Amazon.com
The pleasures of Tina McElroy Ansa's sharp-witted fourth novel,
You Know Better, are obvious from the first pages, in which we are introduced to the author's lovable, imperfect characters, her gift for capturing the rhythms of speech, and her dead-on observations of African American family life at the turn of the 21st century. In her hands, what could've read like
Touched by an Angel instead is a tender and rueful study of the forces that shape three generations of women. Lily, a successful former school teacher and administrator, is out at midnight, combing the streets of her small Georgia town for her teenage granddaughter, LaShawndra, who's in trouble again. Lily's daughter, Sandra, is too busy making money and trying to attract the new pastor to pay attention to the chaos of LaShawndra's life, let alone to take responsibility for the girl's misbehavior or her low self-esteem. But before the next day is over, each of the women will be visited by a guiding spirit and forced to face what they have been running from. A spiritual novel free of sentimentality or preaching,
You Know Better suggests that most people already know what's wrong with their lives, but it may take divine intervention to motivate them to fix their problems.
--Regina Marler
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
African-American favorite Ansa (The Hand I Fan With) focuses in her fourth novel on three generations of troubled women in a small Georgia town, employing the Dickensian device of ghostly guides to lead them to enlightenment. The Peach Blossom Festival is upon tiny Mulberry, but the Pines women have little reason for rejoicing. LaShawndra, an 18-year-old "coochie" who engages in indiscriminate sex and whose greatest aspiration is to dance in a music video, has disappeared. Her mother, Sandra, is too busy with her real estate career, her new romance with a pastor and youth-enhancing beauty treatments to look for LaShawndra. So it falls to the girl's grandmother, Lily, a respected pillar of the community, to perform the search. The book is a first-person triptych, the three Pines women taking turns from oldest to youngest in detailing how they arrived at this latest crisis point and each has a different spirit guide to help her out. Ansa has a clear prose style, and she does a fine job of getting inside the women's heads; the chief problem is that, with the exception of Lily, her protagonists are unsympathetic. Lily herself overplays the religion card, while Sandra and LaShawndra are too selfish to rouse much sympathy. One thing they have in common: all three take the scenic route in their extended confessions, resulting in a book that is almost all past history with very little plot.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
(24)
$11.20
(137)
