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Tattooed Girl, The
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Editorial Reviews
From Publishers Weekly
When a reclusive, 38-year-old writer hires a near-illiterate young woman as an assistant at his suburban home in Carmel Heights, near Rochester, N.Y., he's unaware that a vehement anti-Semitism seethes beneath her tattoo-branded exterior. Renowned for The Shadows-his great early success, a novel based on his grandparents' experiences in Germany during the Holocaust-Joshua Seigl confuses his friends and sparks the anger of his hypomanic sister, Jet, when despite their objections he refuses to fire the young woman. A full portrait of the amiable, disillusioned Seigl emerges as he translates Virgil's The Aeneid, makes excuses for his failing health (he has recently been diagnosed with a debilitating nerve disease) and interacts erratically with his concerned friend, Sondra. Meanwhile, the mentally hollowed-out Tattooed Girl comes to seem a more realistic victim of persecution than any character in Seigl's historical fiction. Her soft, fleshy skin is defaced with ugly tattoos burned beneath her eye and on the backs of her hands by a mysterious group of abusive males. With scarcely a shred of self-esteem, she mumbles "Alma" to those who ask her name, "as if she had no surname. Or her surname wasn't important, as Alma herself wasn't important." She continually tries to impress her abusive, Jew-hating boyfriend, Dmitri, with little treasures stolen from her employer. Yet as she learns more about Seigl and his heritage, she can no longer ignore the dignity and respect with which he treats her. With her usual cadenced grace, Oates (We Were the Mulvaneys; Blonde; etc.) tells a mesmerizing, disturbing tale-though the little that is revealed of the Tattooed Girl's past may leave fans wanting more. Like the readers of Seigl's The Shadows, those who look for more meaning beneath the surface will be "forced to imagine what the writer doesn't reveal."
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
Oates's novel about an intellectual and his barely literate assistant provides a narrator with a huge built-in advantage: The central characters couldn't be more different. Joshua Seigl is an acclaimed 38-year-old writer in upstate New York who suffers from a mysterious degenerative illness. He hires Alma as his new assistant, projecting on her an idealized nobility that couldn't be further from the truth. The book shows people so locked into their own points of view that they are blind to the essence of others. Kate Fleming certainly delineates the two characters--who couldn't? Her Alma is affecting, barely verbal but never without a hint of menace. But Fleming ages Seigl far beyond his age in the book, causing listeners to continually do mental calibrations. M.O. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
See all Editorial Reviews
When a reclusive, 38-year-old writer hires a near-illiterate young woman as an assistant at his suburban home in Carmel Heights, near Rochester, N.Y., he's unaware that a vehement anti-Semitism seethes beneath her tattoo-branded exterior. Renowned for The Shadows-his great early success, a novel based on his grandparents' experiences in Germany during the Holocaust-Joshua Seigl confuses his friends and sparks the anger of his hypomanic sister, Jet, when despite their objections he refuses to fire the young woman. A full portrait of the amiable, disillusioned Seigl emerges as he translates Virgil's The Aeneid, makes excuses for his failing health (he has recently been diagnosed with a debilitating nerve disease) and interacts erratically with his concerned friend, Sondra. Meanwhile, the mentally hollowed-out Tattooed Girl comes to seem a more realistic victim of persecution than any character in Seigl's historical fiction. Her soft, fleshy skin is defaced with ugly tattoos burned beneath her eye and on the backs of her hands by a mysterious group of abusive males. With scarcely a shred of self-esteem, she mumbles "Alma" to those who ask her name, "as if she had no surname. Or her surname wasn't important, as Alma herself wasn't important." She continually tries to impress her abusive, Jew-hating boyfriend, Dmitri, with little treasures stolen from her employer. Yet as she learns more about Seigl and his heritage, she can no longer ignore the dignity and respect with which he treats her. With her usual cadenced grace, Oates (We Were the Mulvaneys; Blonde; etc.) tells a mesmerizing, disturbing tale-though the little that is revealed of the Tattooed Girl's past may leave fans wanting more. Like the readers of Seigl's The Shadows, those who look for more meaning beneath the surface will be "forced to imagine what the writer doesn't reveal."
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
Oates's novel about an intellectual and his barely literate assistant provides a narrator with a huge built-in advantage: The central characters couldn't be more different. Joshua Seigl is an acclaimed 38-year-old writer in upstate New York who suffers from a mysterious degenerative illness. He hires Alma as his new assistant, projecting on her an idealized nobility that couldn't be further from the truth. The book shows people so locked into their own points of view that they are blind to the essence of others. Kate Fleming certainly delineates the two characters--who couldn't? Her Alma is affecting, barely verbal but never without a hint of menace. But Fleming ages Seigl far beyond his age in the book, causing listeners to continually do mental calibrations. M.O. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
See all Editorial Reviews
Product Details
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