From Publishers Weekly
A senior scholar at Stanford's Institute for Women and Gender who has written extensively on women's history, Yalom (A History of the Wife; etc.) sees the rise of female power throughout the centuries reflected in the history of the chess queen: "She has entered the academy of gendered icons, alongside the Earth Mother, the Amazon, and the Virgin Mary." For 500 years, chess was played in India, Persia and the Arab world minus a queen; she finally made her entrance in southern Europe around A.D. 1000. Drawing parallels between "symbolic queens on the chessboard and living queens at numerous royal courts," Yalom introduces readers to significant queens, empresses and countesses as she traces the spread of chess across Europe. With anecdotes, art, legends and literature, she shows how the chess queen became "the quintessential metaphor for female power in the Western world." Yalom offers an outstanding glimpse at chess as a courting ritual: "The chess queen and the cult of love grew up together and formed a symbiotic relationship, each feeding on the other." She also addresses the current status of female chess playersonly 5% of the world's chess players are womenand wonders if "the best female players [will] ever be able to beat the best male players." Combining exhaustive research with a deep knowledge of women's history, Yalom presents an entertaining and enlightening survey that offers a new perspective on an ancient game. B&w illus.
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From The New Yorker
Chess was invented in India in the fifth century and was spread by Islamic conquests to Europe, where the piece known as the vizier became the queen—the only female in the all-male club of chess pieces. Yalom makes a credible, though circumstantial, case that this rise reflects the power intermittently accorded to, or seized by, female European monarchs. It was in the late tenth century, during the regency of Empress Adelaide, that the vizier underwent his sex change. Five hundred years later, in Queen Isabella's Spain, the queen was transformed from a timid lady mincing one diagonal step at a time into what one shocked Italian bishop called a "bellicose virago." But there's a sting at the end of this feminist historical fable: the queen's supremacy made the game so much faster and more competitive that it was considered unsuitable for upper-class women.
Copyright © 2005
The New Yorker
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