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Better Together
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Editorial Reviews
From School Library Journal
Grade 5-8-As Martha and her family prepare for their annual summer visit to New England, the mother of her deceased classmate comes to their door. Olive Barstow was killed by a car a month earlier, and the woman wants to give Martha a page from her daughter's journal. In this single entry, the 12-year-old learns more about her shy classmate than she ever knew: Olive also wanted to be a writer; she wanted to see the ocean, just as Martha soon will; and she hoped to get to know Martha Boyle as "she is the nicest person in my whole entire class." Martha cannot recall anything specific she ever did to make Olive think this, but she's both touched and awed by their commonalities. She also recognizes that if Olive can die, so can she, so can anybody, a realization later intensified when Martha herself nearly drowns. At the Cape, Martha is again reminded that things in her life are changing. She experiences her first kiss, her first betrayal, and the glimmer of a first real boyfriend, and her relationship with Godbee, her elderly grandmother, allows her to examine her intense feelings, aspirations, concerns, and growing awareness of self and others. Rich characterizations move this compelling novel to its satisfying and emotionally authentic conclusion. Language is carefully formed, sometimes staccato, sometimes eloquent, and always evocative to create an almost breathtaking pace. Though Martha remains the focus, others around her become equally realized, including Olive, to whom Martha ultimately brings the ocean.
Maria B. Salvadore, formerly at District of Columbia Public Library
Copyright 2003 Reed Business Information, Inc.
From AudioFile
Twelve-year-old Martha Boyle stands on the brink of discovery: about her family, about first love, and mostly about herself. As her family prepares for the annual visit to her paternal grandmother, Martha is given a journal entry from her classmate, Olive, who was killed in an automobile accident. Martha didn't really know Olive, but the journal entry makes Martha reflect on what might have been if Olive hadn't died. In her two weeks on Cape Cod, Martha learns to deal with the changing emotional landscape that comes with adolescence. This quiet, introspective story seems a bit overwhelmed by Blair Brown's strong, deep voice. While she reads with calm assurance, delineating the characters well with inflection and pacing, the overall effect is disappointing. A lighter voice might have provided more sparkle for the carefully crafted language and the depiction of the main character's changing self-awareness so skillfully created by Henkes. S.G. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.
See all Editorial Reviews
Grade 5-8-As Martha and her family prepare for their annual summer visit to New England, the mother of her deceased classmate comes to their door. Olive Barstow was killed by a car a month earlier, and the woman wants to give Martha a page from her daughter's journal. In this single entry, the 12-year-old learns more about her shy classmate than she ever knew: Olive also wanted to be a writer; she wanted to see the ocean, just as Martha soon will; and she hoped to get to know Martha Boyle as "she is the nicest person in my whole entire class." Martha cannot recall anything specific she ever did to make Olive think this, but she's both touched and awed by their commonalities. She also recognizes that if Olive can die, so can she, so can anybody, a realization later intensified when Martha herself nearly drowns. At the Cape, Martha is again reminded that things in her life are changing. She experiences her first kiss, her first betrayal, and the glimmer of a first real boyfriend, and her relationship with Godbee, her elderly grandmother, allows her to examine her intense feelings, aspirations, concerns, and growing awareness of self and others. Rich characterizations move this compelling novel to its satisfying and emotionally authentic conclusion. Language is carefully formed, sometimes staccato, sometimes eloquent, and always evocative to create an almost breathtaking pace. Though Martha remains the focus, others around her become equally realized, including Olive, to whom Martha ultimately brings the ocean.
Maria B. Salvadore, formerly at District of Columbia Public Library
Copyright 2003 Reed Business Information, Inc.
From AudioFile
Twelve-year-old Martha Boyle stands on the brink of discovery: about her family, about first love, and mostly about herself. As her family prepares for the annual visit to her paternal grandmother, Martha is given a journal entry from her classmate, Olive, who was killed in an automobile accident. Martha didn't really know Olive, but the journal entry makes Martha reflect on what might have been if Olive hadn't died. In her two weeks on Cape Cod, Martha learns to deal with the changing emotional landscape that comes with adolescence. This quiet, introspective story seems a bit overwhelmed by Blair Brown's strong, deep voice. While she reads with calm assurance, delineating the characters well with inflection and pacing, the overall effect is disappointing. A lighter voice might have provided more sparkle for the carefully crafted language and the depiction of the main character's changing self-awareness so skillfully created by Henkes. S.G. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.
See all Editorial Reviews
Product Details
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