This urban cop thriller, written and directed by David Mamet, is a genre picture with delusions of grandeur. The plot is designed to give the hero-a decent and fairly sensitive Jewish homicide detective named Bobby Gold (Joe Mantegna)-a whopping existential crisis. Gold, who is thoroughly assimilated, becomes involved in a case that has anti-Semitic overtones, and he's forced to reëvaluate his sense of Jewish identity. He discovers a conspiracy, hooks up with a clandestine Jewish-defense organization, and finally blows up the printing press of an Aryan supremacist group-a mission that makes him late for an important stakeout. The plot is ridiculous, but Mamet dramatizes this gamy material with tremendous solemnity. The funereal pace and the melancholy, reflective tone seem intended to mask the story's essential recklessness and irresponsibility, and perhaps also to conceal the trite cop-movie mechanics of its construction. Mamet uses the controversial, hot-button issue of cultural identity simply to give his hero the obligatory "personal" stake in the case, and as a result the movie gives off a pungent odor of opportunism. This picture, for all its pretensions to significance, is as alienating and depressing as the local news; it turns ethnic and racial differences into cheap thrills. Also with William H. Macy. -Terrence Rafferty
Copyright © 2006
The New Yorker
Product Description
In David Mamet’s cinema, nothing is as it seems—so you better know what you’re looking for. Unfortunately, the protagonist of Mamet’s nightmarish urban odyssey Homicide, inner-city police detective Bobby Gold (Joe Mantegna), is as bewildered about who he is as who (or what) he’s after. Gold’s investigation, following the murder of an elderly Jewish candy-shop owner, leads him down a path of obscure encounters and clues, as well as profound reckoning with his own self and identity. Filled with Mamet’s trademark verbal play and featuring standout supporting performances from William H. Macy, Ving Rhames, and Rebecca Pidgeon, Homicide is a taut, rich work from a true American original.