Most Helpful Customer Reviews
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42 of 45 people found the following review helpful:
5.0 out of 5 stars
4.5 stars for new Who DVD collection, October 23, 2007
First, the misses - I wish they would have included full concerts, or at least four or five full songs from the 1970s shows (the way McCartney's new DVD allegedly will). That would have made this perfect.
However, what is here is great. More footage of the Kilburn 1977 show than I thought I'd ever see, to hear how the band supposedly hated the gig/Jeff Stein's footage of that show. We see part of a great, pre-album (almost by a year) version of "Who Are You" live at Kilburn, with Moon and Entwistle jamming underneath Pete's guitar. Pete sings the chorus by himself (!), even the "Who the f ...." part, and Daltrey later joins in. It's wonderful to see Moon playing drums on a live version (other than the live-in-the-studio take in "The Kids Are Alright." The Who, from the clips seen in this DVD, sounded pretty stinking good at Kilburn. Moon actually looks like he was in better shape and less tired than the 1978 Shepperton footage in "TKAA." Don't get me wrong, I love the two Shepperton clips in "TKAA," but Moon seems more firey and hits the drums and cymbals faster (and with less effort) on the Kilburn clips. Good footage of Entwistle's crazy fingers on the bass at Kilburn, although a couple segments don't quite match up with his fingers, but nonetheless, it's great to see 1970s footage of the Ox cuttlng loose on the bass. This happens at the end of "Dreaming from the Waist" at Kilburn. Unfortunately, we only see the end of the song, but it's great to see John wailing on four strings.
it's also great to see The Who clowning around in the studio while trying to do the backing vocals to "Pictures of Lily," and there's a quick segment of Pete laying down the electric guitar for the track.
Clips of the "Quadrophenia" and "Who By Numbers" tours are awesome, allthough short like the Kilburn gig. We see Pete holding up Keith Moon (or restraining him?) at Pete's mic stand, then Pete and Roger carrying Moon to his drum kit, and then Moonie collapsing.
Interesting interviews with Pete and Roger, although much of Pete's is lifted from "An Ox's Tale" DVD and the 2004 interview Murray Lerner did for "The Who Live at the Isle of Wight" limited theatrical release and special edition DVD version in 2004. The quick segment of Hyde Park in 1994 (or 1996?) was interesting, although no site of David Gilmour.
I'm glad they talked to Kenney Jones, who is pretty much bitter-free, at least in the interviews. He really carries the weight of Daltrey's fueding back then, the world's criticisms of him not being Keith Moon, and the 1979 Cincinatti trajedy where 11 Who fans were trampled to death in a stampede for festival (general admsision) seats.
Maybe they will eventually put out all of these shows in full, someday soon on DVD. Take a note from Deep Purple and Kiss, please, Roger and Pete, and dump all the archive stuff on us. We are waiting.
Thanks for all the great music! Hope to see you on tour again soon .....
P.S. The talking heads segments aren't that bad. They're limited (only Noel Gallagher gets on my nerves, acting as if he's bothered to play with The Who at the Royal Albert Hall in 2000 - what the heck? I'll play fourth banana to The Who anyday!), as if the filmmakers started to include them in the beginning, and then kind of abandoned the idea in favor of interviews with Pete, Roger and file interviews of Entwislte, as well as their siblings and parents. First time I think I've heard Simon Townshend speak (not counting his background vocals live - and lead vocals on the 1996 Quadrophenia DVD)
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Stunning., November 8, 2007
I speak with extreme prejudice when I write this because The Who is my utmost favorite band in the history of modern music. That said, for people that already love The Who, will love them even more at the conclusion of viewing this collection of films. Those who are not fond of The Who, will be if they view these films.
The main film is cut up nicely into chapters, and each chapter is titled with a line from a Who song that pertains to stories described in that given chapter. Which many of the stories talked about in these film can be truly quite moving.
The end of the main two hour film has the most emotional parts. They describe trying to move on after the death of Keith Moon. Pete Townshend gives much heartfelt praise about John Entwhistle, and goes to talk of his death and moving on thereafter. The film also talks a lot about the Cincinnati tragedy, better than they ever had in the past. They even get brave enough to tackle Pete's legal problems he faced regarding the Child Pornography incident. In fact Pete speaks more clearly and eloquently in these films than I have ever heard before.
The second disc has short films that are collectively called "6 Quick Ones" which has mini-documentaries about the main four members. They even speak of Pete's guitar techniques witch is quite interesting as a guitar player myself.
This is a great piece to be viewed by anyone whether or not they think they are interested. It is captivating film for anyone.
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12 of 12 people found the following review helpful:
4.0 out of 5 stars
A Solid Documentary, Not the Fan's Love Letter of The Kids Are Alright, November 24, 2007
This is a very interesting and entertaining documentary, placing the Who in the context of their social era, their conflicting personalities, and their drive for musical success. The bottom line though, is if I want to introduce a friend to the Who, the essence of the Who's spirit, I will show them the Kids Are Alright.
The "Six Quick Ones" are the highlight. They provide entertaining and illumaniting views into each bandmember (prompting my wife to comment, "Wow, I never really appreciated how awesome Keith was as a drummer"). The movie iteself moves at a good pace and has some interesting tidbits, but very little that the serious Who fan would find new or surprising.
The most frustrating aspect of the movie is that we never see a song in its entirety. The Who's power as a creative force is not apparent in 20 second clips (a scissor kick or a windmill or a lunatic drum bit is now a rock cliche -- what makes one appreciate the Who is seeing that these were not poseur moments, but part of a constant, all-out assault on the senses in each song driven by passion and competition).
The Kids Are Alright, by contrast, is a fan's love letter, the uber-mix tape to show why this band is great musically, and generates such passion amongst its fans. The full-length clips, interspersed with interviews from assorted literati, cogniscenti, and roustabouts paint a picture (albeit an Impressionistic one) of the Who's unique and self-contradicting blend of utter seriousness about the saving power of music, pop-art self-mocking, and all-out joyous abandon. I dare you to watch Baba O'Riley or the montage of "Cobwebs and Strange", and at least not walk away with the impression that this band is something special, worth investigating further... Amazing Journey is a good one to watch to learn more.
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