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Newbery Medal winner Sharon Creech's Love That Dog, a funny, sweet, original short novel written in free verse, introduces us to an endearingly unassuming, straight-talking boy who discovers the powers and pleasures of poetry. Against his will. After all, "boys don't write poetry. Girls do." What does he say of the famous poem "Stopping by Woods on a Snowy Evening"? "I think Mr. Robert Frost / has a little / too / much / time / on his / hands." As his teacher, Ms. Stretchberry, introduces the canon to the class, however, he starts to see the light. Poetry is not so bad, it's not just for girls, and it's not even that hard to write. Take William Carlos Williams, for example: "If that is a poem / about the red wheelbarrow / and the white chickens / then any words / can be a poem. / You've just got to / make / short / lines." He becomes more and more discerning as the days go by, and readers' spirits will rise with Jack's as he begins to find his own voice through his own poetry and through that of others. His favorite poem of all is a short, rhythmic one by Walter Dean Myers called "Love That Boy" (included at the end of the book with all the rest of Ms. Stretchberry's assignments). The words completely captivate him, reminding him of the loving way his dad calls him in the morning and of the way he used to call his yellow dog, Sky. Jack's reverence for the poem ultimately leads to meeting the poet himself, an experience he will never forget.
This winning, accessible book is truly remarkable in that Creech lets us witness firsthand how words can open doors to the soul. And this from a boy who asks, "Why doesn't the person just / keep going if he's got / so many miles to go / before he sleeps?" (Ages 8 to 12) --Karin Snelson
From Publishers Weekly
In last year's Fishing in the Air, Creech took a spare, metaphorical approach to a father-son relationship. Here she examines the bond between a boy and his dog to create an ideal homage to the power of poetry and those who write it. The volume itself builds like a poem. Told exclusively through Jack's dated entries in a school journal, the book opens with his resistance to writing verse: "September 13/ I don't want to/ because boys/ don't write poetry./ Girls do." Readers sense the gentle persistence of Jack's teacher, Miss Stretchberry, behind the scenes, from the poems she reads in class and from her coaxing, to which the boy alludes, until he begins to write some poems of his own. One by William Carlos Williams, for instance, inspires Jack's words: "So much depends/ upon/ a blue car/ splattered with mud/ speeding down the road." A Robert Frost poem sends Jack into a tale (in verse) of how he found his dog, Sky. At first, his poems appear to be discrete works. But when a poem by Walter Dean Myers ("Love That Boy" from Brown Angels) unleashes the joy Jack felt with his pet, he becomes even more honest in his poetry. Jack's next work is cathartic: all of his previous verses seemed to be leading up to this pi ce de r sistance, an admission of his profound grief over Sky's death. He then can move on from his grief to write a poem ("inspired by Walter Dean Myers") about his joy at having known and loved his dog. As in any great poem, the real story surfaces between the lines. From Jack's entries, readers learn how unobtrusively his teacher guides him to poems he can collect and emulate, and how patiently she convinces him to share his own work. By exposing Jack and readers to the range of poems that moves Jack (they appear at the back of the book), Creech conveys a life truth: pain and joy exist side by side. For Jack and for readers, the memory of that dog lives on in his poetry. Readers will love that dog, and this book. Ages 8-12. (Aug.)
Copyright 2001 Reed Business Information, Inc.
--This text refers to the
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