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143 of 164 people found the following review helpful:
4.0 out of 5 stars
Elizabeth George is back in top form, March 18, 2005
When the naked body of a dead young boy is found mutilated and artfully arranged on top of a tomb, it opens up a whole can of worms for the Metropolitan Police Force of London, for it turns out that this is just the latest in a string of similar murders. The thing is that the previous victims had been either black or of mixed race and had been written off as gang related killings. This latest victim, however, is white and is inviting a whole lot of interest. Hoping to contain the accusations of racism and callousness, AC Hillier appoints acting Detective Superintendent Thomas Lynley to the case, assigning him newly promoted Detective Winston Nkata (window dressing in Hiller's mind for the public as Nkata is off Jamaican background) and allowing Lynley to keep fiery Detective Constable Barbara Havers on the team. Everyone quickly realises that they have a serial killer on their hands; and as they race to discover how many prior victims there were and identify them, and to try to establish a pattern of sorts that would give them a clue as to the killer's modus operandi, Lynley also has to contend with Hiller's need to direct the investigation and his desire that Lynley and his team cooperate with the newspapers. As the killings continue to mount, and as the police officers race to get a result, things take an unexpected and explosive turn, one that perhaps neither Lynley nor Havers will ever recover from..
With "With No One as Witness" Elizabeth George is once again in top form. I was terribly disappointed with "A Place of Hiding," and began to wonder if the Lynely-Havers mysteries would ever go back to becoming the compelling, dark reads that they once were. But this new Lynely-Havers installment reminded me of the old days, where I would devour each new installment in one go, relishing how both Lynely and Havers, using different points of reference would complement each other in order to solve the mystery at hand. Well crafted, and obviously meticulously researched (for example how the author effortlessly fleshes out the many grueling aspects of how a police investigation is conducted was truly awe-inspiring), this was definitely a labour of love. There was only one small detraction to "With No One as Witness" and that it was that the first half the novel was rather slow and heavy going. Fortunately Elizabeth George intersperses the slow moving initial police investigation with the chapters in which we are privy to the serial killers thoughts and movements. Chillingly and suspensefully describing how he stalks his young victims, and how he captures them (will the killer grab his victim without any problems, or will the victim escape at the last possible moment?), Ms George ably and competently conveys that "edge-of-your-seat" feeling. Also well done was the manner in which she conveys just how stressed out acting Detective Superintendent Thomas Lynley is becoming as he faces pressure from his superior (AC Hiller) to get a result quickly and to do things his way. As I noted before the pace does pick up about halfway through, and that coupled with the small plot twist should keep any mystery reader happily engrossed to the very end. And while some readers may be dismayed at the shocking turn the book takes, this only added to the pathos and promise of even darker installments to follow. All in all, "With No One as Witness" was an absorbing and compelling read that should not be missed.
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21 of 22 people found the following review helpful:
3.0 out of 5 stars
Too sad, March 27, 2005
I was beyond thrilled when Elizabeth George's newest hit the racks. I consumed the others in the series. Her latest is fast-paced and very interesting. But after a surprising and unwelcome plot-twist 3/4 of the way through, I really had a hard time finishing it. Overall, it was depressing. Who wants to see your heroes bleeding thru the last page?
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24 of 26 people found the following review helpful:
1.0 out of 5 stars
Elizabeth George fails big time , March 27, 2005
Reading this novel reminds me of how I felt watching Michael Jordan play baseball. I respected the emotions that were driving him, and he did an OK job at it, but I just wanted him to get it out of his system already and go back to basketball, which he played like no one else on earth. Like an angel.
In With No One as Witness, Elizabeth George inflicts on us her restlessness with the world she so brilliantly created over the past 17 years. Instead of her gorgeously-plotted and intimate tales of normal people driven to murder, she strikes out into the territory of serial killers. It's a mistake.
In the past, she's developed villains who linger in our memory for the richness of their characters and the awful logic that drives them to commit murder. But for the grace of God, any of us might be Robin Payne (In the Presence of the Enemy) or Sarah Gordon (For the Sake of Elena).
In this book, she provides a serial killer, whose character verges on a parody of serial killers; a host of secondary characters who's motives are perplexing; and an inattention to versimilitude that is highly annoying and most unlike George. Oh, and she also stuffs the book with weighty themes including racism, child pornography, and the evils of tabliod journalism.
But my real beef with this novel isn't that she branches off into an area that she handles less well: any author of a long-running series is bound to run out of ideas sometimes. And there's a long and honorable tradition of authors of one genre flexing their creative muscles in another area â€" think of beloved crime writer P.D. James and her foray into science fiction (The Children of Men). But P.D. James was smart: when she wanted to branch out, she let her main series take a rest and created a whole different cast of characters for her attempt at science fiction.
My real beef is that, unlike James, George is trying her hand at serial killing within the context of her long-running series, and the real victim seems to be the series itself. In the last chapters she kills off an essential character (but not by the serial killer) in a way that is so implausible that I'm left feeling that she wrote this book on a Bad Plot Day.
If you want to read about serial killers, find an author who's better at portraying this kind of evil. If you want to keep reading about the continuing growth of Tommy, Helen, Simon, Deborah, and Barbara, cross your fingers that this was just an unfortunate experiment for this formerly fine author.
Come back, Elizabeth. We love you.
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