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12 of 14 people found the following review helpful:
4.0 out of 5 stars
Best transfer for this film to date, colors very subdued, April 22, 2009
As a fan of this film in the 90's, I was excited to see this film receiving a blu-ray treatment. It was watched on a 42" Panasonic Plasma and Panasonic BD35 player. The film itself is very clear and has a marked improvement over the SD. However, I was surprised to see a very subdued color palette (the reason for the 4/5, overall). Perhaps the director intended it to look this way, but it was still a bit strange, especially in some scenes, where I expected colors to pop.
It felt like I had turned the color down (which I had not), and even the grass, trees and any other color rich items in scenes were just not very vivid. However, I must rave about the DTS sound! It is very powerful and I absolutely recommend renting or purchasing this disc if you're a fan of the film. There are several thunderous scenes where the DTS really shines, and is very enjoyable.
The film itself contains some poor acting, but the storyline is what has always attracted me to this film. I am a huge fan of space, exploration and alien films, and while a bit comical at times, this one offers some neat little surprises in the storyline. Since visual effects technology has progressed significantly, even over the last 10 years, it's worth noting that the effects of the actual creatures are eye candy for fans of this genre. Charlie Sheen's mission to prove the existence of extra-terrestrials, by constructing his own super antenna drives the film, and creates the "1 man against the world", theme that is very enjoyable. You want him to succeed, and watching the film unfold is fun. However, there are no special features on te disc, which was very disappointing for me. I Recommend this BD for clarity and sound, and a must if you're already a fan!
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4 of 5 people found the following review helpful:
3.0 out of 5 stars
This review is of the blu-ray release, not the film!, May 11, 2009
This reviewer considers The Arrival one of the TEN BEST science fiction films ever!
My comparisons between the standard (red-ray) Live-Artisan DVD double feature (The Arrival and Arrival II, dual sided single disc); and the blu-ray release are below. I have never seen the original single-sided red-ray release of just The Arrival (Live-Artisan); or the red-ray two-disc double feature edition of same put out by Lions Gate. It is possible that either of those two editions have better picture quality than the comparison red-ray release.
I used a 1080p LCD (Sony Bravia 32XBR6), a Pioneer (BDP-51FD) Blu-ray Disc player; a Pioneer Elite DVD Player DV-59AVi (top of the line!) for standard red-ray DVDs; and a Sunfire receiver-amp with the largest Klipsch speakers and woofer money could buy. I have neither the proper equipment, time, nor inclination to make a more scientific analysis. I can't count speckle density or minute dirt fleck artifacts or other source contaminants. I can't freeze frame to examine defects. But I can mount the standard red-ray disc in the Pioneer Elite player, mount the blu-ray disc in the Pioneer Blu-ray player, and then intercut selected scenes of special interest between these two onto a shared Sony 32XBR6.
Upon doing this, one thing becomes very clear: The blu-ray image is VASTLY SUPERIOR in every respect! By comparison, the red-ray image looks grubby, blurry and truly awful (the price one apparently pays for getting used to blu-ray?)! And the DTS sound track is spectacular. If you are a big fan of this film, have blu-ray, can afford the reasonable price, and are debating; then the decision is clear: Get the blu-ray release for your collection and dispose of the other one!
That being said, this blu-ray release is not without problems, likely tracking back to the original filming. Image quality varies from scene to scene depending on such factors as underground, indoor or outdoor locales; and foreground versus background definition. The opening scene of the earth from space fading into the giant radio receiver antenna is great! By comparison, the red-ray image appears grey and drab. Other shots of Californian or Mexican mountains are good in their faded desert clarity and color definition. Details on close-ups of faces, facial wrinkles and blemishes, strands of hair, sweating from the excessive heat, clothing fabric weaves and patterns, neck-tie details, are exceptionally sharp and up to full blu-ray standards.
Blu-ray's superior definition reinforces a key plot-point: Earthlings are suffering from the sweltering temperatures induced by the alien terra-forming. Sweat literally rolls off Zane's face. But the aliens of course (like Gordy) don't sweat; THEY LIKE IT HOT! On red-ray DVD, picture detail is so poor that such a subtle reinforcement almost escapes notice.
Filmed in Technicolor, no grain was visible except where intended. I've heard they use a newer Technicolor process than that of old, wherein colors are muted and blacks lack good fidelity as is the case here. Knowing little about photography, the cameras used for the filming obviously had very poor depth of field. (Some big budget recent films - I Am Legend - display exquisite detail simultaneously in both foreground AND background, NOT true here!) Why? Because of computer-generated digital backgrounds? More sophisticated cameras? Rear projection techniques? Use of blue screen? In this film, camera shots lacking foreground focal points (like faces), where depth of field is not a problem display very pleasing distance detail: the walls inside and outside of this "one of our much very best hotels;" the water trickling down and over the tile floor; many of the panning landscape shots in California and Mexico; images of that giant radio receiver; were all good, some even showing exquisite detail.
My biggest criticisms concern the underground scenes which are grey, foggy and indistinct; colors are excessively muted and black saturation fidelity is abominable! As said in another review somewhere: it's as if an obscuring film was laying over everything. Two positive notes on these underground scenes: First, close-up details of Zane's face, that of other aliens, and foreground shots of equipment and the like are crisp, despite the background color fidelity issues, the color for such underground foregrounds being mostly pretty good. Second, after comparing several key scenes, I saw no instance where the underground special effects weren't at least the equal of, or significantly improved (sometimes much more) over red-ray: There is more detail in close-up alien shots and in the underground combustion chamber, with better color too.
It's pretty hard to compete with big budget computer generated digital backdrops, likely why some recent films with such newer technology come out so well on blu-ray. Yet this release is a clear step up from what was out before.
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4.0 out of 5 stars
The Arrival has arrived on Blu Ray!, July 10, 2009
A well-crafted Sci-Fi thriller that should have gotten better attention during it's theatrical run. Don't bother with the sequel though. The BR transfer is great, audio is good too. The disc has no extras but who cares, The Arrival is a classic!
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