Mambo Peligroso : A Novel by Patricia Chao  (9)
|
This item is not eligible for Amazon Prime, but millions of other items are. Join Amazon Prime today. Already a member? Sign in.
|
|||||||||||||
Editorial Reviews
Amazon.com
Recent novels by Chinese American authors often describe a world where private life is far messier than the public face families put on it. To an extent, Patricia Chao's debut novel, Monkey King follows this pattern: heroine Sally Wang's "perfect" life obscures a childhood riven by sexual abuse and secrecy. After attempting suicide, Sally must confront the past and lay her demons to rest. What separates Monkey King from other novels of its kind are the surprisingly sympathetic renderings of Sally's parents, the evocative portrayal of immigrants' sense of dislocation and loss, and the fine writing with which Patricia Chao brings Sally's world to life.
From Publishers Weekly
Childhood memories pervade this impressive, multilayered debut novel, which chronicles a woman's struggle to define herself through her relationships with those around her. Sally Wang is a smart, successful, divorced New York art director who, at age 27, inexplicably tries to kill herself. Her subsequent stay in a mental hospital is narrated in sharp, ironic prose that slowly reveals an intensely disturbing secret in Sally's past. Although the Chinese folktale of a god called the "monkey king" who is supposed to guard the queen's garden but instead "ends up gobbling all the peaches himself" is integral to the plot, there are no weary, pseudo-symbolic passages here. Instead, the Asian-American experience is integrated within the character of a strong woman confronted with unspeakable memories that transcend all cultural differences. The ways her family deals with her revelations illustrate the complex relationships and hidden emotions that contribute to her state of mind. Chao's subtle, lyrical style coherently frames the puzzle of Sally's past and present lives. While she smoothly draws us onto the path of Sally's recovery, however, Chao stirs anticipation for a climax that never really happens. A seemingly unrelated catalyst moves the story to a swift conclusion that offers the tepid implication that serenity can be found in the mere act of survival. On the whole, however, Chao's vivid, intelligent voice and masterful detailing contribute to an engrossing work. $20,000 ad/promo; author tour; rights: ICM..
Copyright 1996 Reed Business Information, Inc.
See all Editorial Reviews
Recent novels by Chinese American authors often describe a world where private life is far messier than the public face families put on it. To an extent, Patricia Chao's debut novel, Monkey King follows this pattern: heroine Sally Wang's "perfect" life obscures a childhood riven by sexual abuse and secrecy. After attempting suicide, Sally must confront the past and lay her demons to rest. What separates Monkey King from other novels of its kind are the surprisingly sympathetic renderings of Sally's parents, the evocative portrayal of immigrants' sense of dislocation and loss, and the fine writing with which Patricia Chao brings Sally's world to life.
From Publishers Weekly
Childhood memories pervade this impressive, multilayered debut novel, which chronicles a woman's struggle to define herself through her relationships with those around her. Sally Wang is a smart, successful, divorced New York art director who, at age 27, inexplicably tries to kill herself. Her subsequent stay in a mental hospital is narrated in sharp, ironic prose that slowly reveals an intensely disturbing secret in Sally's past. Although the Chinese folktale of a god called the "monkey king" who is supposed to guard the queen's garden but instead "ends up gobbling all the peaches himself" is integral to the plot, there are no weary, pseudo-symbolic passages here. Instead, the Asian-American experience is integrated within the character of a strong woman confronted with unspeakable memories that transcend all cultural differences. The ways her family deals with her revelations illustrate the complex relationships and hidden emotions that contribute to her state of mind. Chao's subtle, lyrical style coherently frames the puzzle of Sally's past and present lives. While she smoothly draws us onto the path of Sally's recovery, however, Chao stirs anticipation for a climax that never really happens. A seemingly unrelated catalyst moves the story to a swift conclusion that offers the tepid implication that serenity can be found in the mere act of survival. On the whole, however, Chao's vivid, intelligent voice and masterful detailing contribute to an engrossing work. $20,000 ad/promo; author tour; rights: ICM..
Copyright 1996 Reed Business Information, Inc.
See all Editorial Reviews
Product Details
Would you like to update product info or give feedback on images?
|
Citations
(learn more)
6
books
cite this book:
See all 6 books citing this book
- Bold Words: A Century of Asian American Writing by Rajini Srikanth on 5 pages
- Bodies in a Broken World: Women Novelists of Color and the Politics of Medicine (Studies in Social Medicine) by Ann Folwell Stanford in Back Matter (1), and Back Matter (2)
- Charlie Chan Is Dead 2: At Home in the World (An Anthology of Contemporary Asian American Fiction--Revised and Updated) by Jessica Hagedorn in Back Matter
- Yin-Yang in Tai-Chi Chuan and Daily Life by Simmone Kuo on page 129
- Scholar Boxer: Cháng Nâizhou's Theory of Internal Martial Arts and the Evolution of Taijiquan by Chang Naizhou in Back Matter
See all 6 books citing this book