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Last to Die (Grippando, James) by James Grippando |
Beyond Suspicion by James Grippando  (32)
$7.99
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Got the Look (Jack Swyteck) by James Grippando  (32)
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The Informant by James Grippando (27)
$7.99
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When Darkness Falls (Swyteck) by James Grippando (18)
$7.99
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Editorial Reviews
From Publishers Weekly
Miami lawyer Jack Swyteck is in for one hell of a roller coaster ride in this lapel-grabbing thriller, Grippando's ninth (Last to Die; etc.). Lindsey Hart, about to be charged with the murder of her husband, Marine Capt. Oscar Pintado, comes to Jack because she believes he is her last, best chance—and also the biological father of her adopted son. Stunned, Jack thinks he recognizes the picture of the 10-year-old she shows him ("he knew those dark eyes, that Roman nose"), but he still isn't sure whether he should take the case. What if he doesn't and she's innocent? She could be convicted. But if she's guilty—and he takes the case and wins it—he doesn't want to see the child raised by a murderer. Thanks to Grippando's devious mind, that's just the beginning. Plot twists, doled out with perfect timing, include the story of the murder victim, who's the son of a rich and powerful anti-Castro activist; the prosecutor's connection to Swyteck's family; and the testimony of the defense's prime witness, who is a private in Castro's army—the murder took place on the U.S. military base at Guantánamo Bay, Cuba. It's manipulative Lindsey, however, who proves to be the book's most unpredictable element. This character-driven, intricately plotted thriller will keep readers guessing up to the end.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From AudioFile
When Jack Swyteck, a Miami lawyer, gets involved in a murder case, defending the wife of an officer at Guantanamo Bay, he has the entire Cuban-American community, as well as the military, working against him. Add the involvement of the Cuban government, and you have a fascinating story of cover-ups and old-fashioned stonewalling. Campbell Scott performs with ease as he uses Cuban accents interspersed with American intonation. Scott ratchets up the intensity with subtle shifts in tone and pacing. The scenes in Cuba are particularly chilling as Swyteck runs afoul of both the U.S. and Cuban military machines. M.B.K. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.
See all Editorial Reviews
Miami lawyer Jack Swyteck is in for one hell of a roller coaster ride in this lapel-grabbing thriller, Grippando's ninth (Last to Die; etc.). Lindsey Hart, about to be charged with the murder of her husband, Marine Capt. Oscar Pintado, comes to Jack because she believes he is her last, best chance—and also the biological father of her adopted son. Stunned, Jack thinks he recognizes the picture of the 10-year-old she shows him ("he knew those dark eyes, that Roman nose"), but he still isn't sure whether he should take the case. What if he doesn't and she's innocent? She could be convicted. But if she's guilty—and he takes the case and wins it—he doesn't want to see the child raised by a murderer. Thanks to Grippando's devious mind, that's just the beginning. Plot twists, doled out with perfect timing, include the story of the murder victim, who's the son of a rich and powerful anti-Castro activist; the prosecutor's connection to Swyteck's family; and the testimony of the defense's prime witness, who is a private in Castro's army—the murder took place on the U.S. military base at Guantánamo Bay, Cuba. It's manipulative Lindsey, however, who proves to be the book's most unpredictable element. This character-driven, intricately plotted thriller will keep readers guessing up to the end.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From AudioFile
When Jack Swyteck, a Miami lawyer, gets involved in a murder case, defending the wife of an officer at Guantanamo Bay, he has the entire Cuban-American community, as well as the military, working against him. Add the involvement of the Cuban government, and you have a fascinating story of cover-ups and old-fashioned stonewalling. Campbell Scott performs with ease as he uses Cuban accents interspersed with American intonation. Scott ratchets up the intensity with subtle shifts in tone and pacing. The scenes in Cuba are particularly chilling as Swyteck runs afoul of both the U.S. and Cuban military machines. M.B.K. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.
See all Editorial Reviews
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