Product Details

• Actors: Tim Roth, Alexandra Maria Lara, Bruno Ganz, André Hennicke, Marcel Iures
• Directors: Francis Ford Coppola
• Writers: Francis Ford Coppola, Mircea Eliade
• Producers: Francis Ford Coppola, Anahid Nazarian, Fred Roos, Masa Tsuyuki
• Format: AC-3, Color, Dolby, Dubbed, Subtitled, Widescreen
• Language: French (Dolby Digital 5.1), English (Dolby Digital 5.1)
• Subtitles: English, French
• Region: All Regions
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: Sony Pictures
• DVD Release Date: May 13, 2008
• Run Time: 124 minutes
• Average Customer Review: 4.2 out of 5 stars See all reviews (18 customer reviews)
• ASIN: B0014I4TR2
• Amazon.com Sales Rank: #18,981 in Movies & TV (See Bestsellers in Movies & TV)

Editorial Reviews

Amazon.com
Francis Ford Coppola returns to directing for the first time in a decade with the fascinating if perplexing Youth Without Youth, a kind of science-fiction tale of mythic proportions based on a novella by the late Romanian historian and religion scholar Mircea Eliade. Tim Roth stars as elderly linguist Dominic Matei, whose life work--uncovering the roots of human language--has been stymied throughout his long and undistinguished career. Struck by lightning while crossing a Bucharest street in 1938, Matei not only survives but goes through a physical transformation, reverting to the age of 35 and remaining ageless for decades to come. Trying to remain incognito, Matei is pursued in Europe by Nazi intelligence as well as journalists, acquiring strange powers and communicating with a sort of psychological double of himself. Throughout, Matei finds himself unable to escape a cyclical destiny, particularly when he falls for a woman (Alexandra Maria Lara)--physically! similar to a lost love in his pre-lightning life--whose apparent possession by ancient, Indian deities is useful to his work but dangerous to her. The episodic film lurches along with the logic of a dream siphoned into waking life, a constantly shifting consciousness that suggests Matei exists in several planes of experiential reality simultaneously. Coppola has been down this hallucinatory road before, perhaps most spectacularly in Apocalypse Now. But it is not hard to see how Youth Without Youth is a very personal film for him and somewhat of a parallel to his career, which seems rejuvenated with the release of this complex movie, so full of the kind of technical and stylistic flourishes that brought Coppola legions of admirers and detractors years ago. --Tom Keogh

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Product Description
Francis Ford Coppola returns to the realm of his mastery with a film about growing young. Lightning strikes Dominic Matei (Tim Roth) so close to death that he ages backwards from 70 to 40 in a week, attracting the world and the Nazis. Now he's on the run with a new love for life, but with no hope of knowing his phenomenal fate.

Customer Reviews

Most Helpful Customer Reviews

55 of 55 people found the following review helpful:

5.0 out of 5 stars A Visually Stunning, Provocative, Intelligent Art Film, May 31, 2008

By	Grady Harp (Los Angeles, CA United States) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

This review is from: Youth Without Youth (DVD)

YOUTH WITHOUT YOUTH is for this viewer one of the most creative and genuinely intelligent and beautiful films to be released in some time. Francis Ford Coppola has utilized the finest points of his gifts as a movie creator and the result is a mesmerizing, quasi-hallucinatory exploration of the fine book by the Romanian writer Mircea Eliade. Not only is Coppola's screenplay challenging and complex, it is also a well-developed guide to making visual the concept of Eliade's at times perplexing story. The cinematography by Mihai Malaimare Jr. is moody and captures the surrealism of the tale, and the musical score is by the great contemporary composer Osvaldo Golijov who has taken every element of Romania mysticism and culture and translated them into a miraculous musical brocade.

Dominic Matei (Tim Roth in a brilliant performance) is a 70-year-old professor whose sheltered life has been spent in his thwarted exploration of the origin of language. The old man is struck by lightning and survives under the care of puzzled physicians and as he shows signs of life, Professor Stanciulescu (Bruno Ganz) is at his side, helping Matei to learn to communicate and eventually accompany him through his complete recovery. Matei grows young in appearance and is able to time travel through the decimation WW II brought to his native Bucharest, altering his identity as he is given a second chance at a life he never experienced, a life that includes a love affair with a woman who closely resembles his early love Laura and now falls in love with him as Veronica (Alexandra Maria Lara). In a Dorian Gray mode Matei lives for years as an ageless man, able to communicate with his 'double' who is visible only to Matei. His condition intrigues the interest and suspicions of both the Nazis and journalists and academic colleagues until certain tidal events change Matei's course and he regresses into old age, retuning to the moment of time when he was first struck by lightening. It is a story of the quest of eternal youth and the Faustian consequences that accompany that journey.

The tone of the film is operatic and with the majority of the cast drawn from some of Romania's finest actors, the quality of performances is uniformly outstanding. Tim Roth is remarkably superb in this challenging role, a performance that deserves acclaim from a very wide audience. YOUTH WITHOUT YOUTH is Coppola at his finest. Highly recommended. Grady Harp, May 08

25 of 26 people found the following review helpful:

5.0 out of 5 stars Excellent art film or what I call "brain food", December 23, 2007

By	Wednesday (my fallout shelter) - See all my reviews

This review is from: Youth Without Youth [Theatrical Release] (Theatrical Release)

Finally a relief to the drivel the studios push out. Youth Without Youth stimulates one's intellect in a philosophical way. You have to give it a chance so a few viewings without the distractions is recommended. Select subtitles for better absorption of what is being said. It is rather deep and calls for an open mind. If you can be gripped by the story that is driven by early languages, a story that explores Eastern philosophy, the various dimensions of ones consciousness, then you'll like this movie.

It is a personal film for Coppola, not one he did to make money to fund other films he wanted to make. Coppola captures the time periods well with costumes and visual cues. He's a director that believes you, as a member of the audience, are intelligent and use your instincts to interpret the specific symbols he gives you. Saying it is over your head means you just perceive the story in your own way. There is no right or wrong on your interpretation of meanings. It can mean what you feel it means. Pay attention to detail, to the words, examine the camera angles. Embrace the challenge of the film. This is one of those movies that you can never assume you will know what will happen next.

Coppola says the book by Mircea Eliade doesn't describe visually the character, but believes his interpretation of the story's ending is what the author meant for it to be. He wrote, produced, and directed this one for $17 million. Tim Roth and Alexandra Maria Lara worked in Romania often in extremely cold temperatures. Several dozen hours of make-up prosthetics applications for Roth as well as rehearsing with several languages and a new language created by author Eliade.

9 of 10 people found the following review helpful:

4.0 out of 5 stars Spoon Fed and Brain Dead Need Not Apply, May 18, 2008

By	Thomas Caron (Shanghai) - See all my reviews (REAL NAME)

This review is from: Youth Without Youth (DVD)

Tim Roth is great as an elderly Romanian professor of languages who is struck by lightning and made young again. Francis Ford Coppola's first film in ten years is visually inventive, dense and demanding - so naturally almost no one went to see it. It's off the wall, over the top, confounding and camp. Also very beautiful. A shot in the arm by a genuine artist that's miles ahead of the phoney art movies that got all the acclaim in Aught Seven.