Most Helpful Customer Reviews
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Why Blu-ray? Because they can, January 25, 2009
Stranger Than Fiction is not your typical candidate for a Blu-ray disc because it lacks the sweeping scenery, action sequences, and special effects of most Blu-rays. However, the clarity in Blu-Ray is always superior to regular DVDs, so, if you want to fully utilize your Blu-ray player with a non-action film and don't mind the extra price, this version may be for you.
This surprisingly sweet, witty film poses questions about fate and sacrifice while playfully touching on literary topics. But if this were all this film was, it would be a bore. Instead, screenwriter Zack Helm gives us characters we care about deeply. Will Ferrell as Harold Crick turns in a marvelous performance that combines his usual bewildered, semi-clueless persona with depth and passion - a man confronted with the realization that his life may not be his own.
When Harold Crick, an auditor for the IRS, starts hearing his life narrated by a calm, female British voice, it drives him crazy, but the real crisis begins when he hears the words "Little did he know . . . ." Harold plunges into a quest to discover what this voice means and to steer his mundane life into something more rewarding. He falls in love with the heavily tattooed, rebellious baker he is auditing (Maggie Gyllenhaal as Ana Pascal) and tries to solve the mystery of the voice with English professor Jules Hilbert (Dustin Hoffman), a man more interested in the literary implications of Harold's situation than in the personal stakes. The film alternates between Harold's dilemma and that of chain-smoking novelist Karen Eiffel (Emma Thompson), the voice in Harold's head who is on a desperate quest to overcome writer's block.
Not a single actor is miscast in this metafictive exploration of writing, character, motivation, self-sacrifice, and passion. Although it's not clear why a man like Harold would be attracted to a woman like Ana, their chemistry makes the bizarre pairing work. Queen Latifah as Eiffel's calm assistant Penny balances Thompson's character's trembling near-insanity.
Except for BD Live, the extras are the same as those on the standard DVD version. Although I'm not generally a fan of special features, a few are worth noting: "Words on a Page," an interview with Helm and producer Lindsay Doran; and "Actors in Search of a Story," directer Marc Forster's analysis of the role of character in the story. Outtakes and deleted scenes are only marginally interesting.
The most amazing part of this film is the comedic overtones despite the heavy issues it addresses. The laugh-out-loud moments come one after another, and they serve to deepen our emotional involvement with the plot. I expected so little of this film, and was rewarded with much more than I thought possible.
For another humorous, though more difficult, film about the writing process and predestination, check out Adaptation (Superbit Collection).
-- Debbie Lee Wesselmann
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2.0 out of 5 stars
Spanish subtitles, August 20, 2009
The Spanish subtitles doesn't exist, because, i bought this movie and the only subtitles are english and french.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars
I may already be dead... just not typed., June 8, 2009
This film rests on what I consider to be the greatest original screenplay of the past fifteen, if not twenty, years. Zach Helm has taken a startling concept - what if God actually had to meet the creations He kills - and brought it down to earth.
Harold Crick discovers he is a character in a novel that is in the process of being written, the trouble is, the author, Karen Eiffel, always kills off her heroes in the end. Karen is God, weaving the tale of her characters then mercilessly killing them off. Harold is Everyman, boring and mundane, but suddenly awakened by the realization that he will one day die. Professor Jules Hilbert (Dustin Hoffman)is the Priest, the go-between for Harold and Karen. Queen Latifah, despite the disparaging review below, is given a graceful, subtle role in this film of high comedic subtleties, and is the Archangel, the only source of reason in a mad fable.
One has only to hear the beautiful, sharp, many-layered dialogue spoken by such an outstanding cast to enjoy this solid classic. But there are visual treats, too. Harold Crick's wristwatch, which literally begins the whole story, is circular, just like the window of the bakery owned by his love-interest, Ana Pascal (Maggie Gyllenhall). The combination of Zach Helm, director Marc Forster and such a rich cast has resulted in a film that will be remembered for years to come, much the way Shawshank Redemption has triumphed after an initially forgetful screen run.
For some odd reason, Sony seemed to have no clue how to market this film. The posters all made it look like a rip-roaring, good-natured comedy, when it is in fact a dark fable about the inevitability of death, but also of the richness and beauty of life. It is deadpan, it is deep and it is funny. It is about all of us.
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