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Editorial Reviews
From Publishers Weekly
At first blush, a lighthearted romp through the horrors of chemotherapy seems like a stretch. Yet that is just what Rodgers has attempted with considerable success in this memoir of her bout with cancer. Even Rodgers admits, "I didn't find cancer all that funny, especially at the time." Then why the comic touch? If her previous novelsACrazy for Trying (1996) and Sugar Land (1999)Aare any indication, she delights in creating over-the-top characters whose idiosyncrasies highlight the world's absurdities. And nothing is quite so existentially absurd as a reminder that you are about to die: "You stop living and start staying alive." The comic tone enables Rodgers to render the ordeal without monochromatic grimness. While essentially a story about cancer and its implications, the vehicle is Rodgers herself. She portrays herself as a rebellious, somewhat loopy woman who, almost despite herself, managed to find professional success, marry a good husband and have two kids. Into this setting comes an intruder in the form of a lump in her neck and a puzzling loss of energy: she has a virulent lymphoma that requires aggressive treatment, including chemotherapy. While Rodgers's attempt to convey serious business lightly is commendable, the constant wisecracking keeps the reader at an emotional distance. And when she does turn serious, the insights are pedestrian: "Truly, I promise you, grace is real, God is here, and in the end, everything is going to be all right." Fortunately, Rodgers survived her ordeal. The memoir that sprang from it, though, is stronger on anecdote than insight. Agent, Laurie Harper. (Feb.) Forecast: Despite its flaws, Rodgers's book will appeal to women, especially those who enjoy feel-good, strong-women-discovering-themselves memoirs. It's the stuff of book-group discussions, and with strong marketing by HarperCollinsAa five-city author tour and a 50-city national radio campaignAsales are sure to be brisk.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Librarians don't need to buy this first-person cancer narrative, but they'll probably want to. Rodgers, a novelist (Crazy for Trying), actress, and radio DJ living in Houston ("the Land of Big Hair"), discusses being diagnosed with non-Hodgkin's lymphoma in her early thirties. She covers the confusion of diagnosis, the horrors of chemotherapy, and, finally, the uncertainty of remission. Rodgers tells her story with wit and clarity. It's not an aggressively sad storyDin fact, much of it is funnyDbut there are moments with her daughter, husband, and mother that are heartbreaking. Her free-spirited life is interesting, even without the cancer stories, and the reader is drawn into her relationships. There are many other cancer-survivor books, but this one stands out for its appeal to general biography readers. Recommended for public and consumer health libraries, particularly in Texas.DElizabeth Williams, Fresno City Coll. Lib., CA
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
At first blush, a lighthearted romp through the horrors of chemotherapy seems like a stretch. Yet that is just what Rodgers has attempted with considerable success in this memoir of her bout with cancer. Even Rodgers admits, "I didn't find cancer all that funny, especially at the time." Then why the comic touch? If her previous novelsACrazy for Trying (1996) and Sugar Land (1999)Aare any indication, she delights in creating over-the-top characters whose idiosyncrasies highlight the world's absurdities. And nothing is quite so existentially absurd as a reminder that you are about to die: "You stop living and start staying alive." The comic tone enables Rodgers to render the ordeal without monochromatic grimness. While essentially a story about cancer and its implications, the vehicle is Rodgers herself. She portrays herself as a rebellious, somewhat loopy woman who, almost despite herself, managed to find professional success, marry a good husband and have two kids. Into this setting comes an intruder in the form of a lump in her neck and a puzzling loss of energy: she has a virulent lymphoma that requires aggressive treatment, including chemotherapy. While Rodgers's attempt to convey serious business lightly is commendable, the constant wisecracking keeps the reader at an emotional distance. And when she does turn serious, the insights are pedestrian: "Truly, I promise you, grace is real, God is here, and in the end, everything is going to be all right." Fortunately, Rodgers survived her ordeal. The memoir that sprang from it, though, is stronger on anecdote than insight. Agent, Laurie Harper. (Feb.) Forecast: Despite its flaws, Rodgers's book will appeal to women, especially those who enjoy feel-good, strong-women-discovering-themselves memoirs. It's the stuff of book-group discussions, and with strong marketing by HarperCollinsAa five-city author tour and a 50-city national radio campaignAsales are sure to be brisk.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Librarians don't need to buy this first-person cancer narrative, but they'll probably want to. Rodgers, a novelist (Crazy for Trying), actress, and radio DJ living in Houston ("the Land of Big Hair"), discusses being diagnosed with non-Hodgkin's lymphoma in her early thirties. She covers the confusion of diagnosis, the horrors of chemotherapy, and, finally, the uncertainty of remission. Rodgers tells her story with wit and clarity. It's not an aggressively sad storyDin fact, much of it is funnyDbut there are moments with her daughter, husband, and mother that are heartbreaking. Her free-spirited life is interesting, even without the cancer stories, and the reader is drawn into her relationships. There are many other cancer-survivor books, but this one stands out for its appeal to general biography readers. Recommended for public and consumer health libraries, particularly in Texas.DElizabeth Williams, Fresno City Coll. Lib., CA
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
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