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Editorial Reviews
From Publishers Weekly
Crews, one of the most inventive practitioners in modern American letters, returns to a milieu that has long fascinated him: the seedy world of fighters and musclemen. Eugene Talmadge Biggs, ex-farmboy and ex-boxer (he won 13 fights and lost the next four by knockouts), knows an amazing trickhe can knock himself out with one punch to the jaw. Abandoned by his manager, Crews's glass-jawed hero has to support himself by exhibiting his trick at parties. After 73 self-inflicted KO's, the routine gets a little wearing. Meanwhile, Eugene is taken up by Charity, a rich, all-but-the-dissertation Ph.D. candidate bent on constructing a thesis that relates every fact in the world to every other fact. She thinks Eugene and his prizefighting friends are a gold mine of information for this dubious project. A brilliant specialist in black humor, Crews delivers the goods once again. His deadpan prose style is uncannily effective in meshing the surreal and everyday life. While the characters are mainly freaks, they come across so directly, often with an affecting sweetness, that they acquire extraordinary vibrancy. Crews is a modernist all right, but he isn't a facile one. The moral here and elsewhere in his work is old-fashioned: to thine own self be true.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
A superbly crafted novel of deceptions and darkness, this look at the underside of a strange group in New Orleans moves inexorably toward a stunning climax. Eugene Gibbs, a failed boxer, becomes popular on the kinky circuit and is taken in hand by Charity, a wealthy girl who beds him. Eugene is drawn into the circle of another boxer, his addict girlfriend, a hooker/lesbian, and a wealthy businessman who gets his kicks by controlling people by day and being led about with a leash by night. Basically decent, Eugene is tormented because he is deceived and let down by everyone, except a young boxer he is training. Characterization, incidents, and tone are all beautifully sustained in this unusual book. R. H. Donahugh, Youngstown and Mahoning Cty. P.L., Ohio
Copyright 1988 Reed Business Information, Inc.
See all Editorial Reviews
Crews, one of the most inventive practitioners in modern American letters, returns to a milieu that has long fascinated him: the seedy world of fighters and musclemen. Eugene Talmadge Biggs, ex-farmboy and ex-boxer (he won 13 fights and lost the next four by knockouts), knows an amazing trickhe can knock himself out with one punch to the jaw. Abandoned by his manager, Crews's glass-jawed hero has to support himself by exhibiting his trick at parties. After 73 self-inflicted KO's, the routine gets a little wearing. Meanwhile, Eugene is taken up by Charity, a rich, all-but-the-dissertation Ph.D. candidate bent on constructing a thesis that relates every fact in the world to every other fact. She thinks Eugene and his prizefighting friends are a gold mine of information for this dubious project. A brilliant specialist in black humor, Crews delivers the goods once again. His deadpan prose style is uncannily effective in meshing the surreal and everyday life. While the characters are mainly freaks, they come across so directly, often with an affecting sweetness, that they acquire extraordinary vibrancy. Crews is a modernist all right, but he isn't a facile one. The moral here and elsewhere in his work is old-fashioned: to thine own self be true.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
A superbly crafted novel of deceptions and darkness, this look at the underside of a strange group in New Orleans moves inexorably toward a stunning climax. Eugene Gibbs, a failed boxer, becomes popular on the kinky circuit and is taken in hand by Charity, a wealthy girl who beds him. Eugene is drawn into the circle of another boxer, his addict girlfriend, a hooker/lesbian, and a wealthy businessman who gets his kicks by controlling people by day and being led about with a leash by night. Basically decent, Eugene is tormented because he is deceived and let down by everyone, except a young boxer he is training. Characterization, incidents, and tone are all beautifully sustained in this unusual book. R. H. Donahugh, Youngstown and Mahoning Cty. P.L., Ohio
Copyright 1988 Reed Business Information, Inc.
See all Editorial Reviews
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Citations
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13
books
cite this book:
See all 13 books citing this book
- Perspectives on Harry Crews by Erik Bledsoe on 13 pages
- Sean Penn: His Life And Times by Richard T. Kelly on page 216, page 259, and page 443
- The Christ-Haunted Landscape: Faith and Doubt in Southern Fiction by Susan Ketchin on page 327, and Back Matter
- Confusion Is Next: The Sonic Youth Story by Alec Foege on page 190, and Back Matter
- Writing In The Southern Tradition.Interviews with Five Contemporary Authors. (Costerus NS 78) (Costerus New Series) by Ashby Bland Crowder on page 81
See all 13 books citing this book
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