work as well as any of his earlier work.
FAY GRIM, a sequel to HENRY FOOL, is a large step back in the right direction; while more political than ever, he integrates it into his unique deadpan storytelling style much better than he has previously this decade, and offers moments of inspired lunacy and heart that haven't been seen since BOOK OF LIFE. GRIM is a bit overstuffed, and likely won't win many converts, but fans of Hartley's work in the 90s who have not forgotten his inimitable style and point of view will welcome this film, warts and all, which plays like a kind of very dry international thriller (don't go looking for any action scenes, as much of the violence that does occur plays out in freeze-frame sequences) mixed with the family/love story comedy found in FOOL.
It's nice to see Jeff Goldblum and Saffron Burrows smoothly join the mix of usual Hartley regulars, though it'd be nice if Hartley and Martin Donovan could team up again. The DVD is widescreen anamorphic (shot on high definition video), with some reasonable extras.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
A spoof that sometimes hits/misses. Worth a try, September 22, 2007
This is a low-budget and highly stylized spoof of the espionage genre.
To help frame your expectations, you should know that: (1) The acting is wildly heavy-handed. The stars are having great fun delivering their lines with excessive eye movement, frequent hand gestures, and off-key pacing. (2) The script deliberately lacks continuity and plausibility. Oftentimes lines are abruptly jarring and humorous because they have absolutely no relevance to previous plot elements. (3) Shots are frequently framed in off-balance angles, poking fun at genre excesses. (4) A pop-eyed Jeff Goldblum delivers complex and classically preposterous dialog in a winningly sarcastic manner.
The film has a guiding intelligence. It starts with a plot element stolen from the B-films of the 1930's and 40's: a secret code with a structure that would defy explanation by Carl Sagan.
The film's deliberately over-the-top acting is used mostly for comic effect during the first 90 minutes. Parker Posey's nicely choreographed fall from bed helps set a humorous tone near the start of the film. In an early running gag, Fay Grim's son Ned is so frequently told to leave that you can't help chuckling while feeling sorry for the lad.
The film's slow pacing does not enhance the comedy elements or the drama that later emerges. The impact if the film's concluding bloodbath is perhaps lessened by the movie's tone - that is, it is hard to be overly involved with the characters when the film is so heavily sarcastic and with continual confusion of who is on which side. The musical score is intentionally heavy handed, and I found this (and the off-kilter camera angles) more irritating than humorous.
The implausible and nearly incomprehensible plot of conspiracies/counter conspiracies, over-the-top acting, and slow pacing may grind on some viewers. The movie is much too long at 2 hours and 38 minutes.
That said, fans who are receptive to the film's sarcasm might want to watch again ... using closed captioning to best catch the deliberate and intelligent ridiculousness of the script. The film was too slow for me and the sarcasm felt more heavy-handed than light-hearted. But, the comedy may well appeal to your tastes.
The film is worth a view for those who enjoy independent films, fans of director Hal Hartley, or devotees of Parker Posey (who has the most camera time).
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