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19 of 21 people found the following review helpful:
4.0 out of 5 stars
Before the "Revolution", August 17, 2007
I first saw "12:08 East of Bucharest (A fost sau n-a fost?)" last year at the International Chicago Film Festival, where I absolutely fell in love with it. I thought it was the best film I saw at the festival. Since then I have went on and on about how funny the film was. Today it opened in Chicago and I went to see it again. Some of the magic was gone after a second viewing but that probably has more to do with me then the film.
The film is the directorial debut of Corneliu Porumboiu, whom prior to this had only directed two short films. "12:08 East of Bucharest" comes on the heels of a sudden rush of interest in Romanian cinema. Last year "The Death of Mr. Lazarescu" was distributed here, which was one of my favorite films of the year, and this year the winner of the golden palm at the Cannes Film Festival was also a Romanian film entitled "4 Months, 3 Weeks and 2 Days (4 luni, 3 saptamini si 2 zile)".
This film puts into question whether or not a certain town in Romania took part in the revolution on December 22nd, 1989. A local television show, hosted by Virgil Jderescu (Teodor Corban) is going to celebrate the sixteenth anniversary of that fateful day. On the show will be two guest, each of whom claim to have been there. Tiberiu Manescu (Ion Sapdaru, who appeared in one of Porumboiu's short films, "A Trip to the City" and is also in "The Paper Will Be Blue", also dealing with the Romanian Revolution) is a history teacher, with several debts, and a slight drinking problem. He says he and three other teachers showed up at the town square to protest and rejoice at the decline of dictator Nicolae Ceausescu and the end of communism.
The other guest, Emanoil Piscoci (Mircea Andreescu), known by everyone for playing Santa Clause, says he didn't show up at the town square until he saw on television there was a revolt. But each man states assuredly there was a revolt in their town.
Soon things get a little complicated as viewers call in and start to dispute with the guest. Everyone claims to have been there but no one can agree on a time they were there.
At the heart of "12:08 East of Bucharest" is a story about our collective memories and the blurry line between fact and fiction. Did a revolt happen in the town or do the residents just think it did because of the celebrating they saw on tv? Also into question is the idea of what makes a hero? When the host of the show trys to pin down one of the guest on whether he showed up before or after "12:08", the time of the revolution, the guest responds, "one trys to makes what revolution they can."
When we look at "12:08 East of Bucharest" in this light it is comparable to Bernardo Bertolucci's "The Spider's Stratagem", which was also a story about fact and fiction. Both films question history and our idea of heroes.
When I first saw this film I thought it was one of the all-time great political satires. On par with such films as "Duck Soup", "Diplomaniacs" and "Million Dollar Legs". Now after a second viewing it didn't seem as off-the-wall to me. I also thought it was one of the best Romanian films I had ever seen. Now after seeing such films as "The Death of Mr. Lazarescu" and several movies by Nicolae Margineanu, I'm not so sure about that. But despite everything "12:08 East of Bucharest" does bring up some interesting ideas. There is some substance to this story. Especially in a world with stories about Pat Tillman and Jessica Lynch. What makes a hero? Does the government ever blend fact and fiction? Is a lie ever more important then the truth?
I may not be as overcomed with joy with "12:08 East of Bucharest" as I was when I first saw it but the film still seems fresh and I did laugh at it several times. Maybe I just need to see it again...
Bottom-line: Corneliu Porumboiu's directorial debut is a fresh and funny film questioning our ideas on fact and fiction, history and heroes. It may turn out to be one of the year's best films.
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2 of 2 people found the following review helpful:
3.0 out of 5 stars
CORNELIU PORUMBOIU, OPUS 1, July 1, 2008
*** 2006. Written and directed by Corneliu Porumboiu. Two prizes in Cannes and a European Film award nomination in the Best Screenplay category. In a small Romanian city, a TV journalist invites two guests for his afternoon talk-show. The debate will be about this unanswered question: was it or wasn't it a revolution in the town sixteen years before, in December 1989 ? Well, I liked the black humor of the film, I liked the Romanian language that is so close to French and Italian, in short I liked the first half of the movie. The second half of 12:08 EAST OF BUCHAREST which features Virgil Jderescu's TV program is in my opinion of lower quality and fails to create, in the viewer's mind or heart, empathy or simply some interest for the situation or the characters involved. A DVD zone discovery.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Start the Revolution Without Me, August 11, 2008
"12:08 East of Bucharest" is a droll Romanian comedy that deftly examines how the citizens of that country look back on one of the pivotal events in their nation's history.
The movie takes place 16 years to the day (December 22, 1989) after the Communist government, led by dictator Nikolai Ceausescu, was overthrown in that country. Now, Jderescu, the host of a local TV talk show, is hoping to commemorate that anniversary by examining what role his own town might have played in that seminal event. The issue Jderescu hopes to settle is whether a revolution actually took place in their town or whether the citizens simply waited till it was "safe" - i.e. after Ceausescu had already fled the scene by helicopter at precisely 12:08 PM on that fateful day - before venturing out in protest. Jderescu has chosen to have two "common folk" guests on his show to discuss the matter - an alcoholic history teacher named Manescu, and a cranky retired old man named Piscoci. Manescu at first tries to pass himself off as a hero, claiming that he and a group of friends headed over to the town square before the downfall of the government, but conflicting testimony from some of the callers to the show begins to call into question the truthfulness of his story.
"12:08 East of Bucharest" feels a bit like two movies combined into one. The first is a casually paced, noncommittal look into the everyday lives of three citizens of this town. We see Jderescu having breakfast with his wife, making phone calls to re-confirm the guests for his show, and spending time with his mistress, a beautiful young reporter at the station where he works. Manescu struggles with a hangover from the night before, visits the bar to pay his tab, apologizes to a Chinese merchant he insulted while drunk, and contends with a bunch of recalcitrant students who would much rather be setting off firecrackers in the hallway than learning about the Romanian Revolution (though they all seem to know about the French Revolution well enough). Meanwhile, Piscoci divides his time between fighting with his television set and buying a Santa Claus suit for an upcoming children's party at which he`s been asked to perform. Writer/director Comeliu Porumboiu has filmed this section almost entirely in medium and long shots with virtually no close-ups or cutting within scenes. The advantage of this naturalistic approach is that it allows the scenes to play out in what feels like real time, while the disadvantage is that it distances us somewhat from the characters, making it harder for us to identify with them and the things we see them doing.
Still, this section helps us to better understand why a man like Manescu might feel compelled to place himself center stage at an event of such profoundly historic magnitude. Perhaps it affords him the opportunity at long last of being an active participant in history, rather than a mere teacher of it. We all create new identities for ourselves, Porumboiu seems to be arguing in his film, for who among us wants to be known as nothing more than a face in the crowd, a person ground down to nothing by the prosaic realities of our humdrum existence? Heck, even Jderescu, the talk show host, is finally unmasked on-air for the mere textile worker he was in the years before the revolution. Apparently, personal reinvention is not something exclusive to movie actors and rock stars anymore.
However, it's when we get to the talk show itself that the movie truly begins to engage our interest. As caller after caller deflates Manescu's attempts at making himself out to be the hero he probably wasn`t, we get the sense that Porumboiu is implying that the issue itself may not even be worth debating all these years later. Just because Manescu and his fellow unarmed citizens didn`t risk their lives by confronting the Communist military doesn`t make them bad people. Still, there`s no denying that Manescu's appearance on the show brings to the surface a whole host of feelings on the part of the general populace regarding the part each of them played in the revolution. By opening up this dialogue, the movie, I imagine, serves a healing function for the Romanian people. What matters for the rest of us is that the movie raises these issues with so much genuine humor and compassion that the dilemma becomes instantly recognizable for viewers the world over.
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