Most Helpful Customer Reviews
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18 of 18 people found the following review helpful:
4.0 out of 5 stars
delicious dark fairytale, February 15, 2005
THE BRIDE isn't really a horror film. It plays like a twisted "Pygmalion", a dark fairytale that is quite beautiful in it's design and look.
Dr Frankenstein (Sting) creates a female companion for his original monster (played by Clancy Brown). Things go wrong when the monster reacts violently and the lab becomes engulfed by flames. The monster escapes and 'Eva' is left in the care of Frankenstein.
The rest of the film focuses on the 2 separate adventures of Eva and the monster. Jennifer Beals is luminous as Eva, a woman who somehow knows she is different and is always searching for answers. Sting plays Dr Frankenstein with all the pomp and circumstance he can muster, and suits the time period of the film perfectly. Clancy Brown gives 'Viktor' the monster a humanity and heart, and David Rappaport, as Viktor's tiny friend, is a real scene-stealer. Geraldine Page is wasted as Frankenstein's remote housekeeper.
The music by Maurice Jarre of DOCTOR ZHIVAGO fame is lush, and the scenic design is haunting (especially the eerie huge statues that Eva and Frankenstein ride past in the woods). Direction by Franc Roddam is perfectly-pitched.
Not your average horror film.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
A Beautifully Shot Gothic Romance-Not a Horror Film, April 19, 2005
Thankfully this is out on DVD and a new audience can appreciate how well it was made and can learn from the Director's Commentary what makes it so special.
"The Bride" is more Thomas Hardy than Mary Shelley, and more Gothic romance than horror. Director Franc Roddam points out (on his DVD commentary) that he wanted to make a very different version of the old story by eliminating almost all elements of horror; so only the first ten minutes qualify as authentic horror.
Roddam does not discuss the illogic of making a film devoid of the very elements its "target audience" was interested in seeing, but we already know that "The Bride" had a very poor showing at the box office. This target audience disconnect was most likely the cause. Nor does he comment on the failure to market the film to another audience segment; those interested in Gothic period pieces.
It is especially cool that 20 years later the film is finally being discovered by this other audience and they are finding it a beautifully photographed example of their genre that emphasizes story-line and atmosphere over blood and gore.
Even the much criticized casting of inexperienced leads Jennifer Beals and Sting (both look great in period costume) takes on a different dimension when the film is re-classified into the Gothic genre. Suddenly you see that the director was the one most responsible for the apparent lack of chemistry between the two stars, particularly Beals lack of passion in the scenes they share. These were the performances the Roddam wanted and not a reflection of inexperience or talent limitations. Which is not to say that Sting will ever be mistaken for a great acting talent but Beals has been unjustly criticized for a shallow performance when it was simply everything Roddam wanted it to be. Her character is only learning how to feel as the film progresses and as events play out we learn that her emotionless attitude simply conveys her indifferent feelings toward her creator.
I highly recommend this movie as Roddam is an excellent stylistic director and has made a very good Gothic romance. The fantastic production design works to unify what are two stories as Roddam cuts back and forth between the Baron (Sting) teaching his creation Eva (Beals) while David Rappaport as Rinaldo teaches his other creation Victor, played by Clancy Brown. There is a psychic link between the two creations which will result in a interesting plot twist.
Roddam has created a visually gorgeous film that has held up much better than the 1980's mainstream features that outperformed it at the box office. Don't be scared away by the negative comments, if you know what to expect (gothic romance not horror) almost any fan of films will enjoy "The Bride". I recommend the DVD, it was made from a flawless print and the widescreen presentation better showcases both the top-notch photography and the terrific work of the production designer.
Then again, what do I know? I'm only a child.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
What a pleasant surprise...!, May 28, 2005
First and last, this has got to be the ultimate love story, complete with conflict and great supporting characters, etc. Though the characters of Mary Shelley are suggested, this is in no way a horror film. The lush, gorgeous music of Maurice Jarre lets you know this right from the start. I'll not blab away the plot, except to say that the separate adventures of the bride and the "monster" are paralleled cleverly by director Franc Roddam. Sting was good, as was Jennifer Beals. Clancy Brown as Viktor (the monster) had wonderfully realized sense of moral character, suspicious of kindness; grateful for friendship. His friendship is found in the person of Rinaldo, wonderfully played by David Rappaport. There's adventure, loss, renewal and a darn good story to go along with it. As in Mary Slelley's tale, there is goodness and evil. Here, it's approached in a refreshing new way. This has a more satisfying ending. I only bought this film because I love Geraldine Page. Her natural brilliance isn't given much of a challenge. "The Bride" came out in 1985, the same year Ms. Page gave her Oscar winning performance in "The Trip to Bountiful".Any moment of Page is worth it. A pity she left this world in 1986. Aside from that, "The Bride" is worth consideration. This really is a great date movie...
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