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145 of 162 people found the following review helpful:
5.0 out of 5 stars
"This Is a Bad Place For Gods...", August 2, 2001
Released from prison shortly after the accidental death of his wife, ex-con Shadow finds himself free, but bereft of all the things that gave his previous life meaning. As he bids his farewell to the fragments of that life, an eerie stranger named Mr. Wednesday offers him employment. Wednesday needs someone to act as aid, driver, errand boy, and, in case of Wednesday's death, someone to hold a vigil for him. Shadow consents and finds himself drawn unsuspectingly into a cryptic reality where myth and legend coexist with today's realities.Mr. Wednesday, trickster and wise man, is on a quest. The old gods who came over to this country with each human incursion have weakened as their followers have dwindled and are now threatened with extinction by the modern gods of technology and marketing. Wednesday travels from deity to deity, rounding up help for what will be last battle. He engages ancient Russian gods, Norse legends, Egyptian deities, and countless others who have found their way to America in the past 10,000 or so years. Shadow never quite understands what his role is in all of this, but he experiences visions and dreams which promise that he is far more than Wednesday's factotum. The plot is unendingly inventive as it treks its way across the country. From Chicago to Rhode Island, and Seattle to the magical town of Lakeside, Shadow's journey seems to follow the back roads of America. The people he meets are gritty, and the gods are even grittier. Gaiman creates believable characters with quick brush strokes and builds vivid landscapes that belie their mundane origins. Gaiman, recently moved to the U.S. has invited us along on his own quest to discover an America uniquely his own. This is a novel that resonates at many levels, it is Shadow's initiation quest, Gaiman's search for the American identity, a revisionist Twilight of the Gods, and last, but not least a captivating piece of fiction. The gods that people this story came with people who found their way to this country from almost every time and place. Gaiman has put his finger on once of this country's greatest truths. Every person who ever lived here has roots from somewhere else. We have crossed oceans and land bridges, on foot, and by every other means of transportation. Our culture has been created whole cloth out of the character and beliefs of all those people. Gaiman has managed to capture a bit of that vision and put it on display for the reader. After his superb work in "Neverwhere," "Stardust," and the Sandman graphic novels, Neil Gaimon has established himself a force to be reckoned with in the crossover horror/fantasy genre. Now with his new novel Gaiman establishes his mastery in a remarkable story of quest and transformation as he comes to terms with his own vision of America. "American Gods" defies classification and invites superlatives. This is one of 2001's must reads.
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34 of 36 people found the following review helpful:
5.0 out of 5 stars
Neil Strikes Again, June 20, 2001
After waiting several years for Neil's new book, I hungrily devoured the 400+ page "American Gods" in just over two days. The story follows Shadow Moon, recently released from prison, as he comes to work for a man simply known as Wednesday. Wednesday is a peculiar old man with a frightening knowledge of Shadow's past and an amazing talent of swindling people who introduces Shadow to many fascinating characters, who it is later learned, are all transplanted Gods endeavoring to hold on to life all across America. Gaiman explores the sacred power hidden in the kitschy roadside attractions doting the landscape of America's many back roads; their once glorious power waning as people worship more modern cultural icons and ideas. The sprawling story pits the forgotten gods America's immigrated citizens brought with them to the new land against the high-tech gods of modern living in a war for the very right to be worshipped. Shadow is pulled headfirst into the dispute and ends up playing a crucial role in the upcoming battle. The meanings of life and death, self-worth, spiritual beliefs, and redemption are all explored with Gaiman's witty intelligence. Gaiman's ability to entwine multiple plot lines with clever cultural critiques while maintaining fantastic character descriptions and an engaging narrative solidifies the fantasy/horror author's place as one of the world's best storytellers. Much more than a magical tale of combating Gods, Gaiman paints a picture of a melting pot left too long to boil, and a country who worships the next big thing a bit too easily and with little consideration for it's ancestry. Definitely worth buying, and undeniably worth reading (all though you might want to slow down a bit more than I did!). And while you're at it - check out "Stardust" and "Neverwhere", you won't be disappointed.
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60 of 72 people found the following review helpful:
4.0 out of 5 stars
The joy is in the journey, September 23, 2001
I have read all of Gaiman's novels, as well as the Sandman graphic novels. I'm a fan of urban fantasy, and, needless to say, I'm a fan of Gaiman's work. I was especially anxious to read American Gods because a good portion of the story takes place in my home state, Wisconsin (home of snow, ice and Culver's custard.) I was not, generally speaking, disapppointed. American Gods has everything I like about Gaiman's stories.The story opens with Shadow, the protagonist, being released from prison a week early to attend his wife's funeral. Shadow is a big man, strong in both stature and integrity. On his way home, he meets Mr. Wednesday, who offers Shadow a job as bodyguard. The pair travels the American heartland, drumming up support for a coming spiritual war. Along the way they meet a host of unlikely characters, includ and thugs with names like Mr. Town, Mr. Street, Mr. Woods and Mr. World. And not least among this cast of extremely interesting characters is Laura, Shadow's deceased wife who spends most of the book bailing Shadow out of tight situations. And rotting. I docked the book 1 star because, in my opinion, the ending fizzled. Also, interspersed through the book were short stories that were removed from the main storyline. These were a nice break between chapters, and offered insight to 'the coming war' in other parts of the nation. For some reason, these stories stopped about 1/3 of the way through the book, and I sort of missed them. In summary, I think that American Gods was a far stronger effort than the last book of his I read, Stardust, but not as good as Neverwhere, or Sandman.
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