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JoaquÍn Rodrigo: Concierto de Aranjuez - Fantasia para un gentilhombre - Concierto madrigal Hybrid SACD - DSD

Narciso Yepes (Artist), JoaquÍn Rodrigo (Composer), García Navarro (Conductor), Format: Audio CD

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JoaquÍn Rodrigo: Concierto de Aranjuez - Fantasia para un gentilhombre - Concierto madrigal [Hybrid SACD - DSD]

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Product Details

Orchestra: English Chamber Orchestra, Philharmonia Orchestra
Conductor: García Navarro
Composer: JoaquÍn Rodrigo
Audio CD (July 10, 2015)
Number of Discs: 1
Format: Hybrid SACD - DSD
Label: Pentatone Music
ASIN: B00UIZSATU
Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
Amazon Best Sellers Rank: #19,010 in Music (See Top 100 in Music)
- #171 in Music > Classical > Forms & Genres > Concertos
- #397 in Music > Classical > Symphonies
- #404 in Music > Classical > Forms & Genres > Symphonies

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By John J. Puccio TOP 1000 REVIEWER on August 30, 2015

Spanish guitarist Narciso Yepes (1927-1997) practically made a career of performing and recording (mostly for Decca and DG) Rodrigo's Concierto de Aranjuez. I'm familiar with several of these recordings firsthand: the HDTT remastering of his excellent 1957 Decca rendition with Ataulfo Argenta and the Spanish National Orchestra; his less-than-scintillating 1970 DG account with Odon Alonso and Spanish Radio and Television Symphony Orchestra; and the popular 1977 DG recording with Garcia Navarro and the Philharmonia Orchestra reviewed here, remastered by Pentatone for hybrid SACD.

Joaquin Rodrigo (1901-1999) wrote the Concierto de Aranjuez for guitar and orchestra in 1939, and it eventually established Rodrigo's reputation as a leading composer for the classical guitar. I say "eventually" because it wasn't until Yepes and Argenta recorded it in monaural in the late Forties that it really took off worldwide.

The composer described the first movement Allegro con spirito as "animated by a rhythmic spirit and vigour without either of the two themes interrupting its relentless pace." A couple of things you notice right away about Yepes's performance, and it's indicative of his general style: First, it appears extremely well articulated, every note clearly and sharply delineated; second, he takes it at a fairly leisurely pace. The first movement, for instance, is rather more relaxed than the "con spirito" notation might suggest, so it may not exhibit quite the lively spirit some listeners would like to hear. The result, however, is a performance that is probably everything Yepes's fans love and his detractors dislike: It's a clean, well-executed interpretation, with the easygoing approach mitigated somewhat by the precision of its execution.Read more ›

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Great recordings of great performances

By Steven A. Boggs on September 5, 2015

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Truly spectacular recordings of great performances of great works. Wonderful to have in quadraphonic sound.

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